Contents ( 195)
- Contents
- From THE CIRCLE GAME (1966)
- This is a photograph of me
- After the flood, we
- The city planners
- Eventual Proteus
- The circle game
- i
- ii
- iii
- iv
- v
- vi
- vii
- Migration: C.P.R.
- i
- ii
- iii
- Journey to the interior
- Some objects of wood and stone
- i Totems
- ii Pebbles
- iii Carved Animals
- Pre-amphibian
- Against still life
- A place: fragments
- i
- ii
- iii
- iv
- v
- vi
- vii
- The explorers
- The settlers
- From THE ANIMALS IN THAT COUNTRY (1968)
- The animals in that country
- A foundling
- The landlady
- A fortification
- At the tourist centre in Boston
- Elegy for the giant tortoises
- Roominghouse, winter
- It is dangerous to read newspapers
- Progressive insanities of a pioneer
- i
- ii
- iii
- iv
- v
- vi
- vii
- Speeches for Dr Frankenstein
- i
- ii
- iii
- iv
- v
- vi
- vii
- ix
- x
- Backdrop addresses cowboy
- I was reading a scientific article
- More and more
- A voice
- The reincarnation of Captain Cook
- Axiom
- THE JOURNALS OF SUSANNA MOODIE (1970)
- JOURNAL I 1832–1840
- Disembarking at Quebec
- Further arrivals
- First neighbours
- The planters
- The wereman
- Paths and thingscape
- The two fires
- Looking in a mirror
- Departure from the bush
- JOURNAL II 1840–1871
- Death of a young son by drowning
- The immigrants
- Dream 1: the bush garden
- 1837 war in retrospect
- Dream 2: Brian the still-hunter
- Charivari
- Dream 3: night bear which frightened cattle
- The deaths of the other children
- The double voice
- JOURNAL III 1871–1969
- Later in Belleville: career
- Daguerreotype taken in old age
- Wish: metamorphosis to heraldic emblem
- Visit to Toronto, with companions
- Solipsism while dying
- Thoughts from underground
- Alternate thoughts from underground
- Resurrection
- A bus along St Clair: December
- From PROCEDURES FOR UNDERGROUND (1970)
- Game after supper
- Girl and horse, 1928
- The small cabin
- Midwinter, presolstice
- Procedures for underground
- Dreams of the animals
- Cyclops
- Three desk objects
- Projected slide of an unknown soldier
- Comic books vs. history (1949, 1969)
- Highest altitude
- A morning
- A soul, geologically
- Habitation
- Woman skating
- Younger sister, going swimming
- Fishing for eel totems
- Buffalo in compound: Alberta
- Carrying food home in winter
- From POWER POLITICS (1971)
- She considers evading him
- They eat out
- Their attitudes differ
- i
- ii
- iii
- i
- ii
- iii
- iv
- They are hostile nations
- i
- ii
- iii
- Hesitations outside the door
- i
- ii
- iii
- iv
- vi
- vii
- From YOU ARE HAPPY (1974)
- Newsreel: man and firing squad
- i
- ii
- iii
- November
- i
- ii
- Digging
- Tricks with mirrors
- i
- ii
- iii
- iv
- v
- You are happy
- SONGS OF THE TRANSFORMED
- Pig son
- Bull song
- Rat song
- Crow song
- Song of the worms
- Owl song
- Siren song
- Song of the fox
- Song of the hen’s head
- Corpse song
- CIRCE/MUD POEMS
- Is/not
- i
- ii
- Eating fire
- i
- ii
- iii
- Four auguries
- i
- ii
- iii
- iv
- Head against white
- i
- ii
- iii
- iv
- v
- There is only one of everything
- Late August
- Book of ancestors
- i
- ii
- iii
- About the Author
- Connect with HMH on Social Media
I search instead for the others,
the ones left over,
the ones who have escaped from these
mythologies with barely their lives;
they have real faces and hands, they think
of themselves as
wrong somehow, they would rather be trees.
It was not my fault, these animals
who once were lovers
it was not my fault, the snouts
and hooves, the tongues
thickening and rough, the mouths grown over
with teeth and fur
I did not add the shaggy
rugs, the tusked masks,
they happened
I did not say anything, I sat
and watched, they happened
because I did not say anything.
It was not my fault, these animals
who could no longer touch me
through the rinds of their hardening skins,
these animals dying
of thirst because they could not speak
these drying skeletons
that have crashed and litter the ground
under the cliffs, these
wrecked words.
People come from all over to consult me, bringing their limbs which have unaccountably fallen off, they don’t know why, my front porch is waist deep in hands, bringing their blood hoarded in pickle jars, bringing their fears about their hearts, which they either can or can’t hear at night. They offer me their pain, hoping in return for a word, a word, any word from those they have assaulted daily, with shovels, axes, electric saws, the silent ones, the ones they accused of being silent because they would not speak in the received language.
I spend my days with my head pressed to the earth, to stones, to shrubs, collecting the few muted syllables left over; in the evenings I dispense them, a letter at a time, trying to be fair, to the clamouring suppliants, who have built elaborate stair-cases across the level ground so they can approach me on their knees. Around me everything is worn down, the grass, the roots, the soil, nothing is left but the bared rock.
Come away with me, he said, we will live on a desert island. I said, I am a desert island. It was not what he had in mind.
I made no choice
I decided nothing
One day you simply appeared in your stupid boat,
your killer’s hands, your disjointed body, jagged
as a shipwreck,
skinny-ribbed, blue-eyed, scorched, thirsty, the usual,
pretending to be—what? a survivor?
Those who say they want nothing
want everything.
It was not this greed
that offended me, it was the lies.
Nevertheless I gave you
the food you demanded for the journey
you said you planned; but you planned no journey
and we both knew it.
You’ve forgotten that,
you made the right decision.
The trees bend in the wind, you eat, you rest,
you think of nothing,
your mind, you say,
is like your hands, vacant:
vacant is not innocent.