Contents (195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
you’ll adjust to it, meeting
deadlines and other
people, pretending to love
the wrong woman some of the
time, listening to your brain
shrink, your diaries
expanding as you grow older,
growing older, of course you’ll
die but not yet, you’ll outlive
even my distortions of you
and there isn’t anything
I want to do about the fact
that you are unhappy & sick
you aren’t sick & unhappy
only alive & stuck with it.
yes at first you
go down smooth as
pills, all of me
breathes you in and then it’s
a kick in the head, orange
and brutal, sharp jewels
hit and my
hair splinters
the adjectives
fall away from me, no
threads left holding
me, I flake apart
layer by
layer down
quietly to the bone, my skull
unfolds to an astounded flower
regrowing the body, learning
speech again takes
days and longer
each time / too much of
this is fatal
i
We are hard on each other
and call it honesty,
choosing our jagged truths
with care and aiming them across
the neutral table.
The things we say are
true; it is our crooked
aims, our choices
turn them criminal.
ii
Of course your lies
are more amusing:
you make them new each time.
Your truths, painful and boring
repeat themselves over & over
perhaps because you own
so few of them
iii
A truth should exist,
it should not be used
like this. If I love you
is that a fact or a weapon?
iv
Does the body lie
moving like this, are these
touches, hairs, wet
soft marble my tongue runs over
lies you are telling me?
Your body is not a word,
it does not lie or
speak truth either.
It is only
here or not here.
At first I was given centuries
to wait in caves, in leather
tents, knowing you would never come back
Then it speeded up: only
several years between
the day you jangled off
into the mountains, and the day (it was
spring again) I rose from the embroidery
frame at the messenger’s entrance.
That happened twice, or was it
more; and there was once, not so
long ago, you failed,
and came back in a wheelchair
with a moustache and a sunburn
and were insufferable.
Time before last though, I remember
I had a good eight months between
running alongside the train, skirts hitched, handing
you violets in at the window
and opening the letter; I watched
your snapshot fade for twenty years.
And last time (I drove to the airport
still dressed in my factory
overalls, the wrench
I had forgotten sticking out of the back
pocket; there you were,
zippered and helmeted, it was zero
hour, you said Be
Brave) it was at least three weeks before
I got the telegram and could start regretting.
But recently, the bad evenings
there are only seconds
between the warning on the radio and the
explosion; my hands
don’t reach you
and on quieter nights
you jump up from
your chair without even touching your dinner
and I can scarcely kiss you goodbye
before you run out into the street and they shoot