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Chapters (89)
  1. Also by Alexander McCall Smith
  2. COPYRIGHT
  3. Contents
  4. Preface
  5. 1. Nothing But Tenderness
  6. 2. A Very Considerate Husband
  7. 3. At Big Lou’s
  8. 4. Auden and Burns, and Bertie
  9. 5. Pre-Natal Classroom – for Babies
  10. 6. The Ways of Ulysses
  11. 7. Anthropological Issues
  12. 8. Domenica Has Coffee With Dilly
  13. 9. The Grosseto Road
  14. 10. The Return of Pat Macgregor
  15. 11. Pat’s Flat
  16. 12. The Green Hotel
  17. 13. On the 23 Bus
  18. 14. Regurgitation Issues
  19. 15. Edinburgh People
  20. 16. For Love or Money
  21. 17. The News from Arbroath
  22. 18. Ten Years with the Pygmies
  23. 19. The Question of Cosmetic Surgery
  24. 20. The Aphrodite of Dundas Street
  25. 21. Impressionists and Post-Impressionists
  26. 22. More About Baden-Powell
  27. 23. The Insouciance of Tofu
  28. 24. Some Sophisticated Colours
  29. 25. 100 Things for a Boy to Do: Part 1
  30. 26. 100 Things for a Boy to Do: Part 2
  31. 27. Forgery Exposed
  32. 28. A Game of Bridge
  33. 29. Underneath the Lamplight
  34. 30. Trust and Revelation
  35. 31. Pregnancy Plans
  36. 32. Dramatic, Life-Enhancing News
  37. 33. The Implications of Boys
  38. 34. Carnoustie Shortbread
  39. 35. Édouard Vuillard and the Interior Vision
  40. 36. Fear a’ Bhata
  41. 37. Political Crisis
  42. 38. Show and Tell
  43. 39. Which World Am I Living In?
  44. 40. A Moment on Queen Street
  45. 41. Psychotherapeutic Matters
  46. 42. Life and Chance
  47. 43. A Scotsman, His Life and Marriage
  48. 44. A Move to Moray Place
  49. 45. In Moray Place
  50. 46. What We Really Are
  51. 47. The Symbolism of Birds
  52. 48. The Breaking of the Heart
  53. 49. Chinoiserie
  54. 50. Matthew is Decisive
  55. 51. A Letter of Comfort
  56. 52. The Meaning of Always
  57. 53. An Offer is Made
  58. 54. The Therapeutic Hour
  59. 55. Men Can Cry
  60. 56. From Scotland With Love
  61. 57. Bonnie Irene’s Noo Awa
  62. 58. Painful Questions
  63. 59. Regret on Corstorphine Road
  64. 60. The Comfort of Friends
  65. 61. Big Lou on Art and Fashion
  66. 62. Unwelcome Thoughts
  67. 63. Italy At Last
  68. 64. Services to the Republic
  69. 65. The Impact of Italy
  70. 66. Pacta Sunt Servanda
  71. 67. An Outing Begins
  72. 68. The Need for Evidence
  73. 69. On Subsidence
  74. 70. Supporting Walls
  75. 71. Arrival at the Villa
  76. 72. Mistah Kurtz, He Dead
  77. 73. The Possibilities of Florence
  78. 74. In Proper Boots
  79. 75. The Haar Rolls In
  80. 76. A Real Boy’s Room
  81. 77. Bertie’s Dream
  82. 78. An Incident in a Café
  83. 79. Unbearable Beauty
  84. 80. Antonia’s Condition Explained
  85. 81. A Terrible Mistake
  86. 82. Shocking Developments
  87. 83. A Hinterland of Regret
  88. 84. Icarus, Cyril, a Ducati
  89. 85. The Timetable of Happiness

Stuart bit his lip. ‘He went up to Aberdeen. Of course, I can’t be sure whether there was anything going on.’

‘Nobody can be sure about such matters, sir,’ said the police officer. ‘People can be very discreet. Understandably.’ He paused. ‘Was everything all right at home?’

Stuart shrugged. ‘I think so. My wife is not necessarily an easy person. She’s a bit … a bit opinionated. She has strong views.’

It was clear that this interested the police officer. ‘Strong views on what?’

‘On everything, I suppose.’

The policeman nodded. ‘But you hadn’t had a recent row? Nothing that could have made her go off suddenly – without any warning?’

Stuart shook his head. ‘No. Nothing like that.’

The policeman cleared his throat. ‘There’s one other thing, sir. I’m sorry to have to bring this up, but you might know that we have a note in our files about contact between you and a certain Glasgow underworld figure. Could this have any bearing on your wife’s disappearance, do you think?’

Stuart gasped in astonishment. ‘Underworld figure?’ he stuttered.

‘One Aloysius O’Connor,’ said the policeman. ‘More generally known as Lard O’Connor. Now deceased.’

‘But I hardly knew him,’ Stuart protested. ‘I left my car outside his house by mistake. That’s all.’

‘And yet you were observed visiting the Burrell Collection with him,’ said the police officer quietly. ‘Does one go to a gallery with a complete stranger? And you were accompanied on this little cultural outing by one Gerald Sean Flaherty, known to our colleagues in the Strathclyde Police as the Sage of Maryhill, not a man widely believed to be interested in the arts. Yet you all went to this gallery together.’

Stuart looked dazed. ‘I really didn’t know these people,’ he said. ‘And anyway, I don’t see what this has to do with my wife’s disappearance.’

‘It very likely has nothing to do with it at all,’ said the officer. ‘But I’m sure you’ll understand why we have to look into all possible explanations.’ He paused. ‘And I’m afraid, sir, that I am very concerned over this case. You see, women do not normally leave their children – their husbands, yes, but not their children. So this makes me very concerned about your wife’s welfare.’

Stuart looked down at his hands. Of course it had occurred to him that Irene had met some terrible fate, but this was the first time that anybody in officialdom had been prepared to acknowledge that.

The officer spoke gently. ‘So you’ll understand why I must ask this question: did she have any enemies?’

‘Lots.’ Stuart had not intended to answer in this way but the response came spontaneously. ‘She didn’t deserve them, of course, but sometimes she was a bit outspoken. People are rarely ready for that.’

The policeman nodded. ‘Anybody in particular?’