Contents ( 195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
but the way you dance by yourself
on the tile floor to a worn song, flat and mournful,
so delighted, spoon waved in one hand, wisps of
roughened hair
sticking up from your head, it’s your surprised
body, pleasure I like. I can even say it,
though only once and it won’t
last: I want this. I want
this.
Late August
This is the plum season, the nights
blue and distended, the moon
hazed, this is the season of peaches
with their lush lobed bulbs
that glow in the dusk, apples
that drop and rot
sweetly, their brown skins veined as glands
No more the shrill voices
that cried Need Need
from the cold pond, bladed
and urgent as new grass
Now it is the crickets
that say Ripe Ripe
slurred in the darkness, while the plums
dripping on the lawn outside
our window, burst
with a sound like thick syrup
muffled and slow
The air is still
warm, flesh moves over
flesh, there is no
hurry
Book of ancestors
i
Book of Ancestors: these brutal, with curled
beards and bulls’ heads . these flattened,
slender with ritual . these contorted
by ecstacy or pain . these bearing
knife, leaf, snake
and these, closer to us,
copper hawkman arched on the squat rock
pyramid, the plumed and beak
nosed priests pressing his arms and feet
down, heart slashed from his opened
flesh, lifted to where
the sun, red and dilated
with his blood, glows in the still hungry sky
Whether he thinks this is
an act of will:
the life set free
by him alone, offered, ribs expanding
by themselves, bone petals,
the heart released and flickering in the
taloned hand, handful of liquid
fire joined to that other fire
an instant before the sacrificed eyes
burst like feathered stars in the darkness
of the painted border.
ii
So much for the gods and their
static demands . our demands, former
demands, death patterns
obscure as fragments of an
archeology, these frescoes
on a crumbling temple
wall we look at now and can scarcely
piece together
History
is over, we take place
in a season, an undivided
space, no necessities
hold us closed, distort
us. I lean behind you, mouth touching
your spine, my arms around
you, palm above the heart,
your blood insistent under
my hand, quick and mortal
iii
Midwinter, the window
is luminous with blown snow, the fire
burns inside its bars
On the floor your body curves
like that: the ancient pose, neck slackened, arms
thrown above the head, vital
throat and belly lying
undefended, light slides over you,
this is not an altar, they are not
acting or watching
You are intact, you turn
towards me, your eyes opening, the eyes
intricate and easily bruised, you open
yourself to me gently, what
they tried, we
tried but could never do
before . without blood, the killed
heart . to take
that risk, to offer life and remain
alive, open yourself like this and become whole