Contents ( 195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
ii
Old woman I visited once
out of my way
in a little-visited province:
she had a neat
house, a clean parlour
though obsolete and poor:
a cushion with a fringe;
glass animals arranged
across the mantlepiece (a swan, a horse,
a bull); a mirror;
a teacup sent from Scotland:
several heraldic spoons;
a lamp; and in the center
of the table, a paperweight:
hollow glass globe
filled with water, and
a house, a man, a snowstorm.
The room was as
dustless as possible
and free of spiders.
I
stood in the door-
way, at the fulcrum where
this trivial but
stringent inner order
held its delicate balance
with the random scattering or
clogged merging of
things: ditch by the road; dried
reeds in the wind; flat
wet bush, grey sky
sweeping away outside.
iii
The cities are only outposts.
Watch that man
walking on cement as though on snowshoes:
senses the road
a muskeg, loose mat of roots and brown
vegetable decay
or crust of ice that
easily might break and
slush or water under
suck him down
The land flows like a
sluggish current.
The mountains eddy slowly towards the sea.
iv
The people who come here also
flow: their bodies becoming
nebulous, diffused, quietly
spreading out into the air across
these interstellar sidewalks
v
This is what it must be
like in outer space
where the stars are pasted flat
against the total
black of the expanding
eye, fly-
specks of burning dust
vi
There is no center;
the centers
travel with us unseen
like our shadows
on a day when there is no sun.
We must move back:
there are too many foregrounds.
Now, clutter of twigs
across our eyes, tatter
of birds at the eye’s edge; the straggle
of dead treetrunks; patch
of lichen
and in love, tangle
of limbs and fingers, the texture
of pores and lines on the skin.
vii
An other sense tugs at us:
we have lost something,
some key to these things
which must be writings
and are locked against us
or perhaps (like a potential
mine, unknown vein
of metal in the rock)
something not lost or hidden
but just not found yet
that informs, holds together
this confusion, this largeness
and dissolving:
not above or behind
or within it, but one
with it: an
identity:
something too huge and simple
for us to see.
The explorers
The explorers will come
in several minutes
and find this island.
(It is a stunted island,
rocky, with room
for only a few trees, a thin
layer of soil; hardly
bigger than a bed.
That is how
they’ve missed it
until now)
Already their boats draw near,
their flags flutter,
their oars push at the water.
They will be jubilant
and shout, at finding
that there was something
they had not found before,
although this island will afford
not much more than a foothold:
little to explore;
but they will be surprised
(we can’t see them yet;
we know they must be
coming, because they always come
several minutes too late)
(they won’t be able
to tell how long
we were cast away, or why,
or, from these
gnawed bones,
which was the survivor)