Contents ( 127)
- I
- ELEVENTH, OR COOKED CREAM
- II
- INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
- III
- THE ORACLE AND THE APPRENTICE
- IV
- THE WATERS SPEAK
- V
- OVERCOOKED AND DESPISED
- VI
- LIKE THE LEAPING OF FROGS
- VII
- INTERLUDE—ANOTHER MISFORTUNE
- VIII
- A SACK OF CABBAGES IN THE DARK
- IX
- NO WORDS
- X
- THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
- XI
- TENDER MANDIBLES
- XII
- FUR
- XIII
- HEARTH
- XIV
- THE LIMBS OF ANTS AND BEETLES
- XV
- THE WAY A BEAR LICKS HER CUBS INTO SHAPE
- XVI
- WHAT ANIMAL?
- XVII
- TRUTHS, OR TWO WHEELS SHEEP CHEESE
- XVIII
- ALL-TOOTHY FUR
- XIX
- AN EMPTINESS ALMOST UNEMPTIED
- XX
- A DELICATE ANIMAL
- XXI
- AH, THERE YOU ARE
- XXII
- NEVER MIND WORDS AND MAGIC AND MEANT TO
- XXIII
- THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
- XXIV
- THE ROUND GOODNESS OF EGG
- XXV
- JUST A LONE MALE
- XXVI
- INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
- XXVII
- INKY BEETLES OF TRUTH
- XXVIII
- LOVE MAKES HER LIGHT AS A LAMB
- XXIX
- THE PIGLETS GROW FASTER TO PLEASE HIM
- XXX
- A MOUNTAIN TO MAKE THE SOUND MM
- XXXI
- WITH SOOT LEFT FROM FLAMES
- XXXII
- ANOTHER PANCAKE, PERHAPS?
- XXXIII
- SLIPPERY FISH SCALES
- XXXIV
- INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
- XXXV
- A FAT, FLABBY RAT IN ITS MOUTH
- XXXVI
- A LITTLE CLOUD
- XXXVII
- A LIE, A SEED OF UNCERTAINTY
- XXXVIII
- NOTHING-FULL
- XXXIX
- THE SMELL OF BIRDS IN THE AIR
- XL
- ONETWOTHREEFOURFIVESIX
- XLI
- THE KING GROWS TIRED OF HIS ACROBATS
- XLII
- A GREASY SHRIEK
- XLIII
- TSPTSP, OR THE VIOLENT NOISE OF NATURE
- XLIV
- THE FEELING OF TEETH IN HIS MOUTH
- XLV
- A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
- XLVI
- DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
- XLVII
- SAUSAGE-GREASED FINGERS
- XLVIII
- ALL BELLY EMPTY AND FULL
- XLIX
- A PLATTER OF MEAT
- L
- EMPTY, EMPTY, EMPTY
- LI
- SOFT, FAT, AND GHOSTLY
- LII
- DRIP
- LIII
- THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
- LIV
- THE UNPICKING
- LV
- A MIRAGE, A FEVER
- LVI
- HOW CURIOUS: A WAY IN
- LVII
- TOO-HASTY SEAMS
- LVIII
- HE LEAVES THE BONES
- LIX
- NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
- LX
- SHE SPEAKS! SHE SPEAKS!
- LXI
- WRRRR
- LXII
- INTERLUDE—FRAGMENTS AND EPHEMERA
- LXIII
- LIKE SLEEPING, LIKE DREAMING
- ACKNOWLEDGMENTS
Without meaning to, she shifted, and at her noise, the boy-man spun around. Seeing Rae, he started. “What are you doing here?” he demanded. The switch in his hand trembled.
Rae, still on the ground, tried to find her voice.
“I said, what are you doing here?” He glowered. “Are you from the kitchens?”
Rae’s eyes darted over the wall, but she could not see where or how she might have entered. “I’m sorry.” She tried to rise, to move farther away. “I’m not sure how I came here. It was dark. I’m looking for the palace.”
The boy-man snorted. He put his attention back on the pond. “Supplicant, are you?”
“Supplicant?” Rae did not know this word.
“Here to beg for grain for your village?” Pale, sour, he thwacked at the water.
“N-no…” Rae, standing, backed a few paces away. “I’m here to speak to the king.”
Another thwack. “Is it clemency you’re here for, then? Is your father, say”—half turning, he flicked his eyes over her clothes—“some kind of thief?”
“No! He’s no thief!” Face burning, Rae shook her head indignantly. She did not see that the boy-man, having noticed her standing, having noticed her clothes, was now staring ever more intently; she did not see he had even taken several strides toward her. “He’s a good man! A shepherd! If you could just tell me where I might find the palace, I can—”
“You. You’re a child,” the boy-man said wonderingly. He stepped closer, squinting. “How old are you?”
Rae flinched under his gaze. A terrifying eagerness—curds rounding in whey—bubbled beneath his skin. She drew back.
“You can’t be more than… twelve? Thirteen at the most,” the boy-man continued. “And you’re here for the king?”
The turbulent curds grew thicker, more turbulent. Rae, backing away, bumped into the wall, but before she could look for another path of escape, the boy-man’s expression shifted. Eagerness was replaced with fear. Wan and trembling, he shrank from Rae.
“You’re the one,” he whispered. “The one she prophesied. The one to bring my end. She said you’d come on your own… and you have, just as she said. But where is the other?” He glanced nervously about. “Where is the second one?”
Puzzled, frightened, Rae demurred. “Other? End? I… there’s no one with me… I’m just here to speak to the king.”
“You’re alone? The other’s not here? Ah.” Relief and eagerness swept over his face again. “Guards!” the boy-man yelled. “Guards!”
No one came.
“Guards!” he shouted more desperately. His voice echoed around the walls. “Sleeping fools,” he hissed. He held out his stick. “Stay,” he commanded in a voice too unsteady for commands. “Stay there.” Backing away, stick still threatening, he crept along the wall until he reached a door. Eyes fastened on Rae, he pounded on the wood: “Fish-keep!”
Rae, casting about for an exit, began to edge away.
A hunched and bleary-eyed figure opened the door. Seeing the boy-man, he bowed. “My—”
“Stop her!” the boy-man cried, pointing at Rae. “Fish-keep, stop her!”