Contents ( 195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
mouth against throat
Omen: soft hunter
Head against white
i
Swift curve of the lip, nose, forehead,
thrust of the bristling
jaw: a military stance.
Face closed, teeth and eyes concealed,
the body sheeted / muscles frozen shut.
Be alive, my hands
plead with you, Be alive.
Scar on the chin, allusion
to a minor incident, oval
dent in the skull
my fingers return to, mention with touch, cherish
as though the wound is my own.
ii
The way your face
unhinges and comes apart:
confident upturned mouth, eyes
crouched in the sockets, maimed and lightblue with terror,
man on a roof’s edge balancing
the moment before he topples, no can’t
move, regain ground, under your weight the floor
peels back, recedes, leaving you
alone in the silent air.
It’s all right. This magic fails.
No use to be the sky,
bending and watching.
iii
Those times we have rumours of, arctic or alpine
when the wind and snow have stopped
at last and the rescue teams
with their tools and joyous motors
are out chasing the survivors
back from their cold refuge, hermitage
of ice to the land of sharp
colours and enforced life
Surely this is the first sign they find:
this face, rigid and fierce
with renunciation, floating up through
the softening white rock
like a carved long-buried god,
revealed word
iv
Under the skin’s fixed surface: destroyed face
caving in on itself
No way I can walk back with you
to the country of these mutilations.
You lie here, safe, cared for, casualty
of a war that took place elsewhere,
your body replaying for you
the deserts, jungles, the smell of rotting
leaves, harsh acid scent of blood,
the mistakes, the intersections,
fact with fact, accidents
that perhaps never occurred.
Break it, I tell you, Break
it. Geology wins. The layer
of trite histories presses you down,
monotony of stone. Oval frame.
v
In the mirror, face to glass face,
noon, the winter light strikes
through the window, your eyes flare, the city
burns whitely behind us. Blood flows
under the molten skin.
To move beyond the mirror’s edge, discard
these scars, medals, to pronounce
your own flesh. Now
to be this
man on fire, hands open and held
out, not empty, giving
time / From these hardened
hours, these veteran
faces, burials
to rise up living
There is only one of everything
Not a tree but the tree
we saw, it will never exist, split by the wind
and bending down
like that again. What will push out of the earth
later, making it summer, will not be
grass, leaves, repetition, there will
have to be other words. When my
eyes close language vanishes. The cat
with the divided face, half black half orange
nests in my scruffy fur coat, I drink tea,
fingers curved around the cup, impossible
to duplicate these flavours. The table
and freak plates glow softly, consuming themselves,
I look out at you and you occur
in this winter kitchen, random as trees or sentences,
entering me, fading like them, in time you will disappear