Contents (195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
There are two islands
at least, they do not exclude each other
On the first I am right,
the events run themselves through
almost without us,
we are open, we are closed,
we express joy, we proceed
as usual, we watch for
omens, we are sad
and so forth, it is over,
I am right, it starts again,
jerkier this time and faster,
I could say it without looking, the animals,
the blackened trees, the arrivals,
the bodies, words, it goes and goes,
I could recite it backwards.
The second I know nothing about
because it has never happened;
this land is not finished,
this body is not reversible.
We walk through a field, it is November,
the grass is yellow, tinged
with grey, the apples
are still on the trees,
they are orange, astonishing, we are standing
in a clump of weeds near the dead elms
our faces upturned, the wet flakes
falling onto our skin and melting
We lick the melted snow
from each other’s mouths,
we see birds, four of them, they are gone, and
a stream, not frozen yet, in the mud
beside it the track of a deer
Is/not
i
Love is not a profession
genteel or otherwise
sex is not dentistry
the slick filling of aches and cavities
you are not my doctor
you are not my cure,
nobody has that
power, you are merely a fellow/traveller.
Give up this medical concern,
buttoned, attentive,
permit yourself anger
and permit me mine
which needs neither
your approval nor your surprise
which does not need to be made legal
which is not against a disease
but against you,
which does not need to be understood
or washed or cauterized,
which needs instead
to be said and said.
Permit me the present tense.
ii
I am not a saint or a cripple,
I am not a wound; now I will see
whether I am a coward.
I dispose of my good manners,
you don’t have to kiss my wrists.
This is a journey, not a war,
there is no outcome,
1 renounce predictions
and aspirins, I resign the future
as I would resign an expired passport:
picture and signature are gone
along with holidays and safe returns.
We’re stuck here
on this side of the border
in this country of thumbed streets and stale buildings
where there is nothing spectacular
to see and the weather is ordinary
where love occurs in its pure form only
on the cheaper of the souvenirs
where we must walk slowly,
where we may not get anywhere
or anything, where we keep going,
fighting our ways, our way
not out but through.
Eating fire
i
Eating fire
is your ambition:
to swallow the flame down
take it into your mouth
and shoot it forth, a shout or an incandescent
tongue, a word
exploding from you in gold, crimson,
unrolling in a brilliant scroll
To be lit up from within
vein by vein