Adults
Chapters (106)
- Cover
- Dedication
- PROLOGUE
- A FEW MONTHS EARLIER
- ART SAID
- I WALK
- THEY SAY
- IN THE WINGS
- THEY SAY
- I POST
- THEY SAY
- A WOMB OF ONE’S OWN
- THERAPY SESSION #1(DRAMATIC MONOLOGUE)
- LIKE OF DUTY
- PICTURE THE SCENE
- I SAID
- THE PATATAS BRAVAS
- KELLY HAD SAID
- SOBER SEXTS
- ABLUTIONS
- MY BATHROOM SAID
- TIPPING POINT
- MY MOTHER SAID
- I WAS EIGHTEEN
- ART SAID
- SOMEONE SAYS
- A REALLY BAD SIGN
- MIA SAYS
- I WALK
- KNOCKKNOCK
- ONE-LINERS
- I SAY
- THE OUTRAGE
- BABY ELEPHANT
- ART SAID
- MY MOTHER SAYS
- HOW I MET KELLY
- ART SAID
- ART SAID
- WHAT LASTS?
- BAD STAND-UP
- GHOSTESS WITH THE MOSTEST
- I WOKE UP LIKE THIS
- THE MIND CREATES THE ABYSS
- I ADORED
- ART SAID
- YOU
- TERMS OF ENDEARMENT
- IF
- ART’S MOTHER SAID
- FULL DESPERATE
- MISERABLE PHO
- BREATHING FOR ONE
- POPULAR PROBLEMS
- ON THE BUS
- TABS
- GRANMA SAID
- ALL MY CIRCUS, ALL MY MONKEYS
- BURNOUT
- THERAPY SESSION #2
- IN
- APP IDEA
- LOOK NO HANDS
- HI HI HI
- BACK AT HOME
- EXHIBITS A AND B
- GOOD FAMOUS PEOPLE
- MY MOTHER
- STILL
- LIFE
- WE’D GONE
- ‘FUNNY’
- OUTGROWN
- ART SAID
- BODIES OF WORK
- KELLY SAID
- FAKE NEWS
- GOOGLE ME
- SOCIAL CATERPILLAR
- REALLY THO
- DEALS WITH STRANGERS
- NEWS ITEM
- NICOLETTE SAYS
- HALF AN HOUR LATER
- ASS FIZZ
- THAT NIGHT
- IT HAPPENED TO HAPPEN
- #FROTHEH
- MY MOTHER SAYS
- THE HEART CROSSES IT
- MANCHILD
- WHO YA GONNA CALL
- NAKED AMBITION
- SOHO SQUARE
- CHIEF EMOTIONS
- SHE SAYS
- KELLY SAYS
- GENUINE QUESTION
- LIFE DRAWING
- RELAX
- WE LIE
- SILENT-ISH NIGHT
- THANKS
- About the Author
- ALSO BY EMMA JANE UNSWORTH
- About the Publisher
Cover
Dedication
To my mum, Lorraine.
Sail on, silvergirl
PROLOGUE
SOHO SQUARE
I sit and wait for her, my feet swinging under the bench. She’ll come soon, and she’ll know where.
Adrenaline. I squeeze my own arms. Tap my toes. God, I hate waiting. Is that what I’ve been doing all these years? Waiting, for her? Maybe all those therapists were right. Maybe therapy isn’t just a bad stand-up show you don’t have the balls to take on the road.
I look around, at the other people chatting and posing and repositioning themselves, whiling away this cold Friday. It’s a few weeks before Christmas and the city is all lit up. People are smiling too much, drinking too much, wanting too much, wearing too much tinsel. Nothing points to the ephemeral nature of life quite like tinsel.
I look towards the north gate of the square and it’s then that I see her. Dishevelled, pulling on her coat. She scans the benches, spots me and freezes. I wave. She tilts her head to one side and bats her eyes, as though appealing to some ancient understanding between us; as though this has all been a scripted episode, some kind of brilliant shared joke. I stare at her emotionlessly. I am not playing. She stares back. It’s checkmate with the old queen.
She starts to walk over. I almost don’t recognise her with her clothes on. Which is a strange thing to say about your mother.
A FEW MONTHS EARLIER
HELLO, WORLD!
It is 10.05 a.m. and I am queuing at the breakfast counter of my co-working space in east London. The weather outside is autumnal but muggy and I have over-layered. I am damp at my armpits and wondering whether to nip out and buy a fresh T-shirt at lunch. I made dhal for dinner last night from a budget vegetarian cookbook I picked up in a charity shop, and let me tell you, it was astonishing. I am creating a social media post about a croissant that I am pretty sure will define me as a human.