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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

Rae glanced again at the open door—the other marvel in the chamber.

Hurrying to it, she peered up and down the long corridor. Empty. How could it be? She expected at any moment to hear approaching steps; she was sure whatever accident—dropped key, overhasty guard—had left the cell open would be corrected at once. And yet… perhaps…

Returning to the boy, she crouched beside him. Hesitantly, she put her hand on his shoulder. “Wol—” she started to say. No—this word was wrong. “The door is open,” she said instead, softly, as though to herself, the way she had been speaking to him now for weeks. “We have to leave. Quickly, before they notice.”

The gray eyes were unperturbed.

She held out her hand. Will he even know how to walk?

He did not move.

“Come,” she said, glancing at the door again. “Before the guard arrives.”

He sat, quiet and impassive, watching her with the same cloudy gaze.

“Please,” she said, beginning to panic. He was as large as she was, almost as large as a wolf: She could not carry him. And she would not leave him.

Hearing the edge in her voice, he tilted his head.

“Please,” she repeated. Still holding out her hand, she took a step toward the door. Now he understood. He wobbled, trying to balance on his feet and hands, but then, as though he had somehow always understood his human body, he stood upright. He swayed. Rae tucked her arm around the boy’s waist.

“I’ll help you,” she said. “Come.” She took another small step.

Unsteadily, he moved after her, a hesitant shuffling. But with each tiny step she took, he followed—followed her as he had been following her all this time. He shuffled and shuffled, his shadow-pale body, its rumpled-soft skin, mimicking her motions.

“There you are,” she said as they reached the hall.

From distant corners of the palace came noises of chaos—slamming doors, crashing things, shouts, and the boy’s eyes widened at the strange sounds.

Rae looked again down the dark corridor. Alba, she thought. She couldn’t leave her here.

Rae tightened her arm around the boy. “Come,” she said. “We need to find Alba.” Stepping, she tried to guide him down the sloping passageway, but the boy would not move.

“It’s all right,” she murmured. She pressed, urging him forward, but the boy locked his legs and leaned his weight against her. His eyes grew whiter. A whimpering came from his throat.

Rae looked again down the long hall. She didn’t want to descend farther into its darkness, either.

“All right. You don’t have to go,” she said softly. Removing her arm from him, she helped him lean against the wall. “You’ll need to wait here, though.” She held up a hand as if it would help him understand, but his expression was shaped only by pale terror. “I’ll run. I’ll come back as soon as I find her.”

As she took a step away, he whimpered again, a sound Rae thought might have come from her own throat. “I’ll be back, I promise,” she murmured before rushing down the corridor, the mewling following her into the darkness.