Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
Domenica disagreed. ‘I don’t know, Angus,’ she said reassuringly. ‘You’ve achieved something, surely. Your work is well regarded. You enjoy the privilege of being able to devote your time to painting – which is what you love, I believe. Many would consider you fortunate.’
Angus shook his head. ‘No. That’s kind, but no. I paint portraits of company directors and the like. That is all. I leave nothing of worth behind me – no great work, no painting that really adds to our artistic patrimony. I am, I’m afraid, something of a failure.’
Domenica frowned at this. Angus was not given to self-pity – something that she had heard him railing against in others. Was Angus coming down with delayed Stendhal Syndrome? Who would be next? Cyril? Was there a veterinary equivalent of the unusual condition; a version that struck dogs who were suddenly confronted with a tantalising choice of exotic scents?
‘Oh, I am aware of my relative good fortune,’ Angus said quickly. ‘And there is only one respect in which I might be more fortunate than I am already. And that is if you were prepared to …’
She looked at him politely. ‘Prepared to what?’
He was staring at the sky, as if inspiration were to be found in that quarter. Somewhere, over the hills, there was the drone of a tiny engine. Somebody is cutting wood with a buzz-saw … The line from that poem about angels in Italy; so evocative. And then, over the brow of a hill, still a speck in the clouds, came a minute aircraft – a wing under which a man was suspended by rigging yet invisible.
‘Icarus,’ muttered Angus.
Domenica looked up. ‘About suffering they were never wrong,’ she said quietly.
Angus had heard the line before; Domenica had quoted it to him on more than one occasion. ‘Yes,’ he said. ‘Auden is so right, isn’t he? Icarus falling – the boy’s white legs disappearing into the green sea – all unnoticed because the rest of the world has to get on with its business.’
There was a silence. The tiny aircraft approached and was soon overhead. Icarus could be made out quite clearly, and he spotted them and waved. Cyril, looking up, barked, in greeting or warning – it was hard to tell.
Domenica returned her gaze to Angus. ‘You were saying: would I be prepared. Prepared to do what?’
He took a deep breath. ‘To marry me,’ he said quietly.
It was easier than he thought. Icarus did not fall from the sky; the ground did not open; the earth did not wobble on its trajectory.
If Domenica was taken aback, she did not show it. ‘How kind of you, Angus,’ she said. ‘What a sweet question.’
He did not know how to interpret this. ‘I know I’m nothing much,’ he said. ‘And I have Cyril. And my clothes, I know, are a bit old-fashioned.’