Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
I am, first and foremost, she thought, Irene Pollock, a person to whom the first name Irene had been given, who had then married a man called Stuart Pollock. That made her Irene Pollock, although she had always had her reservations about women adopting their husbands’ surnames. That was changing, of course, and more women were retaining their maiden names, but it would be a little bit complicated now to do that because Bertie was Bertie Pollock and Ulysses was Ulysses Pollock. She had her reservations, too, about the term maiden name. What a ridiculous notion that one was a maiden of all things before one got married. It would be far better, she felt, to use the term woman’s name, or possibly birth name, rather than maiden name. Or possibly authentic name; that had a good ring to it. You would have your authentic name, and then you would have your secondary name, another good term.
She knew of the old Scottish habit of calling women by their maiden names – or authentic names – first, and then writing or and giving their married, or secondary, name. This was the way legal documents had always been worded. So she was Irene Burgess or Pollock, which was better than being Irene Pollock née Burgess, because this form put the authentic name after the secondary name, which gave the wrong message. That implied that the state of being married – the state of being a Pollock – was more important than the state of being a person with an authentic identity – that of a Burgess. And then there was always the problem of people being unable to spell, which would mean that she might be described as Irene Pollock, nay Burgess. Of course, that at least had the merit of suggesting that Pollock was the less important identity, the nay negating its pretensions.
Had she retained her authentic name, of course, there would have been a question of what Bertie and Ulysses were called. Bertie’s full name was Bertie Wystan Pollock, but in a more egalitarian, less patriarchal society, he could as easily be called Bertie Wystan Burgess. Bertie Burgess, however, was rather too alliterative, and she had been determined not to burden her children with awkward or embarrassing names. What was that girl at school called? She cast her mind back to the roll call at the Mary Erskine School for Girls: Lorna Anderson, present, Nicola Ross, present, Mhairi Smellie, present … Poor Mhairi Smellie. Her first name, a Scots Gaelic name, was pronounced ‘vary’, which sounded close to very. The name Smellie was common enough in Scotland, but to be called something which sounded like ‘very smelly’ was a singular misfortune, and indicative, surely, of a lack of parental foresight.