Back The Importance of Being Seven
Chapters (89)
  1. Also by Alexander McCall Smith
  2. COPYRIGHT
  3. Contents
  4. Preface
  5. 1. Nothing But Tenderness
  6. 2. A Very Considerate Husband
  7. 3. At Big Lou’s
  8. 4. Auden and Burns, and Bertie
  9. 5. Pre-Natal Classroom – for Babies
  10. 6. The Ways of Ulysses
  11. 7. Anthropological Issues
  12. 8. Domenica Has Coffee With Dilly
  13. 9. The Grosseto Road
  14. 10. The Return of Pat Macgregor
  15. 11. Pat’s Flat
  16. 12. The Green Hotel
  17. 13. On the 23 Bus
  18. 14. Regurgitation Issues
  19. 15. Edinburgh People
  20. 16. For Love or Money
  21. 17. The News from Arbroath
  22. 18. Ten Years with the Pygmies
  23. 19. The Question of Cosmetic Surgery
  24. 20. The Aphrodite of Dundas Street
  25. 21. Impressionists and Post-Impressionists
  26. 22. More About Baden-Powell
  27. 23. The Insouciance of Tofu
  28. 24. Some Sophisticated Colours
  29. 25. 100 Things for a Boy to Do: Part 1
  30. 26. 100 Things for a Boy to Do: Part 2
  31. 27. Forgery Exposed
  32. 28. A Game of Bridge
  33. 29. Underneath the Lamplight
  34. 30. Trust and Revelation
  35. 31. Pregnancy Plans
  36. 32. Dramatic, Life-Enhancing News
  37. 33. The Implications of Boys
  38. 34. Carnoustie Shortbread
  39. 35. Édouard Vuillard and the Interior Vision
  40. 36. Fear a’ Bhata
  41. 37. Political Crisis
  42. 38. Show and Tell
  43. 39. Which World Am I Living In?
  44. 40. A Moment on Queen Street
  45. 41. Psychotherapeutic Matters
  46. 42. Life and Chance
  47. 43. A Scotsman, His Life and Marriage
  48. 44. A Move to Moray Place
  49. 45. In Moray Place
  50. 46. What We Really Are
  51. 47. The Symbolism of Birds
  52. 48. The Breaking of the Heart
  53. 49. Chinoiserie
  54. 50. Matthew is Decisive
  55. 51. A Letter of Comfort
  56. 52. The Meaning of Always
  57. 53. An Offer is Made
  58. 54. The Therapeutic Hour
  59. 55. Men Can Cry
  60. 56. From Scotland With Love
  61. 57. Bonnie Irene’s Noo Awa
  62. 58. Painful Questions
  63. 59. Regret on Corstorphine Road
  64. 60. The Comfort of Friends
  65. 61. Big Lou on Art and Fashion
  66. 62. Unwelcome Thoughts
  67. 63. Italy At Last
  68. 64. Services to the Republic
  69. 65. The Impact of Italy
  70. 66. Pacta Sunt Servanda
  71. 67. An Outing Begins
  72. 68. The Need for Evidence
  73. 69. On Subsidence
  74. 70. Supporting Walls
  75. 71. Arrival at the Villa
  76. 72. Mistah Kurtz, He Dead
  77. 73. The Possibilities of Florence
  78. 74. In Proper Boots
  79. 75. The Haar Rolls In
  80. 76. A Real Boy’s Room
  81. 77. Bertie’s Dream
  82. 78. An Incident in a Café
  83. 79. Unbearable Beauty
  84. 80. Antonia’s Condition Explained
  85. 81. A Terrible Mistake
  86. 82. Shocking Developments
  87. 83. A Hinterland of Regret
  88. 84. Icarus, Cyril, a Ducati
  89. 85. The Timetable of Happiness

I am, first and foremost, she thought, Irene Pollock, a person to whom the first name Irene had been given, who had then married a man called Stuart Pollock. That made her Irene Pollock, although she had always had her reservations about women adopting their husbands’ surnames. That was changing, of course, and more women were retaining their maiden names, but it would be a little bit complicated now to do that because Bertie was Bertie Pollock and Ulysses was Ulysses Pollock. She had her reservations, too, about the term maiden name. What a ridiculous notion that one was a maiden of all things before one got married. It would be far better, she felt, to use the term woman’s name, or possibly birth name, rather than maiden name. Or possibly authentic name; that had a good ring to it. You would have your authentic name, and then you would have your secondary name, another good term.

She knew of the old Scottish habit of calling women by their maiden names – or authentic names – first, and then writing or and giving their married, or secondary, name. This was the way legal documents had always been worded. So she was Irene Burgess or Pollock, which was better than being Irene Pollock née Burgess, because this form put the authentic name after the secondary name, which gave the wrong message. That implied that the state of being married – the state of being a Pollock – was more important than the state of being a person with an authentic identity – that of a Burgess. And then there was always the problem of people being unable to spell, which would mean that she might be described as Irene Pollock, nay Burgess. Of course, that at least had the merit of suggesting that Pollock was the less important identity, the nay negating its pretensions.

Had she retained her authentic name, of course, there would have been a question of what Bertie and Ulysses were called. Bertie’s full name was Bertie Wystan Pollock, but in a more egalitarian, less patriarchal society, he could as easily be called Bertie Wystan Burgess. Bertie Burgess, however, was rather too alliterative, and she had been determined not to burden her children with awkward or embarrassing names. What was that girl at school called? She cast her mind back to the roll call at the Mary Erskine School for Girls: Lorna Anderson, present, Nicola Ross, present, Mhairi Smellie, present … Poor Mhairi Smellie. Her first name, a Scots Gaelic name, was pronounced ‘vary’, which sounded close to very. The name Smellie was common enough in Scotland, but to be called something which sounded like ‘very smelly’ was a singular misfortune, and indicative, surely, of a lack of parental foresight.