But though the driveways neatly
sidestep hysteria
by being even, the roofs all display
the same slant of avoidance to the hot sky,
certain things:
the smell of spilled oil a faint

sickness lingering in the garages,
a splash of paint on brick surprising as a bruise,
a plastic hose poised in a vicious
coil; even the too-fixed stare of the wide windows

give momentary access to
the landscape behind or under
the future cracks in the plaster

when the houses, capsized, will slide
obliquely into the clay seas, gradual as glaciers
that right now nobody notices.

That is where the City Planners
with the insane faces of political conspirators
are scattered over unsurveyed
territories, concealed from each other,
each in his own private blizzard;

guessing directions, they sketch
transitory lines rigid as wooden borders
on a wall in the white vanishing air

tracing the panic of suburb
order in a bland madness of snows.

Eventual Proteus

I held you
through all your shifts
of structure: while your bones turned
from caved rock back to marrow,
the dangerous
fur faded to hair
the bird’s cry died in your throat
the treebark paled from your skin
the leaves from your eyes

till you limped back again
to daily man:
a lounger on streetcorners
in iron-shiny gabardine
a leaner on stale tables;
at night a twitching sleeper
dreaming of crumbs and rinds and a sagging woman
caged by a sour bed.

The early
languages are obsolete.

These days we keep
our weary distances:
sparring in the vacant spaces
of peeling rooms
and rented minutes, climbing
all the expected stairs, our voices
abraded with fatigue,
our bodies wary.

Shrunk by my disbelief
you cannot raise
the green gigantic skies, resume
the legends of your disguises:
this shape is final.

Now, when you come near
attempting towards me across
these sheer cavernous
inches of air

your flesh has no more stories
or surprises;

my face flinches
under the sarcastic
tongues of your estranging
fingers,
the caustic remark of your kiss.

The circle game

i

The children on the lawn
joined hand to hand
go round and round

each arm going into
the next arm, around
full circle
until it comes
back into each of the single
bodies again

They are singing, but
not to each other:
their feet move
almost in time to the singing

We can see
the concentration on
their faces, their eyes
fixed on the empty
moving spaces just in
front of them.

We might mistake this
tranced moving for joy
but there is no joy in it

We can see (arm in arm)
as we watch them go
round and round
intent, almost
studious (the grass
underfoot ignored, the trees
circling the lawn
ignored, the lake ignored)
that the whole point
for them
of going round and round
is (faster
slower)
going round and round

ii

Being with you
here, in this room

is like groping through a mirror
whose glass has melted
to the consistency
of gelatin

You refuse to be
(and I)
an exact reflection, yet
will not walk from the glass,
be separate.