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Contents (195)
  1. Contents
  2. From THE CIRCLE GAME (1966)
  3. This is a photograph of me
  4. After the flood, we
  5. The city planners
  6. Eventual Proteus
  7. The circle game
  8. i
  9. ii
  10. iii
  11. iv
  12. v
  13. vi
  14. vii
  15. Migration: C.P.R.
  16. i
  17. ii
  18. iii
  19. Journey to the interior
  20. Some objects of wood and stone
  21. i Totems
  22. ii Pebbles
  23. iii Carved Animals
  24. Pre-amphibian
  25. Against still life
  26. A place: fragments
  27. i
  28. ii
  29. iii
  30. iv
  31. v
  32. vi
  33. vii
  34. The explorers
  35. The settlers
  36. From THE ANIMALS IN THAT COUNTRY (1968)
  37. The animals in that country
  38. A foundling
  39. The landlady
  40. A fortification
  41. At the tourist centre in Boston
  42. Elegy for the giant tortoises
  43. Roominghouse, winter
  44. It is dangerous to read newspapers
  45. Progressive insanities of a pioneer
  46. i
  47. ii
  48. iii
  49. iv
  50. v
  51. vi
  52. vii
  53. Speeches for Dr Frankenstein
  54. i
  55. ii
  56. iii
  57. iv
  58. v
  59. vi
  60. vii
  61. ix
  62. x
  63. Backdrop addresses cowboy
  64. I was reading a scientific article
  65. More and more
  66. A voice
  67. The reincarnation of Captain Cook
  68. Axiom
  69. THE JOURNALS OF SUSANNA MOODIE (1970)
  70. JOURNAL I 1832–1840
  71. Disembarking at Quebec
  72. Further arrivals
  73. First neighbours
  74. The planters
  75. The wereman
  76. Paths and thingscape
  77. The two fires
  78. Looking in a mirror
  79. Departure from the bush
  80. JOURNAL II 1840–1871
  81. Death of a young son by drowning
  82. The immigrants
  83. Dream 1: the bush garden
  84. 1837 war in retrospect
  85. Dream 2: Brian the still-hunter
  86. Charivari
  87. Dream 3: night bear which frightened cattle
  88. The deaths of the other children
  89. The double voice
  90. JOURNAL III 1871–1969
  91. Later in Belleville: career
  92. Daguerreotype taken in old age
  93. Wish: metamorphosis to heraldic emblem
  94. Visit to Toronto, with companions
  95. Solipsism while dying
  96. Thoughts from underground
  97. Alternate thoughts from underground
  98. Resurrection
  99. A bus along St Clair: December
  100. From PROCEDURES FOR UNDERGROUND (1970)
  101. Game after supper
  102. Girl and horse, 1928
  103. The small cabin
  104. Midwinter, presolstice
  105. Procedures for underground
  106. Dreams of the animals
  107. Cyclops
  108. Three desk objects
  109. Projected slide of an unknown soldier
  110. Comic books vs. history (1949, 1969)
  111. Highest altitude
  112. A morning
  113. A soul, geologically
  114. Habitation
  115. Woman skating
  116. Younger sister, going swimming
  117. Fishing for eel totems
  118. Buffalo in compound: Alberta
  119. Carrying food home in winter
  120. From POWER POLITICS (1971)
  121. She considers evading him
  122. They eat out
  123. Their attitudes differ
  124. i
  125. ii
  126. iii
  127. i
  128. ii
  129. iii
  130. iv
  131. They are hostile nations
  132. i
  133. ii
  134. iii
  135. Hesitations outside the door
  136. i
  137. ii
  138. iii
  139. iv
  140. vi
  141. vii
  142. From YOU ARE HAPPY (1974)
  143. Newsreel: man and firing squad
  144. i
  145. ii
  146. iii
  147. November
  148. i
  149. ii
  150. Digging
  151. Tricks with mirrors
  152. i
  153. ii
  154. iii
  155. iv
  156. v
  157. You are happy
  158. SONGS OF THE TRANSFORMED
  159. Pig son
  160. Bull song
  161. Rat song
  162. Crow song
  163. Song of the worms
  164. Owl song
  165. Siren song
  166. Song of the fox
  167. Song of the hen’s head
  168. Corpse song
  169. CIRCE/MUD POEMS
  170. Is/not
  171. i
  172. ii
  173. Eating fire
  174. i
  175. ii
  176. iii
  177. Four auguries
  178. i
  179. ii
  180. iii
  181. iv
  182. Head against white
  183. i
  184. ii
  185. iii
  186. iv
  187. v
  188. There is only one of everything
  189. Late August
  190. Book of ancestors
  191. i
  192. ii
  193. iii
  194. About the Author
  195. Connect with HMH on Social Media

Splendoured Thing
you hang suspended above the city

in blue tights and a red cape,
your eyes flashing in unison.

The other diners regard you
some with awe, some only with bordom:

they cannot decide if you are a new weapon
or only a new advertisement.

As for me, I continue eating;
I liked you better the way you were,
but you were always ambitious.

After the agony in the guest
bedroom, you lying by the
overturned bed
your face uplifted, neck propped
against the windowsill, my arm
under you, cold moon
shining down through the window

wine mist rising
around you, an almost-
visible halo

You say, Do you
love me, do you love me

I answer you:
I stretch your arms out
one to either side,
your head slumps forward.

Later I take you home
in a taxi, and you
are sick in the bathtub

My beautiful wooden leader
with your heartful of medals
made of wood, fixing it
each time so you almost win,

you long to be bandaged
before you have been cut.
My love for you is the love
of one statue for another: tensed

and static. General, you enlist
my body in your heroic
struggle to become real:
though you promise bronze rescues

you hold me by the left ankle
so that my head brushes the ground,
my eyes are blinded,
my hair fills with white ribbons.

There are hordes of me now, alike
and paralyzed, we follow you
scattering floral tributes
under your hooves.

Magnificent on your wooden horse
you point with your fringed hand;
the sun sets, and the people all
ride off in the other direction.

You want to go back
to where the sky was inside us

animals ran through us, our hands
blessed and killed according to our
wisdom, death
made real blood come out

But face it, we have been
improved, our heads float
several inches above our necks
moored to us by
rubber tubes and filled with
clever bubbles,

our bodies
are populated with billions
of soft pink numbers
multiplying and analyzing
themselves, perfecting
their own demands, no trouble to anyone.

I love you by
sections and when you work.

Do you want to be illiterate?
This is the way it is, get used to it.

Their attitudes differ

i

To understand each other: anything
but that, & to avoid it

I will suspend my search for
germs if you will keep
your fingers off the microfilm
hidden inside my skin

ii

I approach this love
like a biologist
pulling on my rubber
gloves & white labcoat

You flee from it
like an escaped political
prisoner, and no wonder

iii

You held out your hand
I took your fingerprints

You asked for love
I gave you only descriptions

Please die I said
so I can write about it

After all you are quite
ordinary: 2 arms 2 legs
a head, a reasonable
body, toes & fingers, a few
eccentricities, a few honesties
but not too many, too many
postponements & regrets but