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Chapters (75)
  1. Cover
  2. Praise
  3. About the Author
  4. Title Page
  5. Intoroduction
  6. ONE
  7. TWO
  8. THREE
  9. FOUR
  10. FIVE
  11. SIX
  12. SEVEN
  13. EITHT
  14. NINE
  15. TEN
  16. ELEVEN
  17. TWELVE
  18. THIRTEEN
  19. FOURTEEN
  20. FIFTEEN
  21. SIXTEEN
  22. SEVENTEEN
  23. EIGHTEEN
  24. NINETEEN
  25. TWENTY
  26. TWENTY-ONE
  27. TWENTY-TWO
  28. TWENTY-THREE
  29. TWENTY-FOUR
  30. TWENTY-FIVE
  31. TWENTY-SIX
  32. TWENTY-SEVEN
  33. TWENTY-EIGHT
  34. TWENTY-NINE
  35. THIRTY
  36. THIRTY-ONE
  37. THIRTY-TWO
  38. THIRTY-THREE
  39. THIRTY-FOUR
  40. THIRTY-FIVE
  41. THIRTY-SIX
  42. THIRTY-SEVEN
  43. THIRTY-EIGHT
  44. THIRTY-NINE
  45. FORTY
  46. FORTY-ONE
  47. FORTY-TWO
  48. FORTY-THREE
  49. FORTY-FOUR
  50. FORTY-FIVE
  51. FORTY-SIX
  52. FORTY-SEVEN
  53. FORTY-EIGHT
  54. FORTY-NINE
  55. FIFTY
  56. FIFTY-ONE
  57. FIFTY-TWO
  58. FIFTY-THREE
  59. FIFTY-FOUR
  60. FIFTY-FIVE
  61. FIFTY-SIX
  62. FIFTY-SEVEN
  63. FIFTY-EIGHT
  64. FIFTY-NINE
  65. SIXTY
  66. SIXTY-ONE
  67. SIXTY-TWO
  68. SIXTY-THREE
  69. SIXTY-FOUR
  70. SIXTY-FIVE
  71. SIXTY-SIX
  72. SIXTY-SEVEN
  73. ACKNOWLEDGEMENTS
  74. CLIMATE EMERGENCY
  75. Copyright

She looks at me in shock, then something that might be pity, then finally anger. Then she leaves.

‘Alright, Josh, maybe don’t be quite so charming next time, eh?’ Alan laughs.

*

Last lesson that afternoon is English. My head is aching and I’m ridiculously thirsty, excusing myself twice in Ms Yawl’s Geography lesson so I could suck at the water in the bathroom tap like my life depended on it. I’m hoping Mrs Burgoyne will let me sit quietly like she normally does, but maybe because I have to ask to borrow a pen and some paper (I forgot to bring my schoolbag), she has other ideas.

‘Josh, your point of view on the narrator in Thomas Hardy’s poem last week was very interesting. Could you explain it to us, please?’

‘Pardon?’ My voice catches in my throat, so the word comes out half gurgled and half squeaked.There’s a short roar of laughter from the class.

‘Thank you, everyone.’ The class settles again quickly. Mrs Burgoyne has a habit of never raising her voice, so every time she almost threatens to shout, everyone goes very quiet. ‘You said that you questioned the narrator’s professionalism, Josh. How so?’

‘I can’t remember, Miss.’

‘What a pity. I’ve got your homework here. You say that he lacks professionalism. Your words, ‘the job of any soldier is to do their duty and protect their country. If insidious sentiments like friendship start to cloud the soldier’s judgement, he is unable to perform his duties effectively.’ What does insidious mean, Josh?’

‘It means bad and getting worse, Miss.’

‘Quite so. You don’t think that recognition of one’s enemy as human is a fundamentally human response in the soldier’s situation?’

‘I don’t know, Miss. I’ve never been to war.’ I want to ask her whether the man who murdered my dad looked at him in the second before detonating his backpack. Did he recognise him as human?

Mrs Burgoyne continues, her voice cutting through the small ripple of laughter from around the room. ‘You don’t think that the soldier could have been coerced or manipulated into signing up? We looked at the propaganda from the first world war last week – dehumanising the enemy, turning the whole thing into sport – couldn’t the soldier’s attitude be a realisation of “the old lie”?’

Mrs Burgoyne raises her arms and conducts the class through a slow intonation of dulce et decorum est pro patria mori.

‘Maybe,’ I say. ‘But…’

‘But what, Josh?’

I want to say something about how the soldier was clearly a willing participant, and that Mrs Burgoyne didn’t know the first thing about being a soldier in a war you didn’t know you were fighting. But I don’t. Instead I say, ‘It’s just … I think that the enemy should be dehumanised, really.’