Contents ( 195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
There are differences
of course: the lack of reliable charts;
more important, the distraction of small details:
your shoe among the brambles under the chair
where it shouldn’t be; lucent
white mushrooms and a paring knife
on the kitchen table; a sentence
crossing my path, sodden as a fallen log
I’m sure I passed yesterday
(have I been
walking in circles again?)
but mostly the danger:
many have been here, but only
some have returned safely.
A compass is useless; also
trying to take directions
from the movements of the sun,
which are erratic;
and words here are as pointless
as calling in a vacant
wilderness.
Whatever I do I must
keep my head. I know
it is easier for me to lose my way
forever here, than in other landscapes
Some objects of wood and stone
i Totems
We went to the park
where they kept the wooden people:
static, multiple
uprooted and trans-
planted.
Their faces were restored,
freshly-painted.
In front of them
the other wooden people
posed for each others’ cameras
and nearby a new booth
sold replicas and souvenirs.
One of the people was real.
It lay on its back, smashed
by a toppling fall or just
the enduring of minor winters.
Only one of the heads had
survived intact, and it was
also beginning to decay
but there was a
life in the progressing
of old wood back to
the earth, obliteration
that the clear-hewn
standing figures lacked.
As for us, perennial watchers,
tourists of another kind
there is nothing for us to worship;
no pictures of ourselves, no blue-
sky summer fetishes, no postcards
we can either buy, or
smiling
be.
There are few totems that remain
living for us.
Though in passing,
through glass we notice
dead trees in the seared meadows
dead roots bleaching in the swamps.
ii Pebbles
Talking was difficult. Instead
we gathered coloured pebbles
from the places on the beach
where they occurred.
They were sea-smoothed, sea-completed.
They enclosed what, they intended
to mean in shapes
as random and necessary
as the shapes of words
and when finally
we spoke
the sounds of our voices fell
into the air single and
solid and rounded and really
there
and then dulled, and then like sounds
gone, a fistful of gathered
pebbles there was no point
in taking home, dropped on a beachful
of other coloured pebbles
and when we turned to go
a flock of small
birds flew scattered by the
fright of our sudden moving
and disappeared: hard
sea pebbles
thrown solid for an instant
against the sky
flight of words
iii Carved Animals
The small carved
animal is passed from
hand to hand
around the circle
until the stone grows warm
touching, the hands do not know
the form of animal
which was made or
the true form of stone
uncovered
and the hands, the fingers the
hidden small bones
of the hands bend to hold the shape,
shape themselves, grow
cold with the stone’s cold, grow
also animal, exchange
until the skin wonders
if stone is human