Back The Importance of Being Seven
Chapters (89)
  1. Also by Alexander McCall Smith
  2. COPYRIGHT
  3. Contents
  4. Preface
  5. 1. Nothing But Tenderness
  6. 2. A Very Considerate Husband
  7. 3. At Big Lou’s
  8. 4. Auden and Burns, and Bertie
  9. 5. Pre-Natal Classroom – for Babies
  10. 6. The Ways of Ulysses
  11. 7. Anthropological Issues
  12. 8. Domenica Has Coffee With Dilly
  13. 9. The Grosseto Road
  14. 10. The Return of Pat Macgregor
  15. 11. Pat’s Flat
  16. 12. The Green Hotel
  17. 13. On the 23 Bus
  18. 14. Regurgitation Issues
  19. 15. Edinburgh People
  20. 16. For Love or Money
  21. 17. The News from Arbroath
  22. 18. Ten Years with the Pygmies
  23. 19. The Question of Cosmetic Surgery
  24. 20. The Aphrodite of Dundas Street
  25. 21. Impressionists and Post-Impressionists
  26. 22. More About Baden-Powell
  27. 23. The Insouciance of Tofu
  28. 24. Some Sophisticated Colours
  29. 25. 100 Things for a Boy to Do: Part 1
  30. 26. 100 Things for a Boy to Do: Part 2
  31. 27. Forgery Exposed
  32. 28. A Game of Bridge
  33. 29. Underneath the Lamplight
  34. 30. Trust and Revelation
  35. 31. Pregnancy Plans
  36. 32. Dramatic, Life-Enhancing News
  37. 33. The Implications of Boys
  38. 34. Carnoustie Shortbread
  39. 35. Édouard Vuillard and the Interior Vision
  40. 36. Fear a’ Bhata
  41. 37. Political Crisis
  42. 38. Show and Tell
  43. 39. Which World Am I Living In?
  44. 40. A Moment on Queen Street
  45. 41. Psychotherapeutic Matters
  46. 42. Life and Chance
  47. 43. A Scotsman, His Life and Marriage
  48. 44. A Move to Moray Place
  49. 45. In Moray Place
  50. 46. What We Really Are
  51. 47. The Symbolism of Birds
  52. 48. The Breaking of the Heart
  53. 49. Chinoiserie
  54. 50. Matthew is Decisive
  55. 51. A Letter of Comfort
  56. 52. The Meaning of Always
  57. 53. An Offer is Made
  58. 54. The Therapeutic Hour
  59. 55. Men Can Cry
  60. 56. From Scotland With Love
  61. 57. Bonnie Irene’s Noo Awa
  62. 58. Painful Questions
  63. 59. Regret on Corstorphine Road
  64. 60. The Comfort of Friends
  65. 61. Big Lou on Art and Fashion
  66. 62. Unwelcome Thoughts
  67. 63. Italy At Last
  68. 64. Services to the Republic
  69. 65. The Impact of Italy
  70. 66. Pacta Sunt Servanda
  71. 67. An Outing Begins
  72. 68. The Need for Evidence
  73. 69. On Subsidence
  74. 70. Supporting Walls
  75. 71. Arrival at the Villa
  76. 72. Mistah Kurtz, He Dead
  77. 73. The Possibilities of Florence
  78. 74. In Proper Boots
  79. 75. The Haar Rolls In
  80. 76. A Real Boy’s Room
  81. 77. Bertie’s Dream
  82. 78. An Incident in a Café
  83. 79. Unbearable Beauty
  84. 80. Antonia’s Condition Explained
  85. 81. A Terrible Mistake
  86. 82. Shocking Developments
  87. 83. A Hinterland of Regret
  88. 84. Icarus, Cyril, a Ducati
  89. 85. The Timetable of Happiness

It seemed to Bertie that truth for people such as Tofu and Olive was an entirely flexible concept, and that what determined truth for such people was the vigour with which a proposition was asserted, even in the face of all the evidence. He, of course, knew differently, but he was still unsure as to whether there were circumstances in which one should refrain from revealing a truth because of the effect that this might have on others. Some observations, it appeared, were just too hurtful or troublesome to make, even if they were completely true. It was hurtful of Tofu to be so rude about Ulysses, and it was evidently very troublesome that Ulysses bore such a close resemblance to Dr Fairbairn.

Certainly when Bertie had first mentioned this to his mother, he had been surprised by her reaction. There had been silence at first – as if Irene had somehow been put into a state of shock by Bertie’s remark – and this had been followed by a strained retort to the effect that one did not comment on any resemblances that babies had to anybody.

‘Just don’t do it, Bertie,’ warned his mother. ‘Mummies, in particular, don’t like that sort of remark.’

‘But I thought that a mummy might be interested to know that her baby looks like one of her friends,’ said Bertie. ‘There’s not much you can say about babies, but you can say that.’

Irene’s voice now rose slightly. ‘No, Bertie. We can’t say that sort of thing. Rest assured – Mummy knows. You don’t tell a mummy that a baby looks like another … another daddy. You don’t. Did you hear me? You don’t! So let’s not have any more of this. Capisce?’

Bertie had left the matter at that. He was still sure that Ulysses looked extraordinarily like the psychotherapist – they had exactly the same, rather unusual shape of ear, and there was something in the eyes, too, which strongly suggested this. He pointed this out to Dr Fairbairn himself during one of his sessions, but the psychotherapist had said nothing, and had then gone off to Aberdeen, to a chair. Bertie could not understand why Dr Fairbairn should find it necessary to go to Aberdeen for the sake of a chair, of all things. But the ways of adults were strange, and the ways of Dr Fairbairn were particularly so.

And now there was an additional thing for his mother to worry about. Ulysses, who was not an easy baby and was given to girning, had started to be sick whenever Irene picked him up to feed him. Indeed, more or less every time Irene picked him up, he brought up over her shoulder. It was very trying for everybody – for Irene, for Stuart, and for Bertie himself, who did not like the smell.