Contents (195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
Splendoured Thing
you hang suspended above the city
in blue tights and a red cape,
your eyes flashing in unison.
The other diners regard you
some with awe, some only with bordom:
they cannot decide if you are a new weapon
or only a new advertisement.
As for me, I continue eating;
I liked you better the way you were,
but you were always ambitious.
After the agony in the guest
bedroom, you lying by the
overturned bed
your face uplifted, neck propped
against the windowsill, my arm
under you, cold moon
shining down through the window
wine mist rising
around you, an almost-
visible halo
You say, Do you
love me, do you love me
I answer you:
I stretch your arms out
one to either side,
your head slumps forward.
Later I take you home
in a taxi, and you
are sick in the bathtub
My beautiful wooden leader
with your heartful of medals
made of wood, fixing it
each time so you almost win,
you long to be bandaged
before you have been cut.
My love for you is the love
of one statue for another: tensed
and static. General, you enlist
my body in your heroic
struggle to become real:
though you promise bronze rescues
you hold me by the left ankle
so that my head brushes the ground,
my eyes are blinded,
my hair fills with white ribbons.
There are hordes of me now, alike
and paralyzed, we follow you
scattering floral tributes
under your hooves.
Magnificent on your wooden horse
you point with your fringed hand;
the sun sets, and the people all
ride off in the other direction.
You want to go back
to where the sky was inside us
animals ran through us, our hands
blessed and killed according to our
wisdom, death
made real blood come out
But face it, we have been
improved, our heads float
several inches above our necks
moored to us by
rubber tubes and filled with
clever bubbles,
our bodies
are populated with billions
of soft pink numbers
multiplying and analyzing
themselves, perfecting
their own demands, no trouble to anyone.
I love you by
sections and when you work.
Do you want to be illiterate?
This is the way it is, get used to it.
Their attitudes differ
i
To understand each other: anything
but that, & to avoid it
I will suspend my search for
germs if you will keep
your fingers off the microfilm
hidden inside my skin
ii
I approach this love
like a biologist
pulling on my rubber
gloves & white labcoat
You flee from it
like an escaped political
prisoner, and no wonder
iii
You held out your hand
I took your fingerprints
You asked for love
I gave you only descriptions
Please die I said
so I can write about it
After all you are quite
ordinary: 2 arms 2 legs
a head, a reasonable
body, toes & fingers, a few
eccentricities, a few honesties
but not too many, too many
postponements & regrets but