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Contents ( 195)
  1. Contents
  2. From THE CIRCLE GAME (1966)
  3. This is a photograph of me
  4. After the flood, we
  5. The city planners
  6. Eventual Proteus
  7. The circle game
  8. i
  9. ii
  10. iii
  11. iv
  12. v
  13. vi
  14. vii
  15. Migration: C.P.R.
  16. i
  17. ii
  18. iii
  19. Journey to the interior
  20. Some objects of wood and stone
  21. i Totems
  22. ii Pebbles
  23. iii Carved Animals
  24. Pre-amphibian
  25. Against still life
  26. A place: fragments
  27. i
  28. ii
  29. iii
  30. iv
  31. v
  32. vi
  33. vii
  34. The explorers
  35. The settlers
  36. From THE ANIMALS IN THAT COUNTRY (1968)
  37. The animals in that country
  38. A foundling
  39. The landlady
  40. A fortification
  41. At the tourist centre in Boston
  42. Elegy for the giant tortoises
  43. Roominghouse, winter
  44. It is dangerous to read newspapers
  45. Progressive insanities of a pioneer
  46. i
  47. ii
  48. iii
  49. iv
  50. v
  51. vi
  52. vii
  53. Speeches for Dr Frankenstein
  54. i
  55. ii
  56. iii
  57. iv
  58. v
  59. vi
  60. vii
  61. ix
  62. x
  63. Backdrop addresses cowboy
  64. I was reading a scientific article
  65. More and more
  66. A voice
  67. The reincarnation of Captain Cook
  68. Axiom
  69. THE JOURNALS OF SUSANNA MOODIE (1970)
  70. JOURNAL I 1832–1840
  71. Disembarking at Quebec
  72. Further arrivals
  73. First neighbours
  74. The planters
  75. The wereman
  76. Paths and thingscape
  77. The two fires
  78. Looking in a mirror
  79. Departure from the bush
  80. JOURNAL II 1840–1871
  81. Death of a young son by drowning
  82. The immigrants
  83. Dream 1: the bush garden
  84. 1837 war in retrospect
  85. Dream 2: Brian the still-hunter
  86. Charivari
  87. Dream 3: night bear which frightened cattle
  88. The deaths of the other children
  89. The double voice
  90. JOURNAL III 1871–1969
  91. Later in Belleville: career
  92. Daguerreotype taken in old age
  93. Wish: metamorphosis to heraldic emblem
  94. Visit to Toronto, with companions
  95. Solipsism while dying
  96. Thoughts from underground
  97. Alternate thoughts from underground
  98. Resurrection
  99. A bus along St Clair: December
  100. From PROCEDURES FOR UNDERGROUND (1970)
  101. Game after supper
  102. Girl and horse, 1928
  103. The small cabin
  104. Midwinter, presolstice
  105. Procedures for underground
  106. Dreams of the animals
  107. Cyclops
  108. Three desk objects
  109. Projected slide of an unknown soldier
  110. Comic books vs. history (1949, 1969)
  111. Highest altitude
  112. A morning
  113. A soul, geologically
  114. Habitation
  115. Woman skating
  116. Younger sister, going swimming
  117. Fishing for eel totems
  118. Buffalo in compound: Alberta
  119. Carrying food home in winter
  120. From POWER POLITICS (1971)
  121. She considers evading him
  122. They eat out
  123. Their attitudes differ
  124. i
  125. ii
  126. iii
  127. i
  128. ii
  129. iii
  130. iv
  131. They are hostile nations
  132. i
  133. ii
  134. iii
  135. Hesitations outside the door
  136. i
  137. ii
  138. iii
  139. iv
  140. vi
  141. vii
  142. From YOU ARE HAPPY (1974)
  143. Newsreel: man and firing squad
  144. i
  145. ii
  146. iii
  147. November
  148. i
  149. ii
  150. Digging
  151. Tricks with mirrors
  152. i
  153. ii
  154. iii
  155. iv
  156. v
  157. You are happy
  158. SONGS OF THE TRANSFORMED
  159. Pig son
  160. Bull song
  161. Rat song
  162. Crow song
  163. Song of the worms
  164. Owl song
  165. Siren song
  166. Song of the fox
  167. Song of the hen’s head
  168. Corpse song
  169. CIRCE/MUD POEMS
  170. Is/not
  171. i
  172. ii
  173. Eating fire
  174. i
  175. ii
  176. iii
  177. Four auguries
  178. i
  179. ii
  180. iii
  181. iv
  182. Head against white
  183. i
  184. ii
  185. iii
  186. iv
  187. v
  188. There is only one of everything
  189. Late August
  190. Book of ancestors
  191. i
  192. ii
  193. iii
  194. About the Author
  195. Connect with HMH on Social Media

If I stopped believing you
this would be hate

Why do you need this?
What do you want me to admit?

My face, my other faces
stretching over it like
rubber, like flowers opening
and closing, like rubber,
like liquid steel,
like steel. Face of steel.

Look at me and see your reflection.

The fist, withered and strung
on a chain around my neck
wishes to hold on
to me, commands
your transformation

The dead fingers mutter
against each other, thumbs rubbing
the worn moon rituals

but you are protected,
you do not snarl,
you do not change,

in the hard slot of your mouth
your teeth remain fixed,
zippered to a silver curve;
nothing rusts.

Through two holes in the leather
the discs of your eyes gleam
white as dulled quartz;
you wait

the fist stutters, gives up,
you are not visible

You unbuckle the fingers of the fist,
you order me to trust you.

This is not something that can be renounced,
it must renounce.

It lets go of me
and I open like a hand
cut off at the wrist

(It is the
arm feels pain

But the severed hand
the hand clutches at freedom)

Last year I abstained
this year I devour

without guilt
which is also an art

Your flawed body, sickle
scars on the chest, moonmarks, the botched knee
that nevertheless bends when you will it to

Your body, broken and put together
not perfectly, marred
by war but moving
despite that with such ease and leisure

Your body that includes everything
you have done, you have had done
to you and goes beyond it

This is not what I want
but I want this also.

This story was told to me by another traveller, just passing through. It took place in a foreign country, as everything does.

When he was young he and another boy constructed a woman out of mud. She began at the neck and ended at the knees and elbows: they stuck to the essentials. Every sunny day they would row across to the island where she lived, in the afternoon when the sun had warmed her, and make love to her, sinking with ecstacy into her soft moist belly, her brown wormy flesh where small weeds had already rooted. They would take turns, they were not jealous, she preferred them both. Afterwards they would repair her, making her hips more spacious, enlarging her breasts with their shining stone nipples.

His love for her was perfect, he could say anything to her, into her he spilled his entire life. She was swept away in a sudden flood. He said no woman since then has equalled her.