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Contents (195)
  1. Contents
  2. From THE CIRCLE GAME (1966)
  3. This is a photograph of me
  4. After the flood, we
  5. The city planners
  6. Eventual Proteus
  7. The circle game
  8. i
  9. ii
  10. iii
  11. iv
  12. v
  13. vi
  14. vii
  15. Migration: C.P.R.
  16. i
  17. ii
  18. iii
  19. Journey to the interior
  20. Some objects of wood and stone
  21. i Totems
  22. ii Pebbles
  23. iii Carved Animals
  24. Pre-amphibian
  25. Against still life
  26. A place: fragments
  27. i
  28. ii
  29. iii
  30. iv
  31. v
  32. vi
  33. vii
  34. The explorers
  35. The settlers
  36. From THE ANIMALS IN THAT COUNTRY (1968)
  37. The animals in that country
  38. A foundling
  39. The landlady
  40. A fortification
  41. At the tourist centre in Boston
  42. Elegy for the giant tortoises
  43. Roominghouse, winter
  44. It is dangerous to read newspapers
  45. Progressive insanities of a pioneer
  46. i
  47. ii
  48. iii
  49. iv
  50. v
  51. vi
  52. vii
  53. Speeches for Dr Frankenstein
  54. i
  55. ii
  56. iii
  57. iv
  58. v
  59. vi
  60. vii
  61. ix
  62. x
  63. Backdrop addresses cowboy
  64. I was reading a scientific article
  65. More and more
  66. A voice
  67. The reincarnation of Captain Cook
  68. Axiom
  69. THE JOURNALS OF SUSANNA MOODIE (1970)
  70. JOURNAL I 1832–1840
  71. Disembarking at Quebec
  72. Further arrivals
  73. First neighbours
  74. The planters
  75. The wereman
  76. Paths and thingscape
  77. The two fires
  78. Looking in a mirror
  79. Departure from the bush
  80. JOURNAL II 1840–1871
  81. Death of a young son by drowning
  82. The immigrants
  83. Dream 1: the bush garden
  84. 1837 war in retrospect
  85. Dream 2: Brian the still-hunter
  86. Charivari
  87. Dream 3: night bear which frightened cattle
  88. The deaths of the other children
  89. The double voice
  90. JOURNAL III 1871–1969
  91. Later in Belleville: career
  92. Daguerreotype taken in old age
  93. Wish: metamorphosis to heraldic emblem
  94. Visit to Toronto, with companions
  95. Solipsism while dying
  96. Thoughts from underground
  97. Alternate thoughts from underground
  98. Resurrection
  99. A bus along St Clair: December
  100. From PROCEDURES FOR UNDERGROUND (1970)
  101. Game after supper
  102. Girl and horse, 1928
  103. The small cabin
  104. Midwinter, presolstice
  105. Procedures for underground
  106. Dreams of the animals
  107. Cyclops
  108. Three desk objects
  109. Projected slide of an unknown soldier
  110. Comic books vs. history (1949, 1969)
  111. Highest altitude
  112. A morning
  113. A soul, geologically
  114. Habitation
  115. Woman skating
  116. Younger sister, going swimming
  117. Fishing for eel totems
  118. Buffalo in compound: Alberta
  119. Carrying food home in winter
  120. From POWER POLITICS (1971)
  121. She considers evading him
  122. They eat out
  123. Their attitudes differ
  124. i
  125. ii
  126. iii
  127. i
  128. ii
  129. iii
  130. iv
  131. They are hostile nations
  132. i
  133. ii
  134. iii
  135. Hesitations outside the door
  136. i
  137. ii
  138. iii
  139. iv
  140. vi
  141. vii
  142. From YOU ARE HAPPY (1974)
  143. Newsreel: man and firing squad
  144. i
  145. ii
  146. iii
  147. November
  148. i
  149. ii
  150. Digging
  151. Tricks with mirrors
  152. i
  153. ii
  154. iii
  155. iv
  156. v
  157. You are happy
  158. SONGS OF THE TRANSFORMED
  159. Pig son
  160. Bull song
  161. Rat song
  162. Crow song
  163. Song of the worms
  164. Owl song
  165. Siren song
  166. Song of the fox
  167. Song of the hen’s head
  168. Corpse song
  169. CIRCE/MUD POEMS
  170. Is/not
  171. i
  172. ii
  173. Eating fire
  174. i
  175. ii
  176. iii
  177. Four auguries
  178. i
  179. ii
  180. iii
  181. iv
  182. Head against white
  183. i
  184. ii
  185. iii
  186. iv
  187. v
  188. There is only one of everything
  189. Late August
  190. Book of ancestors
  191. i
  192. ii
  193. iii
  194. About the Author
  195. Connect with HMH on Social Media

I lie mutilated beside
you; beneath us there are
sirens, fires, the people run
squealing, the city
is crushed and gutted,
the ends of your fingers bleed
from 1000 murders

Putting on my clothes
again, retreating, closing doors
I am amazed / I can continue
to think, eat, anything

How can I stop you

Why did I create you

Hesitations outside the door

i

I’m telling the wrong lies,
they are not even useful.

The right lies would at least
be keys, they would open the door.

The door is closed; the chairs,
the tables, the steel bowl, myself

shaping bread in the kitchen, wait
outside it.

ii

That was a lie also,
I could go in if I wanted to.

Whose house is this
we both live in
but neither of us owns

How can I be expected
to find my way around

I could go in if I wanted to,
that’s not the point, I don’t have time,

I should be doing something
other than you.

iii

What do you want from me
you who walk towards me over the long floor

your arms outstretched, your heart
luminous through the ribs

around your head a crown
of shining blood

This is your castle, this is your metal door,
these are your stairs, your

bones, you twist all possible
dimensions into your own

iv

Alternate version: you advance
through the grey streets of this house,

the walls crumble, the dishes
thaw, vines grow
on the softening refrigerator

I say, leave me
alone, this is my winter,

I will stay here if I choose

You will not listen
to resistances, you cover me

with flags, a dark red
season, you delete from me
all other colours

v

Don’t let me do this to you,
you are not those other people,
you are yourself

Take off the signatures, the false
bodies, this love
which does not fit you

This is not a house, there are no doors,
get out while it is
open, while you still can

vi

If we make stories for each other
about what is in the room
we will never have to go in.

You say: my other wives
are in there, they are all
beautiful and happy, they love me, why
disturb them

I say: it is only
a cupboard, my collection
of envelopes, my painted
eggs, my rings

In your pockets the thin women
hang on their hooks, dismembered

Around my neck I wear
the head of the beloved, pressed
in the metal retina like a picked flower.

vii

Should we go into it
together / If I go into it
with you I will never come out

If I wait outside I can salvage
this house or what is left
of it, I can keep
my candles, my dead uncles
my restrictions

but you will go
alone, either
way is loss

Tell me what it is for

In the room we will find nothing
In the room we will find each other

Lying here, everything in me
brittle and pushing you away