Contents ( 127)
- I
- ELEVENTH, OR COOKED CREAM
- II
- INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
- III
- THE ORACLE AND THE APPRENTICE
- IV
- THE WATERS SPEAK
- V
- OVERCOOKED AND DESPISED
- VI
- LIKE THE LEAPING OF FROGS
- VII
- INTERLUDE—ANOTHER MISFORTUNE
- VIII
- A SACK OF CABBAGES IN THE DARK
- IX
- NO WORDS
- X
- THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
- XI
- TENDER MANDIBLES
- XII
- FUR
- XIII
- HEARTH
- XIV
- THE LIMBS OF ANTS AND BEETLES
- XV
- THE WAY A BEAR LICKS HER CUBS INTO SHAPE
- XVI
- WHAT ANIMAL?
- XVII
- TRUTHS, OR TWO WHEELS SHEEP CHEESE
- XVIII
- ALL-TOOTHY FUR
- XIX
- AN EMPTINESS ALMOST UNEMPTIED
- XX
- A DELICATE ANIMAL
- XXI
- AH, THERE YOU ARE
- XXII
- NEVER MIND WORDS AND MAGIC AND MEANT TO
- XXIII
- THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
- XXIV
- THE ROUND GOODNESS OF EGG
- XXV
- JUST A LONE MALE
- XXVI
- INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
- XXVII
- INKY BEETLES OF TRUTH
- XXVIII
- LOVE MAKES HER LIGHT AS A LAMB
- XXIX
- THE PIGLETS GROW FASTER TO PLEASE HIM
- XXX
- A MOUNTAIN TO MAKE THE SOUND MM
- XXXI
- WITH SOOT LEFT FROM FLAMES
- XXXII
- ANOTHER PANCAKE, PERHAPS?
- XXXIII
- SLIPPERY FISH SCALES
- XXXIV
- INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
- XXXV
- A FAT, FLABBY RAT IN ITS MOUTH
- XXXVI
- A LITTLE CLOUD
- XXXVII
- A LIE, A SEED OF UNCERTAINTY
- XXXVIII
- NOTHING-FULL
- XXXIX
- THE SMELL OF BIRDS IN THE AIR
- XL
- ONETWOTHREEFOURFIVESIX
- XLI
- THE KING GROWS TIRED OF HIS ACROBATS
- XLII
- A GREASY SHRIEK
- XLIII
- TSPTSP, OR THE VIOLENT NOISE OF NATURE
- XLIV
- THE FEELING OF TEETH IN HIS MOUTH
- XLV
- A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
- XLVI
- DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
- XLVII
- SAUSAGE-GREASED FINGERS
- XLVIII
- ALL BELLY EMPTY AND FULL
- XLIX
- A PLATTER OF MEAT
- L
- EMPTY, EMPTY, EMPTY
- LI
- SOFT, FAT, AND GHOSTLY
- LII
- DRIP
- LIII
- THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
- LIV
- THE UNPICKING
- LV
- A MIRAGE, A FEVER
- LVI
- HOW CURIOUS: A WAY IN
- LVII
- TOO-HASTY SEAMS
- LVIII
- HE LEAVES THE BONES
- LIX
- NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
- LX
- SHE SPEAKS! SHE SPEAKS!
- LXI
- WRRRR
- LXII
- INTERLUDE—FRAGMENTS AND EPHEMERA
- LXIII
- LIKE SLEEPING, LIKE DREAMING
- ACKNOWLEDGMENTS
the thistles purpling all the wood,
the starling-polished skies,
the bees in honeyed hum at noon…”
Alba, grasses hush-ing and tickling her legs, insects startling and shimmering into the space around her, approached slowly, uncertainly, but the heir broke off when she saw her.
“Alba.” Rae’s eyes grew wide. “I thought you were too far away to hear me.”
Drip.
Overcome, Alba gestured to Rae, to the wolf. Shaking her head, she sat beside her. I thought you were gone, she wanted to say, I thought they’d ended you. Instead, when she found her voice, she could only ask, “Those words—what were you chanting?”
“Oh.” Rae’s smile showed a bright gaggle of teeth. “I was singing. Mop”—she pointed down the hill, where, far in the distance, two figures could be seen outside a small hut—“he taught me.”
Drip.
“I’ve never heard words like that—arranged like that. Images and…” Alba hesitated, unsure how to describe the chanting. Listening to Rae, she’d almost smelled the dense pine, almost tasted the rich honey, almost felt the thistle prickling her skin. “Images and patterns,” she said at last, lighting on it. “I could hear them. Like the patterns the oracle taught me to see in birdsong or even… bird flight… But your song… it’s not augury, is it? It’s not showing the future. Just…” Alba glanced at the meadow, the sheep, the little hut in the distance, the shifting gold-and-silver light of the field. “Just your world,” she said finally. “The world as you see it.”
Rae kept her eyes on the distant figures. “Birdsong,” she repeated. “Mop always wished his singing to be more like that. Easeful as the skylarks’, he said. He used to sing all the time, but his words are”—she frowned, and for a moment, the hillside turned stony and gray—“no longer his own.”
Drip.
While Alba watched, Rae scratched in the soil, pulling a grub from the dirt. She held it flat on her palm, and the wolf took it gently with his teeth.
Alba thought of the man she’d helped from the mud, the way he’d struggled to speak. “I remember him,” she said gently. “From the market.”
Rae, meeting her eyes, nodded. “I remember you. I remember you helping him.”
“Can you sing one of his?”
Drip.
Rae, tilting her chin, began quietly—
“For you, I’ll sing
of times before the age of men, when first
the world… the seeds of earth and wind and sea
and fire… this tender orb…”
—but grew quickly flustered. “I can’t remember,” she said, pinching the corners of her eyes. “My mind is so cloudy right now.”
Drip.
“You should write it down,” Alba said. “For you and for your father, to give him his words again.”
“Writing…” Rae shook her head. “I don’t know how. Just once I saw it, at the market—but I don’t know the shapes.”
Drip.
Alba looked about. An overturned bowl lay beside the wolf. “Here.” Reaching, she took the bowl into her lap and selected a sharp rock from the stones scattered around her. On the underside of the vessel, she scratched into the clay.