Back When I Lost You
Chapters (81)
  1. Cover
  2. About the Author
  3. Dedication
  4. Prologue
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Nine
  14. Ten
  15. Eleven
  16. Twelve
  17. Thirteen
  18. Fourteen
  19. Fifteen
  20. Sixteen
  21. Seventeen
  22. Eighteen
  23. Nineteen
  24. Twenty
  25. Twenty-one
  26. Twenty-two
  27. Twenty-three
  28. Twenty-four
  29. Twenty-five
  30. Twenty-six
  31. Twenty-seven
  32. Twenty-eight
  33. Twenty-nine
  34. Thirty
  35. Thirty-one
  36. Thirty-two
  37. Thirty-three
  38. Thirty-four
  39. Thirty-five
  40. Thirty-six
  41. Thirty-seven
  42. Thirty-eight
  43. Thirty-nine
  44. Forty
  45. Forty-one
  46. Forty-two
  47. Forty-three
  48. Forty-four
  49. Forty-five
  50. Forty-six
  51. Forty-seven
  52. Forty-eight
  53. Forty-nine
  54. Fifty
  55. Fifty-one
  56. Fifty-two
  57. Fifty-three
  58. Fifty-four
  59. Fifty-five
  60. Fifty-six
  61. Fifty-seven
  62. Fifty-eight
  63. Fifty-nine
  64. Sixty
  65. Sixty-one
  66. Sixty-two
  67. Sixty-three
  68. Sixty-four
  69. Sixty-five
  70. Sixty-six
  71. Sixty-seven
  72. Epilogue
  73. Acknowledgments
  74. Read More
  75. Prologue
  76. One
  77. Two
  78. Three
  79. Four
  80. Follow Merilyn online
  81. Dedication

Nell looked around the room. The flat was situated above a betting shop in Rose Hill, the one Carla had flagged up and which Nell and Paul had visited the evening before. Had he been dead then? Lying here in his own blood while they talked crap to the shop owner?

She noted the tidy bedside table, a tube of moisturiser, a half-read book. ‘Who owns it? The flat?’

‘No you don’t,’ Paul stopped her. ‘You know the drill. You call the killer’s gender from the same information as I have. Just what’s in this room.’

It was a game they played. One of the little things that made the harder parts of the job more bearable.

Nell looked at the rose-coloured wallpaper – a little ripped at the edges – the chest of drawers on which stood a mirror and a brush, a book placed at an angle on the bedside table, and it occurred to her it looked just like a stage set.

‘I’m calling a woman.’

‘That’s a bold statement, Jackson.’ Paul’s tone told her what he thought of her conclusion but she just shrugged.

‘The room is bare, but what’s here suggests a female occupant.’ She looked at the hairbrush that’d be ripe with DNA to prove her right. ‘And attacking from behind suggests the need for surprise – to give the killer a chance.’

Paul looked unconvinced. ‘Yeah, but a man could just as well have needed surprise. Not all men have these.’ He flexed his tattooed biceps, thick from hours in the gym each night.

‘But why would a man be up here with him?’ She pointed to the bed, sheets ruffled. ‘I think whoever did it was here with him, then something happened to make her kill him. Maybe he got violent, she felt threatened, got what was nearest to her and hit him with it.’

‘But what? There’s nothing obviously missing, so what did “she” kill him with?’

He had a point. There was no obvious murder weapon, unless Eve had bagged it already. But if she hadn’t, if there wasn’t a murder weapon used in the heat of the moment, that would only indicate one thing.

Nell looked to Paul. ‘You think someone brought the murder weapon here deliberately?’

‘Maybe.’

‘Which would mean it was premeditated.’

‘Yup. And hours after his kid is killed? Too much of a coincidence?’

‘Kelly-Anne?’

‘She hasn’t been at the station long. She had ample time before to sneak out and meet him. Maybe they argued. She accused him of killing their child, they fought, she killed him.’

‘But that sounds premeditated. If the murder weapon was brought to the scene, she would have had to consciously choose an appropriate item, carry it on her, then be calm enough to take it away again after she’d killed her partner.’ And from what Nell had seen of Kelly-Anne, this seemed unlikely.