Contents ( 195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
Burn down
the atlases, I shout
to the park benches; and go
past the cenotaph
waving a blank banner
across the street, beyond
the corner
into a new land cleaned of geographies,
its beach gleaming with arrows.
Axiom
Axiom: you are a sea.
Your eye-
lids curve over chaos
My hands
where they touch you, create
small inhabited islands
Soon you will be
all earth: a known
land, a country.
THE JOURNALS OF SUSANNA MOODIE (1970)
JOURNAL I 1832–1840
Disembarking at Quebec
Is it my clothes, my way of walking,
the things I carry in my hand
—a book, a bag with knitting—
the incongruous pink of my shawl
this space cannot hear
or is it my own lack
of conviction which makes
these vistas of desolation,
long hills, the swamps, the barren sand, the glare
of sun on the bone white
driftlogs, omens of winter,
the moon alien in day-
time a thin refusal
The others leap, shout
Freedom!
The moving water will not show me
my reflection.
The rocks ignore.
I am a word
in a foreign language.
Further arrivals
After we had crossed the long illness
that was the ocean, we sailed up-river
On the first island
the immigrants threw off their clothes
and danced like sandflies
We left behind one by one
the cities rotting with cholera,
one by one our civilized
distinctions
and entered a large darkness.
It was our own
ignorance we entered.
I have not come out yet
My brain gropes nervous
tentacles in the night, sends out
fears hairy as bears,
demands lamps; or waiting
for my shadowy husband, hears
malice in the trees’ whispers.
I need wolf’s eyes to see
the truth.
I refuse to look in a mirror.
Whether the wilderness is
real or not
depends on who lives there.
First neighbours
The people I live among, unforgivingly
previous to me, grudging
the way I breathe their
property, the air,
speaking a twisted dialect to my differently
shaped ears
though I tried to adapt
(the girl in a red tattered
petticoat, who jeered at me for my burned bread
Go back where you came from
I tightened my lips; knew that England
was now unreachable, had sunk down into the sea
without ever teaching me about washtubs)
got used to being
a minor invalid, expected to make
inept remarks,
futile and spastic gestures
(asked the Indian
about the squat thing on a stick
drying by the fire: Is that a toad?
Annoyed, he said No no,
deer liver, very good)
Finally I grew a chapped tarpaulin
skin; I negotiated the drizzle
of strange meaning, set it
down to just the latitude:
something to be endured
but not surprised by.
Inaccurate. The forest can still trick me:
one afternoon while I was drawing
birds, a malignant face
flickered over my shoulder;
the branches quivered.
Resolve: to be both tentative and hard to startle
(though clumsiness and
fright are inevitable)
in this area where my damaged
knowing of the language means
prediction is forever impossible