Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
Antonia said nothing, but in her mind she filed this away as yet another example of Domenica’s taking-over. There had already been several incidents in the plane, when she had monopolised Angus and barely given her a look-in; that was bad enough, but if this were to be the pattern of the trip, then she would have to be dealt with. Angus was not here for the sole delectation of Domenica, thought Antonia, even if it was true that the older woman had met him first. The fact that one has met a person first does not confer any greater right to that person’s company; that would be absurd. Perhaps Domenica needed to be reminded that she, Antonia, was an artist – in that she was a writer – just as Angus was, and that this meant that there was a bond between the two of them to which Domenica, as a non-artist, could not hope to aspire.
‘I feel so … so exhilarated,’ she said. ‘Just to be here in Tuscany.’ She gestured to the countryside outside the car. ‘What artistic soul could be anything but quickened in such a place? Don’t you agree, Angus? As an artist?’
Angus smiled. ‘Indeed,’ he said. ‘This is landscape to which one can hardly be indifferent.’
Antonia now continued. ‘I suppose that even those of us who are not artists,’ and here she looked pointedly at Domenica, ‘must feel something too. Not as intensely, perhaps.’
Domenica kept her eyes fixed on the road. ‘We have a long family association with this part of Italy,’ she said evenly. ‘My parents, in fact, met in Florence. My father, you see, was instrumental in setting up the British Library there. He was with the British Council for many years. They had many friends here. And I came for the holidays – quite often, in fact. My very first boyfriend was Italian, you know. I was sixteen and there was this delightful boy whose father was the Conte di something or other, and we played tennis—’
‘Such a dull game,’ interjected Antonia. She did not want to hear about this Italian boy and his father, the conte; a typical story, she felt, of upper-middle-class pretension. And what was this about visiting as a child? She thought that Domenica had lived in India when she was young, not Italy. Was she making the whole thing up?
‘Tennis?’ said Angus. ‘Tennis dull? Surely not. I’ll play tennis with you, if you like, Domenica. I’m a bit rusty, but I used to play quite a lot. Do we have a tennis court at the villa, I wonder?’
‘I don’t think so,’ said Domenica. ‘But had we had one then we should certainly have played.’