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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

“Yes?” Mop leaned forward. “Have my songs what, my daughter?”

“Have your songs ever… made anything true?”

Ness made a hmmm-ing sound, but Mop was quiet for a moment.

“Well,” he said after a time. “Yes. In the sense that all songs—if I shape them well enough”—he smiled at Rae—“are true. Reveal truths. And sometimes, like that old sow and her bear cubs, while I’m licking their formlessness into shape, I’ll find they show me a truth I didn’t know. Something I held inside, but never said, even to myself. Or perhaps something outside me, too, something I only sensed about the hills or fields or sky, but came to know when I sang.”

Ness hmm-ed again, a gentler noise. “Airmonger,” she said softly.

“A truth you didn’t know?” Rae repeated.

“Mm.” Mop nodded. “Ness calls me airmonger, but she’s as much one as I—oh, yes, don’t shake your head at me, my love.” Patting Nessa’s knee, he raised his brows at Rae. “Think how your mother knows the name of every blossom and bit of green on our hill. Think of those tender, feathery blooms she finds, the ones with the wide white crowns, how much they all look alike! Even in flower. But she knows their different names—wild carrot, pignut, hemlock—and with those names, knows one is medicine, one is food, and one a terrible poison. What power there is in that naming!”

“Pff. That!” Nessa flapped her hand. “The land cares for us only as much as we care to know it. Nature has all we need if only we pay attention; this hillside would soon see us starve if I didn’t know the names of all those bits of green.”

“You see”—Mop smiled—“though she denies it, your mother knows. Words shape our world—they shape how we move through it. They are all our truths. Songs, perhaps, especially so.” He glanced up from the leather he was oiling. “Why, daughter? Did your song show you some truth—?” Mop broke off, his expression suddenly strange.

“No!” Cheeks burning, Rae shook her head. “No,” she repeated, trying to sound calm. “Just… did your songs bring me to you? Is that how…” She recited her parents’ refrain: “The mountains and wind and birds gave me to you?”

“Oh, now. Well, do songs have such magic as that in them? And so much? If they did, perhaps you’d have come to us sooner. For surely—Ness, remind me—I must have had many songs in my youth that, even if I was singing about sheep and shady beech trees, were really about how we were waiting for a daughter with hair as wild as the meadow and”—leaning, he tapped her nose—“cheeks freckled with the day.”

“But you did find me,” Rae said. “In the mountains.”

“Eventually,” Mop admitted. “Yes. Fate had you come to us the day you were meant to, and not a moment before. Nature lets no branch leaf out of season.”

“What if you hadn’t found me?”

Mop was silent. Ness frowned. “I don’t like to think of that,” she said, her voice unusually sharp. “A babe, left to the wilderness. No. What fate would play with a child? Never mind words and magic and meant to. Choices were made. And it was Mop’s good shepherding that had him scouring the hills in search of some lost sheep that brought him to you. And now,” she said, rising, lifting her brows at Mop, “perhaps it’s best if we—good shepherds that we are—choose to end our day so we can be up with the dawn. Come, come. Rae, ready yourself for bed now, please.”