Contents ( 195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
This is not something I
wanted, I tell you
silently, not admitting
the truth of where
I am, so far
up, the sky incredible and dark
blue, each breath
a gift in the steep air
How hard even the boulders
find it to grow here
and I don’t know how to accept
your freedom, I don’t know
what to do with this
precipice, this joy
What do you see, I ask / my voice
absorbed by stone and outer
space / you are asleep, you see
what there is. Beside you
I bend and enter
I look up, you are standing
on the other side of the window
now your body
glimmers in the dark
room / you rise above me
smooth, chill, stone-
white / you smell of tunnels
you smell of too much time
I should have used leaves
and silver to prevent you
instead I summoned
you are not a bird you do not fly
you are not an animal you do not run
you are not a man
your mouth is nothingness
where it touches me I vanish
you descend on me like age
you descend on me like earth
I can’t tell you my name:
you don’t believe I have one
I can’t warn you this boat is falling
you planned it that way
You’ve never had a face
but you know that appeals to me
You are old enough to be my
skeleton: you know that also.
I can’t tell you I don’t want you
the sea is on your side
You have the earth’s nets
I have only a pair of scissors.
When I look for you I find
water or moving shadow
There is no way I can lose you
when you are lost already.
They were all inaccurate:
the hinged bronze man, the fragile man
built of glass pebbles,
the fanged man with his opulent capes and boots
peeling away from you in scales.
It was my fault but you helped,
you enjoyed it.
Neither of us will enjoy
the rest: you following me
down streets, hallways, melting
when I touch you,
avoiding the sleeves of the bargains
I hold out for you,
your face corroded by truth,
crippled, persistent. You ask
like the wind, again and again and
wordlessly, for the one forbidden thing:
love without mirrors and not for
my reasons but your own.
From YOU ARE HAPPY (1974)
Newsreel: man and firing squad
i
A botched job,
the blindfold slipped, he sees
his own death approaching, says No
or something, his torso jumps as the bullets hit
his nerves / he slopes down,
wrecked and not even
cleanly, roped muscles leaping, mouth open
as though snoring, the photography
isn’t good either.
ii
Destruction shines with such beauty
Light on his wet hair
serpents of blood jerked from the wrists
Sun thrown from the raised and lowered
rifles I debris of the still alive
Your left eye, green and lethal
iii
We depart, we say goodbye
Yet each of us remains in the same place,
staked out and waiting,
it is the ground between that moves, expands,
pulling us away from each other.