Contents ( 195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
(actually she is my mother, she is
over at the outdoor skating rink
near the cemetery. On three sides
of her there are streets of brown
brick houses; cars go by; on the
fourth side is the park building.
The snow banked around the rink
is grey with soot. She never skates
here. She’s wearing a sweater and
faded maroon earmuffs, she has
taken off her gloves)
Now near the horizon
the enlarged pink sun swings down.
Soon it will be zero.
With arms wide the skater
turns, leaving her breath like a diver’s
trail of bubbles.
Seeing the ice
as what it is, water:
seeing the months
as they are, the years
in sequence occurring
underfoot, watching
the miniature human
figure balanced on steel
needles (those compasses
floated in saucers) on time
sustained, above
time circling: miracle
Over all I place
a glass bell
Younger sister, going swimming
(Northern Quebec)
Beside this lake
where there are no other people
my sister in bathing suit continues
her short desolate
parade to the end of the dock;
against the boards
her feet make sad statements
she thinks no one can hear;
(I sit in a deckchair
not counting, invisible;
the sun wavers on
this page as on a pool.)
She moves the raft out
past the sandy point;
no one comes by in a motorboat.
She would like to fill the lake
with other swimmers, with answers.
She calls her name. The sun encloses
rocks, trees, her feet in the water, the circling
bays and hills as before.
She poises, raises her arms
as though signalling, then disappears.
The lake heals itself quietly
of the wound left by the diver.
The air quakes and is still.
(Under my hand the paper
closes over these
marks I am making on it.
The words ripple, subside,
move outwards toward the shore.)
Fishing for eel totems
I stood on the reed bank
ear tuned to the line, listening
to the signals from the ones who lived
under the blue barrier,
thinking they had no words for things
in the air.
The string jumped,
I hooked a martian / it poured
fluid silver out of the river
its long body whipped on the grass, reciting
all the letters of its alphabet.
Killed, it was a
grey tongue hanged silent in the smokehouse
which we later ate.
After that I could see
for a time in the green country;
I learned that the earliest language
was not our syntax of chained pebbles
but liquid, made
by the first tribes, the fish
people.
Buffalo in compound: Alberta
The marsh flat where they graze
beside the stream is
late afternoon, serene
with slanted light: green leaves are
yellow: even
the mud shines
Placid, they bend down
silently to the grass;
when they move, the small birds
follow, settle almost
under their feet.
Fenced out but anxious
anyway, and glad our car is
near, we press
close to the wire
squares, our hands raised
for shields
against the sun, which is
everywhere