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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

The tall man grimaced.

“Good for the king?” Nessa clutched Mop’s hand more tightly. “What do you mean?”

“The king—he’s always looking for… some sort of laugh. Some kind of distraction. He’s grown tired of his acrobats, and he’ll be less”—the red-faced man glanced meaningfully at the others—“ dissatisfied if we return with this funny fellow.”

“You cannot take Mop with you,” Nessa said, her voice rising. “He is not fit for such travel. He is needed here.”

The man laughed again. “Which is it, old woman? If he’s needed here for your flock, he’s clearly fit for travel. If he’s not needed here, well, then, what does it matter? So”—he leaned his body large over Nessa’s—“unless you can tell me where I can find a child—say, twelve or thirteen or so—he’s to come with us. It’s either him or a child.”

Rae, whole body quivering with fury, stepped out of the shadow of the barn into a patch of bright sun. She saw Mop’s eyes widen. She saw the tall man’s eyes widen. The two shorter men, still chuckling, had their attention on Mop. They did not yet see her.

Mop’s eyes, as he looked at Rae, were full of pleading. Trembling, he shook his head. No, he silently begged. No, no, no.

Half-moons falling deeper, the tall man looked from Mop to Rae. “That’s so,” he said after a long moment, his voice tight. He put his hand on Mop’s shoulder and pushed him—softly, almost hesitantly—toward the horses. The shorter men, following Mop, turned their backs to Rae. “The king will be disappointed if we return without the child he seeks. He will insist we failed and send more men. But if we bring this man… he will see that only a witless old shepherd lives in the hills.”

But Rae stepped farther into the sun. “You can’t take my father!” she cried.

“Rae!” Nessa turned, all the color drained from her face. “Daughter, run!” she shouted at the same time Mop wailed, “Sunlight!”

“Oho!” cried the red-faced man, hurrying to Rae and grabbing her arms. “So there is a child! We can take the man and the girl.”

“Let her go!” Nessa ran toward the man, but the third, quieter guard shoved her back.

“Get off, old woman.”

Ness stumbled backward.

“Don’t hurt them!” Rae cried. She struggled against the guard. “Leave them be!”

Mop was still wailing, a sound Rae thought might still be the word sunlight, and flailing against the tall guard holding him. Though Rae had not thought before she’d stepped out of the shadows, though she had not considered anything beyond saving Mop before she’d cried out, now that she had, it seemed as though this moment had been hurtling toward her all her life. The world slowed; small details—the trembling red of Mop’s lower lip, the pale fan of lashes over Ness’s cheek, the stubbled, dimpled chin of the laughing guard, the spittle shining in its grooves—grew suddenly large. She understood at once—she could not avoid this fate for herself. But she could save others.