Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
Bertie thought about this. He was an extremely truthful boy – indeed, the only truthful boy in his class, as all the rest of the children (as Bertie could not help but notice) appeared to lie whenever it suited them to do so. Tofu, of course, lied about most things, more or less as a matter of course, and Olive, although more circumspect, always twisted the facts to suit her, while vigorously claiming to be an occupant of the moral high ground. The occupation of that high ground was useful in disputes – as Olive well knew – as it enabled her to invoke threats of divine intervention should anybody thwart her.
Olive was always warning others of the consequences of dis agreeing with her version of events. Bertie, for example, who was said by Olive to have promised to marry her once they both turned twenty, was warned severely as to the fate that lay ahead of him should he renege on this alleged promise.
‘It’s not just that you won’t be able to look at yourself in the mirror,’ said Olive. ‘It’s not just that, Bertie. You’ll also be struck by lightning.’
Bertie was silent for a moment. ‘I’m not calling you a liar,’ he said mildly. ‘Sometimes people misunderstand what they hear. Sometimes they hear things that nobody actually said. That doesn’t make them liars.’
Olive fixed him with an intense stare. ‘Oh yes? And sometimes they hear things exactly as the other person said them. So when somebody says, I promise to marry you when I’m twenty, they hear that and they remember it. What about that, Bertie?’
‘I really don’t think I ever said that, Olive,’ protested Bertie.
‘Well, you did,’ said Olive. ‘You said it and I wrote it down on a piece of paper. Then you signed it.’
Bertie was shocked at this claim, which was outrageous even by Olive’s standards. ‘I didn’t, Olive! And, anyway, where’s the paper? Show it to me.’
Olive was ready for this. ‘You’re not going to trick me that easily, Bertie Pollock. If I gave you the paper, you’d tear it up. I’ve seen that sort of thing happen before.’ She paused, and then uttered a final warning. ‘And if you carry on lying like this, you know, your pants are going to go on fire. I’m warning you, Bertie!’