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Contents ( 195)
  1. Contents
  2. From THE CIRCLE GAME (1966)
  3. This is a photograph of me
  4. After the flood, we
  5. The city planners
  6. Eventual Proteus
  7. The circle game
  8. i
  9. ii
  10. iii
  11. iv
  12. v
  13. vi
  14. vii
  15. Migration: C.P.R.
  16. i
  17. ii
  18. iii
  19. Journey to the interior
  20. Some objects of wood and stone
  21. i Totems
  22. ii Pebbles
  23. iii Carved Animals
  24. Pre-amphibian
  25. Against still life
  26. A place: fragments
  27. i
  28. ii
  29. iii
  30. iv
  31. v
  32. vi
  33. vii
  34. The explorers
  35. The settlers
  36. From THE ANIMALS IN THAT COUNTRY (1968)
  37. The animals in that country
  38. A foundling
  39. The landlady
  40. A fortification
  41. At the tourist centre in Boston
  42. Elegy for the giant tortoises
  43. Roominghouse, winter
  44. It is dangerous to read newspapers
  45. Progressive insanities of a pioneer
  46. i
  47. ii
  48. iii
  49. iv
  50. v
  51. vi
  52. vii
  53. Speeches for Dr Frankenstein
  54. i
  55. ii
  56. iii
  57. iv
  58. v
  59. vi
  60. vii
  61. ix
  62. x
  63. Backdrop addresses cowboy
  64. I was reading a scientific article
  65. More and more
  66. A voice
  67. The reincarnation of Captain Cook
  68. Axiom
  69. THE JOURNALS OF SUSANNA MOODIE (1970)
  70. JOURNAL I 1832–1840
  71. Disembarking at Quebec
  72. Further arrivals
  73. First neighbours
  74. The planters
  75. The wereman
  76. Paths and thingscape
  77. The two fires
  78. Looking in a mirror
  79. Departure from the bush
  80. JOURNAL II 1840–1871
  81. Death of a young son by drowning
  82. The immigrants
  83. Dream 1: the bush garden
  84. 1837 war in retrospect
  85. Dream 2: Brian the still-hunter
  86. Charivari
  87. Dream 3: night bear which frightened cattle
  88. The deaths of the other children
  89. The double voice
  90. JOURNAL III 1871–1969
  91. Later in Belleville: career
  92. Daguerreotype taken in old age
  93. Wish: metamorphosis to heraldic emblem
  94. Visit to Toronto, with companions
  95. Solipsism while dying
  96. Thoughts from underground
  97. Alternate thoughts from underground
  98. Resurrection
  99. A bus along St Clair: December
  100. From PROCEDURES FOR UNDERGROUND (1970)
  101. Game after supper
  102. Girl and horse, 1928
  103. The small cabin
  104. Midwinter, presolstice
  105. Procedures for underground
  106. Dreams of the animals
  107. Cyclops
  108. Three desk objects
  109. Projected slide of an unknown soldier
  110. Comic books vs. history (1949, 1969)
  111. Highest altitude
  112. A morning
  113. A soul, geologically
  114. Habitation
  115. Woman skating
  116. Younger sister, going swimming
  117. Fishing for eel totems
  118. Buffalo in compound: Alberta
  119. Carrying food home in winter
  120. From POWER POLITICS (1971)
  121. She considers evading him
  122. They eat out
  123. Their attitudes differ
  124. i
  125. ii
  126. iii
  127. i
  128. ii
  129. iii
  130. iv
  131. They are hostile nations
  132. i
  133. ii
  134. iii
  135. Hesitations outside the door
  136. i
  137. ii
  138. iii
  139. iv
  140. vi
  141. vii
  142. From YOU ARE HAPPY (1974)
  143. Newsreel: man and firing squad
  144. i
  145. ii
  146. iii
  147. November
  148. i
  149. ii
  150. Digging
  151. Tricks with mirrors
  152. i
  153. ii
  154. iii
  155. iv
  156. v
  157. You are happy
  158. SONGS OF THE TRANSFORMED
  159. Pig son
  160. Bull song
  161. Rat song
  162. Crow song
  163. Song of the worms
  164. Owl song
  165. Siren song
  166. Song of the fox
  167. Song of the hen’s head
  168. Corpse song
  169. CIRCE/MUD POEMS
  170. Is/not
  171. i
  172. ii
  173. Eating fire
  174. i
  175. ii
  176. iii
  177. Four auguries
  178. i
  179. ii
  180. iii
  181. iv
  182. Head against white
  183. i
  184. ii
  185. iii
  186. iv
  187. v
  188. There is only one of everything
  189. Late August
  190. Book of ancestors
  191. i
  192. ii
  193. iii
  194. About the Author
  195. Connect with HMH on Social Media

Is this what you would like me to be, this mud woman? Is this what I would like to be? It would be so simple.

We walk in the cedar groves
intending love, no one is here

but the suicides, returned
in the shapes of birds
with their razor-blue
feathers, their beaks like stabs, their eyes
red as the food of the dead, their single
iridescent note,
complaint or warning:

Everything dies, they say,
Everything dies.
Their colours pierce the branches.

Ignore them. Lie on the ground
like this, like the season
which is full and not theirs;

our bodies hurt them,
our mouths tasting of pears, grease,
onions, earth we eat
which was not enough for them,
the pulse under the skin, their eyes
radiate anger, they are thirsty:

Die, they whisper, Die,
their eyes consuming
themselves like stars, impersonal:

they do not care whose
blood fills the sharp trenches
where they were buried, stake through
the heart; as long
as there is blood.

Not you I fear but that other
who can walk through flesh,
queen of the two dimensions.

She wears a necklace of small teeth,
she knows the ritual, she gets results,
she wants it to be like this:

Don’t stand there
with your offerings of dead sheep,
chunks of wood, young children, blood,

your wet eyes, your body
gentle and taut with love,
assuming I can do nothing about it

but accept, accept, accept.
I’m not the sea, I’m not pure blue,
I don’t have to take

anything you throw into me.
I close myself over, deaf as an eye,
deaf as a wound, which listens

to nothing but its own pain:
Get out of here.
Get out of here.

You think you are safe at last. After your misadventures, lies, losses and cunning departures, you are doing what most veterans would like to do: you are writing a travel book. In the seclusion of this medium-sized brick building, which is ancient though not sacred any more, you disappear every morning into your white plot, filling in the dangers as you go: those with the sinister flowers who tempted you to forsake pain, the perilous and hairy eye of the groin you were forced to blind, the ones you mistook for friends, those eaters of human flesh. You add details, you colour the dead red.

I bring you things on trays, food mostly, an ear, a finger. You trust me so you are no longer cautious, you abandon yourself to your memoranda, you traverse again those menacing oceans; in the clutch of your story, your disease, you are helpless.

But it is not finished, that saga. The fresh monsters are already breeding in my head. I try to warn you, though I know you will not listen.

So much for art. So much for prophecy.