Contents ( 195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
If I stopped believing you
this would be hate
Why do you need this?
What do you want me to admit?
My face, my other faces
stretching over it like
rubber, like flowers opening
and closing, like rubber,
like liquid steel,
like steel. Face of steel.
Look at me and see your reflection.
The fist, withered and strung
on a chain around my neck
wishes to hold on
to me, commands
your transformation
The dead fingers mutter
against each other, thumbs rubbing
the worn moon rituals
but you are protected,
you do not snarl,
you do not change,
in the hard slot of your mouth
your teeth remain fixed,
zippered to a silver curve;
nothing rusts.
Through two holes in the leather
the discs of your eyes gleam
white as dulled quartz;
you wait
the fist stutters, gives up,
you are not visible
You unbuckle the fingers of the fist,
you order me to trust you.
This is not something that can be renounced,
it must renounce.
It lets go of me
and I open like a hand
cut off at the wrist
(It is the
arm feels pain
But the severed hand
the hand clutches at freedom)
Last year I abstained
this year I devour
without guilt
which is also an art
Your flawed body, sickle
scars on the chest, moonmarks, the botched knee
that nevertheless bends when you will it to
Your body, broken and put together
not perfectly, marred
by war but moving
despite that with such ease and leisure
Your body that includes everything
you have done, you have had done
to you and goes beyond it
This is not what I want
but I want this also.
This story was told to me by another traveller, just passing through. It took place in a foreign country, as everything does.
When he was young he and another boy constructed a woman out of mud. She began at the neck and ended at the knees and elbows: they stuck to the essentials. Every sunny day they would row across to the island where she lived, in the afternoon when the sun had warmed her, and make love to her, sinking with ecstacy into her soft moist belly, her brown wormy flesh where small weeds had already rooted. They would take turns, they were not jealous, she preferred them both. Afterwards they would repair her, making her hips more spacious, enlarging her breasts with their shining stone nipples.
His love for her was perfect, he could say anything to her, into her he spilled his entire life. She was swept away in a sudden flood. He said no woman since then has equalled her.