Back Endland Save as PDF
Chapters (48)
  1. Cover
  2. Dedication
  3. Introduction
  4. Endland
  5. About Lisa
  6. Shame Of Shane
  7. Who would dream that truth was lies?
  8. Eve & Mary
  9. Chaikin/Twins
  10. James
  11. The Shell Garages History Of Mud
  12. Kelly
  13. Morton & Kermit
  14. Crash Family Robinson
  15. Wendy’s Daughter
  16. Void House
  17. Jonesey
  18. Killing Of Frank
  19. Arse on Earth
  20. The life, movies & short times of Natalie Gorgeous
  21. German Fokker
  22. Carmen by Bizet
  23. They get you most all gone when you always alone
  24. It is murky and opaque
  25. intentions seem good
  26. Cellar Story
  27. I thought I smelled something dirty
  28. Last of the First 11
  29. The Ant and The Grasshopper
  30. The Chapter
  31. Mission of Jobbin
  32. wanted to get a good look
  33. Taxi Driver
  34. Loose Promise
  35. The children of the rich
  36. The Waters Rising
  37. #Dibber
  38. Long Fainting/Try Saving Again
  39. BureauGrotesque
  40. Anger is Just Sadness Turned Inside Out
  41. Maxine
  42. For the Avoidance of Doubt
  43. now not moving
  44. A Note about Endland
  45. Acknowledgements
  46. Dear readers
  47. This book was made possible thanks to the support of:
  48. About the Author

63,892 hours passed. She cleaned the counter, turned the TV back to the Head Injury Marathon where Spatula was whacking his face repeatedly into a plate glass window, jeered on by the minor celebrity crowd.

Light flickered in the ‘night’ outside once more. The shadows moved erratically beyond the Diner, hanging from the trees and the buildings in all directions then shifting then stopping, moving and then, now, not moving again.

A Note about Endland

A Note about Endland

This book brings together two sets of stories about Endland. The first set was written in the 1990s and published as a collection called Endland Stories: Or Bad Lives in 1999 by the now extinct Pulp Books. The stories comprising the second set – mutant cousins of the first – have been accumulating since that time, expanding and reinventing the precarious landscape of Endland.

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In the 1980s, I had written a novel called Helen © & her Daughters. The book was borderline incoherent; an unstable story communicated in a tone that was brutal and cartoon-like at the same time. It was set in a world that was Thatcher-era North of England (i.e. selected lowlights of what I could see out of the window) mixed with all manner of other things and places, times and landscapes – some real, others invented. The language was also rough, cut-up, hybridised, slang. I was writing a lot of stuff for performance with the Sheffield-based group Forced Entertainment at the same time and working on various short fiction and film ideas, as well as random projects and bits of other writing.