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Contents ( 195)
  1. Contents
  2. From THE CIRCLE GAME (1966)
  3. This is a photograph of me
  4. After the flood, we
  5. The city planners
  6. Eventual Proteus
  7. The circle game
  8. i
  9. ii
  10. iii
  11. iv
  12. v
  13. vi
  14. vii
  15. Migration: C.P.R.
  16. i
  17. ii
  18. iii
  19. Journey to the interior
  20. Some objects of wood and stone
  21. i Totems
  22. ii Pebbles
  23. iii Carved Animals
  24. Pre-amphibian
  25. Against still life
  26. A place: fragments
  27. i
  28. ii
  29. iii
  30. iv
  31. v
  32. vi
  33. vii
  34. The explorers
  35. The settlers
  36. From THE ANIMALS IN THAT COUNTRY (1968)
  37. The animals in that country
  38. A foundling
  39. The landlady
  40. A fortification
  41. At the tourist centre in Boston
  42. Elegy for the giant tortoises
  43. Roominghouse, winter
  44. It is dangerous to read newspapers
  45. Progressive insanities of a pioneer
  46. i
  47. ii
  48. iii
  49. iv
  50. v
  51. vi
  52. vii
  53. Speeches for Dr Frankenstein
  54. i
  55. ii
  56. iii
  57. iv
  58. v
  59. vi
  60. vii
  61. ix
  62. x
  63. Backdrop addresses cowboy
  64. I was reading a scientific article
  65. More and more
  66. A voice
  67. The reincarnation of Captain Cook
  68. Axiom
  69. THE JOURNALS OF SUSANNA MOODIE (1970)
  70. JOURNAL I 1832–1840
  71. Disembarking at Quebec
  72. Further arrivals
  73. First neighbours
  74. The planters
  75. The wereman
  76. Paths and thingscape
  77. The two fires
  78. Looking in a mirror
  79. Departure from the bush
  80. JOURNAL II 1840–1871
  81. Death of a young son by drowning
  82. The immigrants
  83. Dream 1: the bush garden
  84. 1837 war in retrospect
  85. Dream 2: Brian the still-hunter
  86. Charivari
  87. Dream 3: night bear which frightened cattle
  88. The deaths of the other children
  89. The double voice
  90. JOURNAL III 1871–1969
  91. Later in Belleville: career
  92. Daguerreotype taken in old age
  93. Wish: metamorphosis to heraldic emblem
  94. Visit to Toronto, with companions
  95. Solipsism while dying
  96. Thoughts from underground
  97. Alternate thoughts from underground
  98. Resurrection
  99. A bus along St Clair: December
  100. From PROCEDURES FOR UNDERGROUND (1970)
  101. Game after supper
  102. Girl and horse, 1928
  103. The small cabin
  104. Midwinter, presolstice
  105. Procedures for underground
  106. Dreams of the animals
  107. Cyclops
  108. Three desk objects
  109. Projected slide of an unknown soldier
  110. Comic books vs. history (1949, 1969)
  111. Highest altitude
  112. A morning
  113. A soul, geologically
  114. Habitation
  115. Woman skating
  116. Younger sister, going swimming
  117. Fishing for eel totems
  118. Buffalo in compound: Alberta
  119. Carrying food home in winter
  120. From POWER POLITICS (1971)
  121. She considers evading him
  122. They eat out
  123. Their attitudes differ
  124. i
  125. ii
  126. iii
  127. i
  128. ii
  129. iii
  130. iv
  131. They are hostile nations
  132. i
  133. ii
  134. iii
  135. Hesitations outside the door
  136. i
  137. ii
  138. iii
  139. iv
  140. vi
  141. vii
  142. From YOU ARE HAPPY (1974)
  143. Newsreel: man and firing squad
  144. i
  145. ii
  146. iii
  147. November
  148. i
  149. ii
  150. Digging
  151. Tricks with mirrors
  152. i
  153. ii
  154. iii
  155. iv
  156. v
  157. You are happy
  158. SONGS OF THE TRANSFORMED
  159. Pig son
  160. Bull song
  161. Rat song
  162. Crow song
  163. Song of the worms
  164. Owl song
  165. Siren song
  166. Song of the fox
  167. Song of the hen’s head
  168. Corpse song
  169. CIRCE/MUD POEMS
  170. Is/not
  171. i
  172. ii
  173. Eating fire
  174. i
  175. ii
  176. iii
  177. Four auguries
  178. i
  179. ii
  180. iii
  181. iv
  182. Head against white
  183. i
  184. ii
  185. iii
  186. iv
  187. v
  188. There is only one of everything
  189. Late August
  190. Book of ancestors
  191. i
  192. ii
  193. iii
  194. About the Author
  195. Connect with HMH on Social Media

Instead we are opposite, we
touch as though attacking,

the gifts we bring
even in good faith maybe
warp in our hands to
implements, to manoeuvres

ii

Put down the target of me
you guard inside your binoculars,
in turn I will surrender

this aerial photograph
(your vulnerable
sections marked in red)
I have found so useful

See, we are alone in
the dormant field, the snow
that cannot be eaten or captured

iii

Here there are no armies
here there is no money

It is cold and getting colder

We need each others’
breathing, warmth, surviving
is the only war
we can afford, stay

walking with me, there is almost
time / if we can only
make it as far as

the (possibly) last summer

Spring again, can I stand it
shooting its needles into
the earth, my head, both
used to darkness

Snow on brown soil and
the squashed caterpillar
coloured liquid lawn

Winter collapses
in slack folds around
my feet / no leaves yet / loose fat

Thick lilac buds crouch for the
spurt but I
hold back

Not ready / help me
what I want from you is
moonlight smooth as
wind, long hairs of water

I am sitting on the
edge of the impartial
bed, I have been turned to crystal, you enter

bringing love in the form of
a cardboard box (empty)
a pocket (empty)
some hands (also empty)

Be careful I say but
how can you
the empty
thing comes out of your hands, it
fills the room slowly, it is
a pressure, a lack of
pressure
Like a deep sea
creature with glass bones and wafer
eyes drawn
to the surface, I break

open, the pieces of me
shine briefly in your empty hands

I see you fugitive, stumbling across the prairie,
lungs knotted by thirst, sunheat
nailing you down, all the things
after you that can be after you
with their clamps and poisoned mazes

Should I help you?
Should I make you a mirage?

My right hand unfolds rivers
around you, my left hand releases its trees,
I speak rain,
I spin you a night and you hide in it.

Now you have one enemy
instead of many.

What is it, it does not
move like love, it does
not want to know, it
does not want to stroke, unfold

it does not even want to
touch, it is more like
an animal (not
loving) a
thing trapped, you move
wounded, you are hurt, you hurt,
you want to get out, you want
to tear yourself out, I am

the outside, I am snow and
space, pathways, you gather
yourself, your muscles

clutch, you move
into me as though I
am (wrenching
your way through, this is
urgent, it is your
life) the
last chance for freedom

You are the sun
in reverse, all energy
flows into you and is
abolished; you refuse
houses, you smell of
catastrophe, I see you
blind and one-handed, flashing
in the dark, trees breaking
under your feet, you demand,
you demand