Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
‘Are you all right?’ asked Angus. ‘You looked a bit … distracted.’
‘The beauty!’ muttered Antonia.
Angus exchanged a quick glance with Domenica.
It seemed that Antonia thought that further explanation was required. ‘It’s so intensely beautiful,’ she said quietly. ‘The landscape – look at it. Those cypresses over there – such melancholy trees – they make me want to weep; they really do. And did you see that tiny shrine as we came down the hill? A little shrine to the Virgin, with a minute bunch of flowers laid on the ledge before it. Where would one see that in Scotland?’
‘Not in a great number of places,’ admitted Angus. ‘But then we are a Protestant country. Or were.’
‘Oh, it’s nothing to do with religion,’ said Antonia. ‘It’s to do with beauty. It’s to do with the fact that there are people here who beautify their public space – even their roadsides. And what do we do? We destroy our landscapes, render them ugly with great pylons, with giant metal windmills.’
Angus agreed. ‘Yes, you’re right. We’re insensitive to beauty – for the most part. But that’s why we’ve been coming to Italy for years. We come to get in touch with beauty. To have our souls restored.’
Domenica listened to this exchange. There was nothing wrong with Antonia, she decided. She was affected by the change in surroundings, but so was she, and so was Angus. It would be odd if they had come to Italy and felt exactly the same as they felt in Scotland. What would be the point of travel if one felt exactly the same once one reached one’s destination?
They continued the journey. As they approached Florence the traffic became more intense, even though they had avoided the main highways and followed, as far as possible, quieter back roads. At last they reached a place where, in a small piazza on the edge of an industrial area, they were able to leave the car. A taxi then took them on the final leg of the journey into the centre of the city.
‘The Ponte Vecchio,’ Antonia suddenly screamed. ‘Look!’
The taxi driver swerved, alarmed by the sudden shouting.
‘You must excuse my friend here,’ said Domenica in Italian. ‘She is Scottish, you see. Scottish people are prone to sudden outbursts.’
The taxi driver nodded. ‘That is well known,’ he said. ‘Normally it is connected with football, I believe.’
‘Not in this case,’ said Domenica. ‘Architecture.’
‘What did you say?’ asked Antonia.
‘Nothing important,’ answered Domenica. ‘But look over there – we can ask him to drop us there. The Uffizi is just round the corner, I think.’
They alighted from the taxi and made their way to the point where a queue was forming outside the ticket office of the Uffizi.