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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

The vendors and market-goers stared, but Alba paid them no mind. All her years of being on display as the oracle’s apprentice, for the first time—in the butcher’s wife’s rough-spun tunic—she felt nearly invisible.

She stopped at a wall tacked with parchments and postings. She remembered, vaguely, in her former life perhaps having seen such a thing—but no villager she’d known then could read.

A list of babes born—four girls, three boys.

A list of deaths. Two by age, three by illness, two by hunger, one by horse, one by boar.

Alba perused the notices, at turns smiling and frowning over the celebrations and sorrows.

The notice of an arrest. A man had stolen a goat. And another—a woman had stolen two fruit pies… from a neighbor.

Two marriages. A potter to a swineherd, a blacksmith to a tanner.

Coming to the center placard, she stopped.

Oh. Oh!

She flushed with anger. Here was the notice the butcher had mentioned—the search for the children. The demand to prove parentage. The edict to take away children who might threaten the realm.

Children threatening the realm. Alba glared at the posting, at its fat, waxy, officious seal. Around her, people came and went, glancing once or twice, seemingly unheeding… only now Alba noticed the market was empty of children.

How they must be hidden away. How the parents must be living grieving and terrified. And now that she was looking—how could she have failed to see?—she saw mouths pinched into tight lines, eyes shadowed with worry. Alba chastised herself: She’d been passing through the market unnoticing, and all around her was sorrow that had roots in her own words.

“Not really a mirror at all,” she whispered, wishing she could still cling to the oracle’s refrain. Well, she could do something about her words now.

Behind her were shepherds nearly hidden by clouds of lofty fleeces they had stacked to sell. She crossed to their booth and leaned over their display.

“Excuse me, do you have any lampblack?”

“Lampblack?” An old woman, bent over a pile of fleeces, looked up, her expression startled and pained.

“My family were goatherds… sometimes my father would polish hooves with lampblack when he was trying to sell an old billy—”

“We have it.” A gray-whiskered man, rushed, brusque, turned with a small pot. Seeing Alba, he blenched, and the brusqueness softened. “Here.” He leaned over the table and pressed the pot into her hands. “Keep it,” he whispered. “And go back to your family. Quick now.”

“No, I—” Alba began, but the man, eyes wide, waved her away.

“Hurry, hurry, child.”

Alba saw then, beneath the fleeces where the old woman was kneeling, a set of toes. Gray, dust-smudged, they had scrunched themselves into smallness, but still, they jutted from their hiding place.

She looked again at the old woman’s ashen cheeks, the old man’s wide eyes, and understood. “Thank you.” It was all she could say.

Even more determined, Alba returned to the wall and placed herself in front of the king’s posting. She dipped her finger into the pot, blackening it with pigment.