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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

“Look what you’ve done.” The boy’s pinched face grew longer and even more pinched. He dug his fingernail into the white material, digging at the mark. “The words are here.” He rattled the parchment. “Here. On the parchment. This—these letters”—he pointed near the top edge—“these say oracle. These, this cluster, apprentice. This, what you ruined, did say, Word has come to us this evening… now it merely says this evening.”

Alba looked from her fingertips to the parchment. “This evening?”

“These”—the boy’s voice had filled with exasperation—“are letters. T. H. I. S. E. V. E. N. I. N. G. They represent sounds. This evening. All of these marks are letters. The priests taught me how to put them together, how to understand them. I can read them.”

“Like the oracle reads signs? Do these signs”—she tried to tap the parchment, but the boy pulled away—“tell the future?”

“No, not like that at all. Only the oracle… and you… can read signs, make prophecies. These, for example, these marks say, Word has come to us this evening that the king has announced the period of mourning over, so it tells, actually, of what happened before. And since this parchment is several years old—it’s several years before.”

“The king!” Alba started. “What else? What else does it say about the king?”

The boy grimaced. “I’m not sure you are meant to know. I think words, written words, are for the priests only.”

Alba leaned over the marks, desperate to understand. “Tell me. Please. If you tell me… I’ll leave the pool. I’ll go back to my chamber. You needn’t follow me.”

The boy glanced skeptically at her.

“I promise. I’ve been looking for a sign. Something I have to know. But nothing I’ve seen has ever answered… perhaps these scratches are an answer.”

The boy considered. “Well, there isn’t much more,” he said at last. “It simply says, The king has announced the period of mourning over for the loss of the heir, his mother’s stillborn babe, and celebrations for—”

“But that isn’t true,” Alba said. “The babes were not stillborn.”

“The babe was stillborn. For months, this was in all the news brought to us. Even I heard of it. Despite the careful attention of Governor-Advisor and despite his great knowledge in the mysteries of the body’s inner forms, the babe was stillborn. Another misfortune—the loss of the heir.”

“No.” Alba felt hot. Light-headed. “No, that’s not true. The babes were alive. They were carried away.”

“The chroniclers have recorded the words of the king. Of his governor-advisor. Of course the babe died.”

“Babes,” Alba said faintly.

“What’s that?”

“Babes. Two. Twins. I saw them.”

“No.” The boy flapped dismissively. “Only one. Stillborn.”

Alba stared at the boy-priest. He was bending again over the parchment, marking another insect-elbow over the smudge he’d scraped. He was murmuring, “Oh, they won’t like it,” complaining over the mistake. Alba had never known words could be marked like that, scratched in black, beetle-bodied, skittering over a pale expanse, shaping a story that was—and was not—true. Here, ant-legs bearing the oracle’s steady prophecies—an upright colony marching with her words of fortune and fair winds. Here, beetles carrying, pushing, rolling an untruth… something heavy and rank and ill formed… shaping something new, something that was not true.