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Chapters (89)
  1. Also by Alexander McCall Smith
  2. COPYRIGHT
  3. Contents
  4. Preface
  5. 1. Nothing But Tenderness
  6. 2. A Very Considerate Husband
  7. 3. At Big Lou’s
  8. 4. Auden and Burns, and Bertie
  9. 5. Pre-Natal Classroom – for Babies
  10. 6. The Ways of Ulysses
  11. 7. Anthropological Issues
  12. 8. Domenica Has Coffee With Dilly
  13. 9. The Grosseto Road
  14. 10. The Return of Pat Macgregor
  15. 11. Pat’s Flat
  16. 12. The Green Hotel
  17. 13. On the 23 Bus
  18. 14. Regurgitation Issues
  19. 15. Edinburgh People
  20. 16. For Love or Money
  21. 17. The News from Arbroath
  22. 18. Ten Years with the Pygmies
  23. 19. The Question of Cosmetic Surgery
  24. 20. The Aphrodite of Dundas Street
  25. 21. Impressionists and Post-Impressionists
  26. 22. More About Baden-Powell
  27. 23. The Insouciance of Tofu
  28. 24. Some Sophisticated Colours
  29. 25. 100 Things for a Boy to Do: Part 1
  30. 26. 100 Things for a Boy to Do: Part 2
  31. 27. Forgery Exposed
  32. 28. A Game of Bridge
  33. 29. Underneath the Lamplight
  34. 30. Trust and Revelation
  35. 31. Pregnancy Plans
  36. 32. Dramatic, Life-Enhancing News
  37. 33. The Implications of Boys
  38. 34. Carnoustie Shortbread
  39. 35. Édouard Vuillard and the Interior Vision
  40. 36. Fear a’ Bhata
  41. 37. Political Crisis
  42. 38. Show and Tell
  43. 39. Which World Am I Living In?
  44. 40. A Moment on Queen Street
  45. 41. Psychotherapeutic Matters
  46. 42. Life and Chance
  47. 43. A Scotsman, His Life and Marriage
  48. 44. A Move to Moray Place
  49. 45. In Moray Place
  50. 46. What We Really Are
  51. 47. The Symbolism of Birds
  52. 48. The Breaking of the Heart
  53. 49. Chinoiserie
  54. 50. Matthew is Decisive
  55. 51. A Letter of Comfort
  56. 52. The Meaning of Always
  57. 53. An Offer is Made
  58. 54. The Therapeutic Hour
  59. 55. Men Can Cry
  60. 56. From Scotland With Love
  61. 57. Bonnie Irene’s Noo Awa
  62. 58. Painful Questions
  63. 59. Regret on Corstorphine Road
  64. 60. The Comfort of Friends
  65. 61. Big Lou on Art and Fashion
  66. 62. Unwelcome Thoughts
  67. 63. Italy At Last
  68. 64. Services to the Republic
  69. 65. The Impact of Italy
  70. 66. Pacta Sunt Servanda
  71. 67. An Outing Begins
  72. 68. The Need for Evidence
  73. 69. On Subsidence
  74. 70. Supporting Walls
  75. 71. Arrival at the Villa
  76. 72. Mistah Kurtz, He Dead
  77. 73. The Possibilities of Florence
  78. 74. In Proper Boots
  79. 75. The Haar Rolls In
  80. 76. A Real Boy’s Room
  81. 77. Bertie’s Dream
  82. 78. An Incident in a Café
  83. 79. Unbearable Beauty
  84. 80. Antonia’s Condition Explained
  85. 81. A Terrible Mistake
  86. 82. Shocking Developments
  87. 83. A Hinterland of Regret
  88. 84. Icarus, Cyril, a Ducati
  89. 85. The Timetable of Happiness

It had been an uneventful morning for Kirsty. She had hoped that somebody would come into the gallery, would buy the most expensive painting on display, and then pay in cash. When Matthew came back, she would then inform him of the sale, modestly of course. But that was not the way the morning worked out. In fact, from the time that Matthew had gone off for coffee and left her in charge, hardly anybody had so much as lingered outside the window, let alone come in to buy a painting. At one point a tall man in an overcoat had almost entered, but had then glanced at his watch, looked up at the sky, and moved hurriedly away, as if he had just then reminded himself of an appointment, and of rain.

Kirsty sighed. She had taken the part-time job in the gallery because she felt that it was so much more interesting than the usual sort of job offered to students. Most people in her year – or at least most of those who did part-time work – were employed in bars or cafés. They might have considered it interesting to be a barista, but she did not. They were hard-worked and had no time to chat – she had heard that from a friend who worked an early shift at a coffee bar on South Clerk Street. Bars were no better, indeed were worse; there one had to contend with the flirting of middle-aged men. What made them think that somebody like her would find them even remotely attractive? It defied belief – it really did.

No, working in a gallery would be infinitely more exciting and a much more glamorous thing to report to others. ‘Actually, I have a job in an art gallery,’ she said to one of her friends. And her friend, who occasionally worked as a waitress in a lowly Italian restaurant on Lothian Road, looked suitably impressed.

‘You must meet some interesting people there,’ said the friend wistfully. There was nobody of any interest to be encountered on Lothian Road, she had decided.

‘Of course you do,’ said Kirsty airily. It was a lie, but most lies can be airily tossed off. Or perhaps it was not so much a lie as a statement that was not yet true in the strictest sense, but that was teleologically so. There were probably interesting people to meet, but she had not yet encountered any of them. So far, she had met only a few rather fusty clients of the gallery – rich people with nothing better to do than to buy paintings; and none of these were young men, who were the desired class of person with whom Kirsty wished to rub shoulders.