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Contents ( 195)
  1. Contents
  2. From THE CIRCLE GAME (1966)
  3. This is a photograph of me
  4. After the flood, we
  5. The city planners
  6. Eventual Proteus
  7. The circle game
  8. i
  9. ii
  10. iii
  11. iv
  12. v
  13. vi
  14. vii
  15. Migration: C.P.R.
  16. i
  17. ii
  18. iii
  19. Journey to the interior
  20. Some objects of wood and stone
  21. i Totems
  22. ii Pebbles
  23. iii Carved Animals
  24. Pre-amphibian
  25. Against still life
  26. A place: fragments
  27. i
  28. ii
  29. iii
  30. iv
  31. v
  32. vi
  33. vii
  34. The explorers
  35. The settlers
  36. From THE ANIMALS IN THAT COUNTRY (1968)
  37. The animals in that country
  38. A foundling
  39. The landlady
  40. A fortification
  41. At the tourist centre in Boston
  42. Elegy for the giant tortoises
  43. Roominghouse, winter
  44. It is dangerous to read newspapers
  45. Progressive insanities of a pioneer
  46. i
  47. ii
  48. iii
  49. iv
  50. v
  51. vi
  52. vii
  53. Speeches for Dr Frankenstein
  54. i
  55. ii
  56. iii
  57. iv
  58. v
  59. vi
  60. vii
  61. ix
  62. x
  63. Backdrop addresses cowboy
  64. I was reading a scientific article
  65. More and more
  66. A voice
  67. The reincarnation of Captain Cook
  68. Axiom
  69. THE JOURNALS OF SUSANNA MOODIE (1970)
  70. JOURNAL I 1832–1840
  71. Disembarking at Quebec
  72. Further arrivals
  73. First neighbours
  74. The planters
  75. The wereman
  76. Paths and thingscape
  77. The two fires
  78. Looking in a mirror
  79. Departure from the bush
  80. JOURNAL II 1840–1871
  81. Death of a young son by drowning
  82. The immigrants
  83. Dream 1: the bush garden
  84. 1837 war in retrospect
  85. Dream 2: Brian the still-hunter
  86. Charivari
  87. Dream 3: night bear which frightened cattle
  88. The deaths of the other children
  89. The double voice
  90. JOURNAL III 1871–1969
  91. Later in Belleville: career
  92. Daguerreotype taken in old age
  93. Wish: metamorphosis to heraldic emblem
  94. Visit to Toronto, with companions
  95. Solipsism while dying
  96. Thoughts from underground
  97. Alternate thoughts from underground
  98. Resurrection
  99. A bus along St Clair: December
  100. From PROCEDURES FOR UNDERGROUND (1970)
  101. Game after supper
  102. Girl and horse, 1928
  103. The small cabin
  104. Midwinter, presolstice
  105. Procedures for underground
  106. Dreams of the animals
  107. Cyclops
  108. Three desk objects
  109. Projected slide of an unknown soldier
  110. Comic books vs. history (1949, 1969)
  111. Highest altitude
  112. A morning
  113. A soul, geologically
  114. Habitation
  115. Woman skating
  116. Younger sister, going swimming
  117. Fishing for eel totems
  118. Buffalo in compound: Alberta
  119. Carrying food home in winter
  120. From POWER POLITICS (1971)
  121. She considers evading him
  122. They eat out
  123. Their attitudes differ
  124. i
  125. ii
  126. iii
  127. i
  128. ii
  129. iii
  130. iv
  131. They are hostile nations
  132. i
  133. ii
  134. iii
  135. Hesitations outside the door
  136. i
  137. ii
  138. iii
  139. iv
  140. vi
  141. vii
  142. From YOU ARE HAPPY (1974)
  143. Newsreel: man and firing squad
  144. i
  145. ii
  146. iii
  147. November
  148. i
  149. ii
  150. Digging
  151. Tricks with mirrors
  152. i
  153. ii
  154. iii
  155. iv
  156. v
  157. You are happy
  158. SONGS OF THE TRANSFORMED
  159. Pig son
  160. Bull song
  161. Rat song
  162. Crow song
  163. Song of the worms
  164. Owl song
  165. Siren song
  166. Song of the fox
  167. Song of the hen’s head
  168. Corpse song
  169. CIRCE/MUD POEMS
  170. Is/not
  171. i
  172. ii
  173. Eating fire
  174. i
  175. ii
  176. iii
  177. Four auguries
  178. i
  179. ii
  180. iii
  181. iv
  182. Head against white
  183. i
  184. ii
  185. iii
  186. iv
  187. v
  188. There is only one of everything
  189. Late August
  190. Book of ancestors
  191. i
  192. ii
  193. iii
  194. About the Author
  195. Connect with HMH on Social Media

ii

Old woman I visited once
out of my way
in a little-visited province:

she had a neat
house, a clean parlour
though obsolete and poor:

a cushion with a fringe;
glass animals arranged
across the mantlepiece (a swan, a horse,
a bull); a mirror;
a teacup sent from Scotland:
several heraldic spoons;
a lamp; and in the center
of the table, a paperweight:
hollow glass globe
filled with water, and
a house, a man, a snowstorm.

The room was as
dustless as possible
and free of spiders.
I
stood in the door-
way, at the fulcrum where

this trivial but
stringent inner order
held its delicate balance
with the random scattering or
clogged merging of
things: ditch by the road; dried
reeds in the wind; flat
wet bush, grey sky
sweeping away outside.

iii

The cities are only outposts.

Watch that man
walking on cement as though on snowshoes:
senses the road
a muskeg, loose mat of roots and brown
vegetable decay
or crust of ice that
easily might break and
slush or water under
suck him down

The land flows like a
sluggish current.

The mountains eddy slowly towards the sea.

iv

The people who come here also
flow: their bodies becoming
nebulous, diffused, quietly
spreading out into the air across
these interstellar sidewalks

v

This is what it must be
like in outer space
where the stars are pasted flat
against the total
black of the expanding
eye, fly-
specks of burning dust

vi

There is no center;
the centers
travel with us unseen
like our shadows
on a day when there is no sun.

We must move back:
there are too many foregrounds.

Now, clutter of twigs
across our eyes, tatter
of birds at the eye’s edge; the straggle
of dead treetrunks; patch
of lichen

and in love, tangle
of limbs and fingers, the texture
of pores and lines on the skin.

vii

An other sense tugs at us:
we have lost something,
some key to these things
which must be writings
and are locked against us
or perhaps (like a potential
mine, unknown vein
of metal in the rock)
something not lost or hidden
but just not found yet

that informs, holds together
this confusion, this largeness
and dissolving:

not above or behind
or within it, but one
with it: an

identity:
something too huge and simple
for us to see.

The explorers

The explorers will come
in several minutes
and find this island.

(It is a stunted island,
rocky, with room
for only a few trees, a thin
layer of soil; hardly
bigger than a bed.
That is how
they’ve missed it
until now)

Already their boats draw near,
their flags flutter,
their oars push at the water.

They will be jubilant
and shout, at finding
that there was something
they had not found before,

although this island will afford
not much more than a foothold:
little to explore;

but they will be surprised

(we can’t see them yet;
we know they must be
coming, because they always come
several minutes too late)
(they won’t be able
to tell how long
we were cast away, or why,
or, from these
gnawed bones,
which was the survivor)