Contents ( 195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
There must be more for you to do
than permit yourself to be shoved
by the wind from coast
to coast to coast, boot on the boat prow
to hold the wooden body
under, soul in control
Ask at my temples
where the moon snakes, tongues of the dark
speak like bones unlocking, leaves falling
of a future you won’t believe in
Ask who keeps the wind
Ask what is sacred
Don’t you get tired of killing
those whose deaths have been predicted
and are therefore dead already?
Don’t you get tired of wanting
to live forever?
Don’t you get tired of saying Onward?
You may wonder why I’m not describing the landscape for you. This island with its complement of scrubby trees, picturesque bedrock, ample weather and sunsets, lavish white sand beaches and so on. (For which I am not responsible.) There are travel brochures that do this better, and in addition they contain several very shiny illustrations so real you can almost touch the ennui of actually being here. They leave out the insects and the castaway bottles but so would I in their place; all advertisements are slanted, including this one.
You had a chance to read up on the place before you came: even allowing for the distortion, you knew what you were getting into. And you weren’t invited, just lured.
But why should I make excuses? Why should I describe the landscape for you? You live here, don’t you? Right now I mean. See for yourself.
You stand at the door
bright as an icon,
dressed in your thorax,
the forms of the indented
ribs and soft belly underneath
carved into the slick bronze
so that it fits you almost
like a real skin
You are impervious
with hope, it hardens you,
this joy, this expectation, gleams
in your hands like axes
If I allow you what you say
you want, even the day after
this, will you hurt me?
If you do I will fear you,
If you don’t I will despise you
To be feared, to be despised,
these are your choices.
There are so many things I want
you to have. This is mine, this
tree, I give you its name,
here is food, white like roots, red,
growing in the marsh, on the shore,
I pronounce these names for you also.
This is mine, this island, you can have
the rocks, the plants
that spread themselves flat over
the thin soil, I renounce them.
You can have this water,
this flesh, I abdicate,
I watch you, you claim
without noticing it,
you know how to take.
Holding my arms down
holding my head down by the hair
mouth gouging my face
and neck, fingers groping into my flesh
(Let go, this is extortion,
you force my body to confess
too fast and
incompletely, its words
tongueless and broken)