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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

Rae glanced at her father. He looked away, abashed. He did not speak as much anymore, and when he did, he always seemed surprised at his own words. She wondered whether Mop knew, truly knew, that his speech tended to be just strings of words that usually went together. Words that often sat near one another, like across the way… or, even things that usually came together. Like milk buckets. He had to be talking about the sheep.

“I think you’re right,” she said, guessing at what he had meant. “Next week, if the sun keeps shining, the far hill will be ready for grazing.”

Mop squeezed her hand, grateful she had understood.

Rae turned her eyes to the flock, thinking of how Mop used to stand among them calling out his songs. “I miss your singing,” she said, without meaning to, and then, as Mop’s face fell, she tried to take it back. “Oh, no, Mop, I mean… it’s all right. I have it in my memory. I remember all your songs. Here spring is gleaming, here the riverbanks overflow with vines and many-colored blooms—I was thinking of that one earlier, with the”—she gestured at the brook cutting through the meadow patched purple and white—“violets coming up.”

“Sunshine…,” Mop began before falling silent again.

Sunshine. She knew he meant her.

They sat quietly, listening to the grazing sheep and the stream still rushing with winter melt. Mop tipped back his head and closed his eyes.

“Seed-months,” he said slowly. Half-animated, his face seemed wind-blurred, and his words, too, seemed wind-blurred in the way they skirted around their meaning. “Meadow-line. Cloud-mirror. And not to forget or should I say. Roots and leaves, spilt milk, the gathering of bees.”

“Cloud-mirror,” Rae repeated. “The stream. I like that.”

Mop laid his palm across her chest, then gestured to the mountains. “Would it be for you so plum blossom.”

“Oh,” Rae said. She thought she understood. “I don’t… I’m not sure I remember, Mop.”

One cheek rose encouragingly.

“Wolf in… in the…” Rae hesitated. “The den. Dark of…”

Mop’s smile crept to his eye. He nodded enthusiastically, sweeping his arm at the hills.

“Wolf in the den!” Rae shouted, only because Mop seemed so pleased. Olf, olf, olf, en, en, en bounced back from the cliffs. “Dark of the earth!” she cried. Ark, ark, ark, erth, erth, erth.

Startled out of the trees, a flock of starlings rose and spun over the meadow.

Mop held a delighted hand over his heart. He pointed again, but Rae shook her head. Even for him, she couldn’t bring herself to sing the words she felt had started all their misfortunes.

“Oh, Mop. I don’t remember. And… I can’t sing. Not like you. My songs are not as beautiful as yours.”

At this, Mop’s smile dropped away. He held her hand. “Feather lifted and so ever and on.” His voice took on a pleading quality. “But beneath… beneath the stars white sleeve always reaching, where is it if only I could say if only it might.”