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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

As Alba approached the boy-priest, trying to pinpoint how much he had grown, she found herself distracted instead by the flat thing spread over his lap. The boy did not look up. Biting his lip, he had all his attention focused on a long, narrow reed pinched awkwardly in his fingers. He moved it across the flat panel with painstaking slowness. Wherever he moved it, it left a little black scratch.

Alba could not stop herself from watching. “What is this?” she asked finally.

The boy nodded at another black-scratched panel spread on the ground beside him. “Kerfying,” he said, still biting his lip.

“What’s that?” Alba asked.

“Copying,” he repeated more clearly, dipping the reed into a small pot beside him. “I’m trying to copy a parchment.” He glanced at Alba and, frowning, muttered, “If I show I can do it well, I might be granted a new duty. It’s not what I want to do. It’s not preparing meals… it’s not picking thyme and making stew, but I would not have to guard the chamber, or, as it happens, not guard the chamber and follow the apprentice through the dark to make sure she doesn’t drown. And then some other guard can worry about your rule breaking.”

Alba ignored this, still wondering about the dark marks. “You have to copy those scratches?”

“Words.”

“What words?”

“On the parchment.”

“Where?”

The boy tapped his finger on the panel spread across his lap. He moved the reed to make a slanted scratch—up, down. Again, but straight. Over.

Insect-legs, thought Alba, looking over all the swarming dark marks. Ant-antennae. Spider-knees. Cicada-haunches. Beetle-arms. Again, she asked, “But where are the words?”

“On this day,” read the boy, sighing as he dropped his reed into the pot, “the oracle and her apprentice did receive seven visitors before noon, and eight more before dinner. Forty-three coins were collected. Asked by a merchant whether he should expand his trade across the sea, the oracle did answer, ‘Fortune not carried by fair winds is fortune lost.’ Asked by a father whether his daugh—”

“I don’t remember this,” Alba said. “No merchant has visited recently.”

“I’m reading it. This is what the priest wrote.”

“Wrote?”

“This.” The boy shook the parchment. “What do you think I’m copying? This is the priest’s catalog of the day. Of the visitors to the oracle from”—he squinted at the page—“several years ago. These are his words.”

Alba stared with uncertainty as the boy marked another parade of cicada-haunches and beetle-arms across the blank space. Finally, unable to bear her curiosity longer, she leaned over the boy’s shoulder and touched a tangle of crooked spider-legs.

“Don’t—” the boy cried, pulling the parchment away.

Raising her hand, Alba saw her fingertip had been darkened with something damp and black. She lifted her hand to her lips, sniffed, then touched her finger lightly to her tongue. It tasted sour. Burnt. “No word,” she said. “It’s bitter.” She glanced at the boy, who was now scraping frantically at a cloud that had appeared where the stick-legs were before, as though the insects themselves had been crushed there.