Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
It seemed to Bertie that truth for people such as Tofu and Olive was an entirely flexible concept, and that what determined truth for such people was the vigour with which a proposition was asserted, even in the face of all the evidence. He, of course, knew differently, but he was still unsure as to whether there were circumstances in which one should refrain from revealing a truth because of the effect that this might have on others. Some observations, it appeared, were just too hurtful or troublesome to make, even if they were completely true. It was hurtful of Tofu to be so rude about Ulysses, and it was evidently very troublesome that Ulysses bore such a close resemblance to Dr Fairbairn.
Certainly when Bertie had first mentioned this to his mother, he had been surprised by her reaction. There had been silence at first – as if Irene had somehow been put into a state of shock by Bertie’s remark – and this had been followed by a strained retort to the effect that one did not comment on any resemblances that babies had to anybody.
‘Just don’t do it, Bertie,’ warned his mother. ‘Mummies, in particular, don’t like that sort of remark.’
‘But I thought that a mummy might be interested to know that her baby looks like one of her friends,’ said Bertie. ‘There’s not much you can say about babies, but you can say that.’
Irene’s voice now rose slightly. ‘No, Bertie. We can’t say that sort of thing. Rest assured – Mummy knows. You don’t tell a mummy that a baby looks like another … another daddy. You don’t. Did you hear me? You don’t! So let’s not have any more of this. Capisce?’
Bertie had left the matter at that. He was still sure that Ulysses looked extraordinarily like the psychotherapist – they had exactly the same, rather unusual shape of ear, and there was something in the eyes, too, which strongly suggested this. He pointed this out to Dr Fairbairn himself during one of his sessions, but the psychotherapist had said nothing, and had then gone off to Aberdeen, to a chair. Bertie could not understand why Dr Fairbairn should find it necessary to go to Aberdeen for the sake of a chair, of all things. But the ways of adults were strange, and the ways of Dr Fairbairn were particularly so.
And now there was an additional thing for his mother to worry about. Ulysses, who was not an easy baby and was given to girning, had started to be sick whenever Irene picked him up to feed him. Indeed, more or less every time Irene picked him up, he brought up over her shoulder. It was very trying for everybody – for Irene, for Stuart, and for Bertie himself, who did not like the smell.