Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
And then, later into the trip, when Antonia had tried to ask, above the background hum of the aircraft’s engines, whether Angus had enjoyed the limp, damp sandwich which the airline had so kindly distributed to its passengers, Domenica had again been able to deal with the situation in an entirely satisfactory manner. Angus had been aware of the fact that Antonia was saying something to him, but had not been able to make out what it was.
‘I believe Antonia said something,’ he said. ‘What was it?’
‘It was nothing important,’ said Domenica.
And now, as they taxied on the runway at Pisa airport and Antonia asked about Angus’s witticism, Domenica was again able to fob her off. ‘He made a remark about the control tower,’ she said. ‘That’s all.’
Antonia’s irritation showed clearly. ‘Well, what did he say?’
‘Nothing much,’ said Domenica. ‘Oh, look over there – no, I suppose you can’t see from where you’re sitting – but there’s a set of steps waiting for us. How thoughtful of the dear airport.’
‘They would hardly expect us to jump down from the door,’ said Antonia, in a surly tone.
Angus turned to Domenica. ‘Did Antonia say something?’ he asked.
‘Nothing much.’
They deplaned, as the language of aviation so neologistically puts it, and were then bussed to the terminal, where they were debussed. There then followed a brief and entirely wordless encounter with the Italian border authorities, who glanced at their passports in a pitying way before waving them through.
‘It’s so sad,’ said Domenica, ‘that the land of Dante and Michelangelo should be guarded by such men. Even if they have very ornate uniforms.’
Angus smiled. ‘All Italian officials have splendid uniforms,’ he said. ‘I remember reading about the formation of an Italian railway company in the nineteenth century. They spent much of their time and start-up capital on designing elaborate uniforms for their officials.’
‘They have a proper sense of theatre,’ said Domenica.
Antonia disagreed. ‘Running a railway has nothing to do with theatre. It is all about engineering.’
‘At which these people excel,’ said Angus. ‘Engineering, opera, great art – is there nothing they cannot do?’
‘They are very talented people,’ said Domenica. ‘And I do hope that their talents run to transporting suitcases from A to B without losing them.’
‘And transporting dogs too,’ said Angus.
‘Of course,’ said Domenica. She had forgotten Cyril was with them and had made the trip in considerably less comfortable circumstances, somewhere in the hold.
They need not have worried. By the time they found themselves in the baggage reclaiming area, they saw that Cyril was already there. He too had been deplaned and was sitting patiently in his travel crate with its barred front and its special water dispenser. He knew immediately that Angus was in the room and barked loudly to attract his master’s attention.
‘Cyril!’ shouted Angus. ‘Cyril! Siamo arrivati!’