Contents ( 195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
The other voice
had other knowledge:
that men sweat
always and drink often,
that pigs are pigs
but must be eaten
anyway, that unborn babies
fester like wounds in the body,
that there is nothing to be done
about mosquitoes;
One saw through my
bleared and gradually
bleaching eyes, red leaves,
the rituals of seasons and rivers
The other found a dead dog
jubilant with maggots
half-buried among the sweet peas.
JOURNAL III 1871–1969
Later in Belleville: career
Once by a bitter candle
of oil and braided
rags, I wrote
verses about love and sleighbells
which I exchanged for potatoes;
in the summers I painted butterflies
on a species of white fungus
which were bought by the tourists, glass-
cased for English parlours
and my children (miraculous)
wore shoes.
Now every day
I sit on a stuffed sofa
in my own fringed parlour, have
uncracked plates (from which I eat
at intervals)
and a china teaset.
There is no use for art.
Daguerreotype taken in old age
I know I change
have changed
but whose is this vapid face
pitted and vast, rotund
suspended in empty paper
as though in a telescope
the granular moon
I rise from my chair
pulling against gravity
I turn away
and go out into the garden
I revolve among the vegetables,
my head ponderous
reflecting the sun
in shadows from the pocked ravines
cut in my cheeks, my eye-
sockets 2 craters
along the paths
I orbit
the apple trees
white white spinning
stars around me
I am being
eaten away by light
Wish: metamorphosis to heraldic emblem
I balance myself carefully
inside my shrinking body
which is nevertheless
deceptive as a cat’s fur:
when I am dipped in the earth
I will be much smaller.
On my skin the wrinkles branch
out, overlapping like hair or feathers.
In this parlour my grandchildren
uneasy on Sunday chairs
with my deafness, my cameo brooch
my puckered mind
scurrying in its old burrows
little guess how
maybe
I will prowl and slink
in crystal darkness
among the stalactite roots, with new
formed plumage
uncorroded
gold and
Fiery green, my fingers
curving and scaled, my
opal
no
eyes glowing
Visit to Toronto, with companions
The streets are new, the harbour
is new also;
the lunatic asylum is yellow.
On the first floor there were
women sitting, sewing;
they looked at us sadly, gently,
answered questions.
On the second floor there were
women crouching, thrashing,
tearing off their clothes, screaming;
to us they paid little attention.
On the third floor
I went through a glass-panelled
door into a different kind of room.
It was a hill, with boulders, trees, no houses.
I sat down and smoothed my gloves.
The landscape was saying something
but I couldn’t hear. One of the rocks
sighed and rolled over.
Above me, at eye level
three faces appeared in an oblong space.
They wanted me to go out
to where there were streets and
the Toronto harbour
I shook my head. There were no clouds, the flowers
deep red and feathered, shot from among
the dry stones,
the air
was about to tell me
all kinds of answers