Chapters (70)
- COVER PAGE
- ABOUT THE AUTHOR
- DEDICATION
- PROLOGUE
- PART I BIRTH
- ONE
- TWO
- THREE
- FOUR
- FIVE
- SIX
- SEVEN
- EIGHT
- NINE
- TEN
- ELEVEN
- TWELVE
- THIRTEEN
- FOURTEEN
- FIFTEEN
- PART II LIFE
- SIXTEEN
- SEVENTEEN
- EIGHTEEN
- NINETEEN
- TWENTY
- TWENTY-ONE
- TWENTY-TWO
- TWENTY-THREE
- TWENTY-FOUR
- TWENTY-FIVE
- TWENTY-SIX
- TWENTY-SEVEN
- TWENTY-EIGHT
- TWENTY-NINE
- THIRTY
- THIRTY-ONE
- THIRTY-TWO
- THIRTY-THREE
- THIRTY-FOUR
- PART III DEATH
- THIRTY-FIVE
- THIRTY-SIX
- THIRTY-SEVEN
- THIRTY-EIGHT
- THIRTY-NINE
- FORTY
- FORTY-ONE
- FORTY-TWO
- FORTY-THREE
- FORTY-FOUR
- FORTY-FIVE
- FORTY-SIX
- FORTY-SEVEN
- FORTY-EIGHT
- FORTY-NINE
- FIFTY
- FIFTY-ONE
- FIFTY-TWO
- FIFTY-THREE
- FIFTY-FOUR
- FIFTY-FIVE
- FIFTY-SIX
- FIFTY-SEVEN
- FIFTY-EIGHT
- FIFTY-NINE
- SIXTY
- EPILOGUE
- AUTHOR’S NOTE
- ACKNOWLEDGEMENTS
‘You must be my intern,’ he says mildly, holding out his hand. ‘I’m Jack Prince.’
I wonder whether I should apologise for my homicidal rant against the Joker, his surgical colleague, but since he hasn’t brought it up I decide it would be wiser not to mention it.
‘Katarina,’ I say, shaking his hand. ‘My friends call me Kitty, though.’
I’m not sure why I feel the need to share this. The Shark barely knows I have a name, after all.
Dr Prince nods.
‘I mean, I don’t need to know your nickname,’ I say quickly. ‘Katarina is a bit of a mouthful, that’s all. Obviously, I’ll just call you Dr Prince.’
I don’t know what’s happening. My frontal lobe has hyper-activated to a point where complete drivel is spewing out of my mouth. I can’t believe I tease Winnie about being a hypochondriac. Clearly she’s right: a brain tumour can strike at any moment. I need an MRI urgently.
Dr Prince is looking at me with an expression that for the life of me I can’t interpret.
‘I don’t really have a nickname,’ he says thoughtfully. ‘People usually just call me Jack.’
‘Not short for Jackson, I guess,’ I say, unnecessarily.
His eyebrows knit together. ‘No, just Jack.’
‘Oh,’ I say.
‘So, I suppose we should start the round.’ He gestures towards the patient rooms.
I jump to attention. ‘I’ll get the charts,’ I say, quickly walking to the alcove where the patient files are kept.
I return with charts in hand, relieved that I’ve managed to do something successfully, and hand them to him.
‘So how are you finding neurosurgery?’ he asks.
‘It’s all right,’ I say half-heartedly. ‘I mean, good. No, it’s good.’
He raises his eyebrows.
‘I like it,’ I add unconvincingly as we walk towards the first patient.
‘Have you been into theatre yet?’
I shake my head. ‘Not yet … I went all the time as a medical student, though,’ I say, ‘and I found it so fascinating.’
He looks at me, interested. ‘What did you find fascinating about it?’
I consider this. I’m about to make a joke, to keep things light, but for some reason he makes me want to be honest. ‘It’s hard to articulate,’ I say slowly. ‘The whole idea of taking away someone’s consciousness, of cutting through their skin, to have that kind of power and control, is just, well …’ I stop, feeling a bit foolish. ‘Blood and knives and power and pain and mercy and magic,’ I say, repeating the words I’d used to Estelle yesterday in the cafeteria. ‘It’s all there, under those bright lights.’
His eyes crinkle. ‘You’re a poet,’ he says. ‘My intern is a poet.’
I laugh. ‘I wanted to be a writer,’ I admit, forgetting myself.
‘Why do you say it in the past tense? Once a writer, always a writer.’