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Contents ( 195)
  1. Contents
  2. From THE CIRCLE GAME (1966)
  3. This is a photograph of me
  4. After the flood, we
  5. The city planners
  6. Eventual Proteus
  7. The circle game
  8. i
  9. ii
  10. iii
  11. iv
  12. v
  13. vi
  14. vii
  15. Migration: C.P.R.
  16. i
  17. ii
  18. iii
  19. Journey to the interior
  20. Some objects of wood and stone
  21. i Totems
  22. ii Pebbles
  23. iii Carved Animals
  24. Pre-amphibian
  25. Against still life
  26. A place: fragments
  27. i
  28. ii
  29. iii
  30. iv
  31. v
  32. vi
  33. vii
  34. The explorers
  35. The settlers
  36. From THE ANIMALS IN THAT COUNTRY (1968)
  37. The animals in that country
  38. A foundling
  39. The landlady
  40. A fortification
  41. At the tourist centre in Boston
  42. Elegy for the giant tortoises
  43. Roominghouse, winter
  44. It is dangerous to read newspapers
  45. Progressive insanities of a pioneer
  46. i
  47. ii
  48. iii
  49. iv
  50. v
  51. vi
  52. vii
  53. Speeches for Dr Frankenstein
  54. i
  55. ii
  56. iii
  57. iv
  58. v
  59. vi
  60. vii
  61. ix
  62. x
  63. Backdrop addresses cowboy
  64. I was reading a scientific article
  65. More and more
  66. A voice
  67. The reincarnation of Captain Cook
  68. Axiom
  69. THE JOURNALS OF SUSANNA MOODIE (1970)
  70. JOURNAL I 1832–1840
  71. Disembarking at Quebec
  72. Further arrivals
  73. First neighbours
  74. The planters
  75. The wereman
  76. Paths and thingscape
  77. The two fires
  78. Looking in a mirror
  79. Departure from the bush
  80. JOURNAL II 1840–1871
  81. Death of a young son by drowning
  82. The immigrants
  83. Dream 1: the bush garden
  84. 1837 war in retrospect
  85. Dream 2: Brian the still-hunter
  86. Charivari
  87. Dream 3: night bear which frightened cattle
  88. The deaths of the other children
  89. The double voice
  90. JOURNAL III 1871–1969
  91. Later in Belleville: career
  92. Daguerreotype taken in old age
  93. Wish: metamorphosis to heraldic emblem
  94. Visit to Toronto, with companions
  95. Solipsism while dying
  96. Thoughts from underground
  97. Alternate thoughts from underground
  98. Resurrection
  99. A bus along St Clair: December
  100. From PROCEDURES FOR UNDERGROUND (1970)
  101. Game after supper
  102. Girl and horse, 1928
  103. The small cabin
  104. Midwinter, presolstice
  105. Procedures for underground
  106. Dreams of the animals
  107. Cyclops
  108. Three desk objects
  109. Projected slide of an unknown soldier
  110. Comic books vs. history (1949, 1969)
  111. Highest altitude
  112. A morning
  113. A soul, geologically
  114. Habitation
  115. Woman skating
  116. Younger sister, going swimming
  117. Fishing for eel totems
  118. Buffalo in compound: Alberta
  119. Carrying food home in winter
  120. From POWER POLITICS (1971)
  121. She considers evading him
  122. They eat out
  123. Their attitudes differ
  124. i
  125. ii
  126. iii
  127. i
  128. ii
  129. iii
  130. iv
  131. They are hostile nations
  132. i
  133. ii
  134. iii
  135. Hesitations outside the door
  136. i
  137. ii
  138. iii
  139. iv
  140. vi
  141. vii
  142. From YOU ARE HAPPY (1974)
  143. Newsreel: man and firing squad
  144. i
  145. ii
  146. iii
  147. November
  148. i
  149. ii
  150. Digging
  151. Tricks with mirrors
  152. i
  153. ii
  154. iii
  155. iv
  156. v
  157. You are happy
  158. SONGS OF THE TRANSFORMED
  159. Pig son
  160. Bull song
  161. Rat song
  162. Crow song
  163. Song of the worms
  164. Owl song
  165. Siren song
  166. Song of the fox
  167. Song of the hen’s head
  168. Corpse song
  169. CIRCE/MUD POEMS
  170. Is/not
  171. i
  172. ii
  173. Eating fire
  174. i
  175. ii
  176. iii
  177. Four auguries
  178. i
  179. ii
  180. iii
  181. iv
  182. Head against white
  183. i
  184. ii
  185. iii
  186. iv
  187. v
  188. There is only one of everything
  189. Late August
  190. Book of ancestors
  191. i
  192. ii
  193. iii
  194. About the Author
  195. Connect with HMH on Social Media

In the darkness later
and even when the animal
has gone, they keep
the image of that
inner shape

hands holding warm
hands holding
the half-formed air

Pre-amphibian

Again so I subside
nudged by the softening
driftwood of your body,
tangle on you like a water-
weed caught
on a submerged treelimb

with sleep like a swamp
growing, closing around me
sending its tendrils through the brown
sediments of darkness
where we transmuted are
part of this warm rotting
of vegetable flesh
this quiet spawning of roots

released
from the lucidities of day
when you are something I can
trace a line around, with eyes
cut shapes
from air, the element
where we
must calculate according to
solidities

but here I blur
into you our breathing sinking
to green milleniums
and sluggish in our blood
all ancestors
are warm fish moving

The earth
shifts, bringing
the moment before focus, when
these tides recede; and we
see each other through the
hardening scales of waking

stranded, astounded
in a drying world

we flounder, the air
ungainly in our new lungs
with sunlight steaming merciless on the shores of morning

Against still life

Orange in the middle of a table:

It isn’t enough
to walk around it
at a distance, saying
it’s an orange:
nothing to do
with us, nothing
else: leave it alone

I want to pick it up
in my hand
I want to peel the
skin off; I want
more to be said to me
than just Orange:
want to be told
everything it has to say

And you, sitting across
the table, at a distance, with
your smile contained, and like the orange
in the sun: silent:

Your silence
isn’t enough for me
now, no matter with what
contentment you fold
your hands together; I want
anything you can say
in the sunlight:

stories of your various
childhoods, aimless journeyings,
your loves; your articulate
skeleton; your posturings; your lies.

These orange silences
(sunlight and hidden smile)
make me want to
wrench you into saying;
now I’d crack your skull
like a walnut, split it like a pumpkin
to make you talk, or get
a look inside

But quietly:
if I take the orange
with care enough and hold it
gently

I may find
an egg
a sun
an orange moon
perhaps a skull; center
of all energy
resting in my hand

can change it to
whatever I desire
it to be

and you, man, orange afternoon
lover, wherever
you sit across from me
(tables, trains, buses)

if I watch
quietly enough
and long enough

at last, you will say
(maybe without speaking)

(there are mountains
inside your skull
garden and chaos, ocean
and hurricane; certain
corners of rooms, portraits
of great-grandmothers, curtains
of a particular shade;
your deserts; your private
dinosaurs; the first
woman)

all I need to know:
tell me
everything
just as it was
from the beginning.

A place: fragments

i

Here on the rim, cringing
under the cracked whip of winter
we live
in houses of ice,
but not because we want to:
in order to survive
we make what we can and have to
with what we have.