Back Selected Poems Save as PDF
Contents ( 195)
  1. Contents
  2. From THE CIRCLE GAME (1966)
  3. This is a photograph of me
  4. After the flood, we
  5. The city planners
  6. Eventual Proteus
  7. The circle game
  8. i
  9. ii
  10. iii
  11. iv
  12. v
  13. vi
  14. vii
  15. Migration: C.P.R.
  16. i
  17. ii
  18. iii
  19. Journey to the interior
  20. Some objects of wood and stone
  21. i Totems
  22. ii Pebbles
  23. iii Carved Animals
  24. Pre-amphibian
  25. Against still life
  26. A place: fragments
  27. i
  28. ii
  29. iii
  30. iv
  31. v
  32. vi
  33. vii
  34. The explorers
  35. The settlers
  36. From THE ANIMALS IN THAT COUNTRY (1968)
  37. The animals in that country
  38. A foundling
  39. The landlady
  40. A fortification
  41. At the tourist centre in Boston
  42. Elegy for the giant tortoises
  43. Roominghouse, winter
  44. It is dangerous to read newspapers
  45. Progressive insanities of a pioneer
  46. i
  47. ii
  48. iii
  49. iv
  50. v
  51. vi
  52. vii
  53. Speeches for Dr Frankenstein
  54. i
  55. ii
  56. iii
  57. iv
  58. v
  59. vi
  60. vii
  61. ix
  62. x
  63. Backdrop addresses cowboy
  64. I was reading a scientific article
  65. More and more
  66. A voice
  67. The reincarnation of Captain Cook
  68. Axiom
  69. THE JOURNALS OF SUSANNA MOODIE (1970)
  70. JOURNAL I 1832–1840
  71. Disembarking at Quebec
  72. Further arrivals
  73. First neighbours
  74. The planters
  75. The wereman
  76. Paths and thingscape
  77. The two fires
  78. Looking in a mirror
  79. Departure from the bush
  80. JOURNAL II 1840–1871
  81. Death of a young son by drowning
  82. The immigrants
  83. Dream 1: the bush garden
  84. 1837 war in retrospect
  85. Dream 2: Brian the still-hunter
  86. Charivari
  87. Dream 3: night bear which frightened cattle
  88. The deaths of the other children
  89. The double voice
  90. JOURNAL III 1871–1969
  91. Later in Belleville: career
  92. Daguerreotype taken in old age
  93. Wish: metamorphosis to heraldic emblem
  94. Visit to Toronto, with companions
  95. Solipsism while dying
  96. Thoughts from underground
  97. Alternate thoughts from underground
  98. Resurrection
  99. A bus along St Clair: December
  100. From PROCEDURES FOR UNDERGROUND (1970)
  101. Game after supper
  102. Girl and horse, 1928
  103. The small cabin
  104. Midwinter, presolstice
  105. Procedures for underground
  106. Dreams of the animals
  107. Cyclops
  108. Three desk objects
  109. Projected slide of an unknown soldier
  110. Comic books vs. history (1949, 1969)
  111. Highest altitude
  112. A morning
  113. A soul, geologically
  114. Habitation
  115. Woman skating
  116. Younger sister, going swimming
  117. Fishing for eel totems
  118. Buffalo in compound: Alberta
  119. Carrying food home in winter
  120. From POWER POLITICS (1971)
  121. She considers evading him
  122. They eat out
  123. Their attitudes differ
  124. i
  125. ii
  126. iii
  127. i
  128. ii
  129. iii
  130. iv
  131. They are hostile nations
  132. i
  133. ii
  134. iii
  135. Hesitations outside the door
  136. i
  137. ii
  138. iii
  139. iv
  140. vi
  141. vii
  142. From YOU ARE HAPPY (1974)
  143. Newsreel: man and firing squad
  144. i
  145. ii
  146. iii
  147. November
  148. i
  149. ii
  150. Digging
  151. Tricks with mirrors
  152. i
  153. ii
  154. iii
  155. iv
  156. v
  157. You are happy
  158. SONGS OF THE TRANSFORMED
  159. Pig son
  160. Bull song
  161. Rat song
  162. Crow song
  163. Song of the worms
  164. Owl song
  165. Siren song
  166. Song of the fox
  167. Song of the hen’s head
  168. Corpse song
  169. CIRCE/MUD POEMS
  170. Is/not
  171. i
  172. ii
  173. Eating fire
  174. i
  175. ii
  176. iii
  177. Four auguries
  178. i
  179. ii
  180. iii
  181. iv
  182. Head against white
  183. i
  184. ii
  185. iii
  186. iv
  187. v
  188. There is only one of everything
  189. Late August
  190. Book of ancestors
  191. i
  192. ii
  193. iii
  194. About the Author
  195. Connect with HMH on Social Media

the fishermen
sit all day on old wharves facing
neither sea-
wards nor inland, mending
and untangling their old nets
of thought

and language is the law

we ran west

wanting
a place of absolute
unformed beginning

(the train
an ark
upheld on the brain’s darkness)

but the inner lakes reminded
us too much of ancient oceans
first flood: blood-
enemy and substance
(was our train like
an ark or like a seasnake?

and the prairies were so nearly
empty as prehistory
that each of the
few solid objects took some great
implication, hidden but
more sudden than a signpost

(like an inscribed shard, broken bowl
dug at a desert level
where they thought
no man had been,
or a burned bone)

(every dwarf tree portentous
with twisted wisdom, though
we knew no
apples grew there

and that shape, gazing
at nothing
by a hooftrampled streamside:
it could
have been a centaur)

and even the mountains
at the approach, were
conical, iconic
again:

(tents
in the desert? triangular
ships? towers? breasts?
words)
again
these barriers

ii

Once in the pass, the steep
faulted gorges were at last
real: we
tossed our eastern
suitcases from the caboose
and all our baggage
overboard
left in our wake
along the tracks
and (we saw) our train became
only a train, in real
danger of falling; strained
speechless through those new mountains
we stepped
unbound
into

what a free emerging
on the raw
streets and hills
without meaning
always creeping up behind us
(that cold touch on the shoulder)

our faces scraped as blank
as we could wish them
(but needing new
houses, new
dishes, new
husks)

iii

There are more secondhand
stores here than we expected:
though we brought nothing with us
(we thought)
we have begun to unpack.

A residual brass bedstead
scratched with the initials
of generic brides and grooms;
chipped squat teapots: old totemic
mothers; a boxful
of used hats.

In the forest, even
apart from the trodden
paths, we can tell (from the sawn
firstumps) that many
have passed the same way
some time before
this (hieroglyphics
carved in the bark)

Things here grow from the ground
too insistently
green to seem
spontaneous. (My skeletons, I think,
will be still
in the windows when I look,
as well as the books
and the index-
fingered gloves.)

There is also a sea
that refuses to stay in the harbour:
becomes opaque
air or throws
brown seaweeds like small drowned hands
up on these shores

(the fishermen
are casting their nets here
as well)
and blunted mountains
rolling
(the first whales maybe?)
in the
inescapable mists.

Journey to the interior

There are similarities
I notice: that the hills
which the eyes make flat as a wall, welded
together, open as I move
to let me through ; become
endless as prairies ; that the trees
grow spindly, have their roots
often in swamps; that this is a poor country
that a cliff is not known
as rough except by hand, and is
therefore inaccessible. Mostly
that travel is not the easy going
from point to point, a dotted
line on a map, location
plotted on a square surface
but that I move surrounded by a tangle
of branches, a net of air and alternate
light and dark, at all times;
that there are no destinations
apart from this.