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Chapters (89)
  1. Also by Alexander McCall Smith
  2. COPYRIGHT
  3. Contents
  4. Preface
  5. 1. Nothing But Tenderness
  6. 2. A Very Considerate Husband
  7. 3. At Big Lou’s
  8. 4. Auden and Burns, and Bertie
  9. 5. Pre-Natal Classroom – for Babies
  10. 6. The Ways of Ulysses
  11. 7. Anthropological Issues
  12. 8. Domenica Has Coffee With Dilly
  13. 9. The Grosseto Road
  14. 10. The Return of Pat Macgregor
  15. 11. Pat’s Flat
  16. 12. The Green Hotel
  17. 13. On the 23 Bus
  18. 14. Regurgitation Issues
  19. 15. Edinburgh People
  20. 16. For Love or Money
  21. 17. The News from Arbroath
  22. 18. Ten Years with the Pygmies
  23. 19. The Question of Cosmetic Surgery
  24. 20. The Aphrodite of Dundas Street
  25. 21. Impressionists and Post-Impressionists
  26. 22. More About Baden-Powell
  27. 23. The Insouciance of Tofu
  28. 24. Some Sophisticated Colours
  29. 25. 100 Things for a Boy to Do: Part 1
  30. 26. 100 Things for a Boy to Do: Part 2
  31. 27. Forgery Exposed
  32. 28. A Game of Bridge
  33. 29. Underneath the Lamplight
  34. 30. Trust and Revelation
  35. 31. Pregnancy Plans
  36. 32. Dramatic, Life-Enhancing News
  37. 33. The Implications of Boys
  38. 34. Carnoustie Shortbread
  39. 35. Édouard Vuillard and the Interior Vision
  40. 36. Fear a’ Bhata
  41. 37. Political Crisis
  42. 38. Show and Tell
  43. 39. Which World Am I Living In?
  44. 40. A Moment on Queen Street
  45. 41. Psychotherapeutic Matters
  46. 42. Life and Chance
  47. 43. A Scotsman, His Life and Marriage
  48. 44. A Move to Moray Place
  49. 45. In Moray Place
  50. 46. What We Really Are
  51. 47. The Symbolism of Birds
  52. 48. The Breaking of the Heart
  53. 49. Chinoiserie
  54. 50. Matthew is Decisive
  55. 51. A Letter of Comfort
  56. 52. The Meaning of Always
  57. 53. An Offer is Made
  58. 54. The Therapeutic Hour
  59. 55. Men Can Cry
  60. 56. From Scotland With Love
  61. 57. Bonnie Irene’s Noo Awa
  62. 58. Painful Questions
  63. 59. Regret on Corstorphine Road
  64. 60. The Comfort of Friends
  65. 61. Big Lou on Art and Fashion
  66. 62. Unwelcome Thoughts
  67. 63. Italy At Last
  68. 64. Services to the Republic
  69. 65. The Impact of Italy
  70. 66. Pacta Sunt Servanda
  71. 67. An Outing Begins
  72. 68. The Need for Evidence
  73. 69. On Subsidence
  74. 70. Supporting Walls
  75. 71. Arrival at the Villa
  76. 72. Mistah Kurtz, He Dead
  77. 73. The Possibilities of Florence
  78. 74. In Proper Boots
  79. 75. The Haar Rolls In
  80. 76. A Real Boy’s Room
  81. 77. Bertie’s Dream
  82. 78. An Incident in a Café
  83. 79. Unbearable Beauty
  84. 80. Antonia’s Condition Explained
  85. 81. A Terrible Mistake
  86. 82. Shocking Developments
  87. 83. A Hinterland of Regret
  88. 84. Icarus, Cyril, a Ducati
  89. 85. The Timetable of Happiness

Matthew had noticed this when he was still a schoolboy. There had been a boy his class, Hector McFarlane, who had been blessed with a countenance and smile so appealing that even the sternest heart would melt on being exposed to this double-barrelled charm offensive. This youth, whose boisterous boyish misdeeds were legion, got away with them all because none of the teachers could bring themselves to punish one who looked so like a Florentine painter’s image of innocence in the garden. And this had continued, Matthew believed, throughout Hector’s career. Women forgave him everything, and men too, although none realised that they were doing it. Lookism, thought Matthew in retrospect. Like ageism and sexism, lookism was everywhere, resulting in the good-looking getting the best jobs, winning all the plaudits, being let off the most parking tickets by soft-hearted traffic wardens; being generally favoured.

And Matthew himself had been guilty of this in his choosing of Kirsty for the position of his assistant. Kirsty had seen the advertisement early and had been the first to telephone to arrange an interview. Matthew had invited her down to the gallery and had asked no more than three questions when he offered her the post.

‘You’re just the person I’ve been looking for,’ he announced. ‘If you want the job, it’s yours.’

Kirsty had been slightly surprised and had asked him if he wanted to hear about the experience she had had in helping out in a Glasgow gallery owned by friends of her parents.

‘Yes, of course I’d like to hear about that,’ said Matthew politely. ‘I was going to ask you. Do tell me.’

He half listened as she told him of the exhibitions she had helped to organise, but his heart was not in it and when she had finished he merely nodded and said, ‘That’s all fine. When do you want to start?’

Angus had seen Kirsty when he had walked past the gallery on the day that she started work. He had paused, pretending to look at a painting propped up on an easel in the window, but had been secretly staring at the glamorous new assistant sitting at the desk on the other side of the room. Later he reported to Big Lou what he had seen. ‘Matthew has a new little helper in the gallery,’ he said. ‘I take it you’ve seen her.’

‘I have not,’ said Big Lou. ‘Have you?’

Angus rolled his eyes. ‘Very pretty.’

Big Lou gave him a scathing look.

‘I don’t know where he finds these girls,’ Angus went on. ‘That girl Pat was attractive enough, but this one, my goodness me!’

‘Matthew’s a married man,’ said Big Lou. ‘I’m sure that how this girl looks is neither here nor there.’

Angus corrected himself. ‘Of course, of course. It’s just that … well, she’s very … how shall I put it?’