Contents ( 195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
The planters
They move between the jagged edge
of the forest and the jagged river
on a stumpy patch of cleared land
my husband, a neighbour, another man
weeding the few rows
of string beans and dusty potatoes.
They bend, straighten; the sun
lights up their faces and hands, candles
flickering in the wind against the
unbright earth. I see them; I know
none of them believe they are here.
They deny the ground they stand on,
pretend this dirt is the future.
And they are right. If they let go
of that illusion solid to them as a shovel,
open their eyes even for a moment
to these trees, to this particular sun
they would be surrounded, stormed, broken
in upon by branches, roots, tendrils, the dark
side of light
as I am.
The wereman
My husband walks in the frosted field
an X, a concept
defined against a blank;
he swerves, enters the forest
and is blotted out.
Unheld by my sight
what does he change into
what other shape
blends with the under-
growth, wavers across the pools
is camouflaged from the listening
swamp animals
At noon he will
return; or it may be
only my idea of him
I will find returning
with him hiding behind it.
He may change me also
with the fox eye, the owl
eye, the eightfold
eye of the spider
I can’t think
what he will see
when he opens the door
Paths and thingscape
Those who went ahead
of us in the forest
bent the early trees
so that they grew to signals:
the trail was not
among the trees but
the trees
and there are some who have dreams
of birds flying in the shapes
of letters; the sky’s
codes;
and dream also
the significance of numbers (count
petals of certain flowers)
In the morning I advance
through the doorway: the sun
on the bark, the inter-
twisted branches, here
a blue movement in the leaves, dispersed
calls/ no trails; rocks
and grey tufts of moss
The petals of the fire-
weed fall where they fall
I am watched like an invader
who knows hostility but
not where
The day shrinks back from me
When will be
that union and each
thing (bits
of surface broken by my foot
step) will without moving move
around me
into its place
The two fires
One, the summer fire
outside: the trees melting, returning
to their first red elements
on all sides, cutting me off
from escape or the saving
lake
I sat in the house, raised up
between that shapeless raging
and my sleeping children
a charm: concentrate on
form, geometry, the human
architecture of the house, square
closed doors, proved roofbeams,
the logic of windows
(the children could not be wakened:
in their calm dreaming
the trees were straight and still
had branches and were green)
The other, the winter
fire inside: the protective roof
shrivelling overhead, the rafters
incandescent, all those corners
and straight lines flaming, the carefully-
made structure
prisoning us in a cage of blazing
bars
the children
were awake and crying;
I wrapped them, carried them
outside into the snow.
Then I tried to rescue
what was left of their scorched dream
about the house: blankets,
warm clothes, the singed furniture
of safety cast away with them
in a white chaos