Chapters (106)
- Cover
- Dedication
- PROLOGUE
- A FEW MONTHS EARLIER
- ART SAID
- I WALK
- THEY SAY
- IN THE WINGS
- THEY SAY
- I POST
- THEY SAY
- A WOMB OF ONE’S OWN
- THERAPY SESSION #1(DRAMATIC MONOLOGUE)
- LIKE OF DUTY
- PICTURE THE SCENE
- I SAID
- THE PATATAS BRAVAS
- KELLY HAD SAID
- SOBER SEXTS
- ABLUTIONS
- MY BATHROOM SAID
- TIPPING POINT
- MY MOTHER SAID
- I WAS EIGHTEEN
- ART SAID
- SOMEONE SAYS
- A REALLY BAD SIGN
- MIA SAYS
- I WALK
- KNOCKKNOCK
- ONE-LINERS
- I SAY
- THE OUTRAGE
- BABY ELEPHANT
- ART SAID
- MY MOTHER SAYS
- HOW I MET KELLY
- ART SAID
- ART SAID
- WHAT LASTS?
- BAD STAND-UP
- GHOSTESS WITH THE MOSTEST
- I WOKE UP LIKE THIS
- THE MIND CREATES THE ABYSS
- I ADORED
- ART SAID
- YOU
- TERMS OF ENDEARMENT
- IF
- ART’S MOTHER SAID
- FULL DESPERATE
- MISERABLE PHO
- BREATHING FOR ONE
- POPULAR PROBLEMS
- ON THE BUS
- TABS
- GRANMA SAID
- ALL MY CIRCUS, ALL MY MONKEYS
- BURNOUT
- THERAPY SESSION #2
- IN
- APP IDEA
- LOOK NO HANDS
- HI HI HI
- BACK AT HOME
- EXHIBITS A AND B
- GOOD FAMOUS PEOPLE
- MY MOTHER
- STILL
- LIFE
- WE’D GONE
- ‘FUNNY’
- OUTGROWN
- ART SAID
- BODIES OF WORK
- KELLY SAID
- FAKE NEWS
- GOOGLE ME
- SOCIAL CATERPILLAR
- REALLY THO
- DEALS WITH STRANGERS
- NEWS ITEM
- NICOLETTE SAYS
- HALF AN HOUR LATER
- ASS FIZZ
- THAT NIGHT
- IT HAPPENED TO HAPPEN
- #FROTHEH
- MY MOTHER SAYS
- THE HEART CROSSES IT
- MANCHILD
- WHO YA GONNA CALL
- NAKED AMBITION
- SOHO SQUARE
- CHIEF EMOTIONS
- SHE SAYS
- KELLY SAYS
- GENUINE QUESTION
- LIFE DRAWING
- RELAX
- WE LIE
- SILENT-ISH NIGHT
- THANKS
- About the Author
- ALSO BY EMMA JANE UNSWORTH
- About the Publisher
I’m not saying I’m wise. That would be a stretch. But I know that the above scene is the ghost that walks through all my rooms. This Heartbreak 1.0 is a loop I cannot cut, no matter how much therapy, how much distance, how much steel. It comes back, and back, and back again for my heart and my happiness.
What are you scared of?
Of being left behind.
Of not being wanted.
Of coming second.
And the disappointing utter fucking childishness of that.
BABY ELEPHANT
My mother and I sit, gin-loosened, in the lounge. There is a nature programme on the TV. African elephants trekking across the heat to find food and water. A small baby at the back of the herd is slowing. It desperately needs a drink. The narrator tells us how just a small amount of water would save it from near-certain death.
‘Dear god!’ I cry. ‘Whoever is filming this, do they not have a bottle of Evian in their knapsack? This is unbearable!’
‘It’s Nature,’ my mother says. ‘You can’t interfere.’
‘Of course you can! That’s what makes us human! GIVE THE BABY ELEPHANT A DRINK, YOU MONSTROUS FUCKS.’
‘Elephants are matriarchal,’ my mother says, ‘they’re smart. They won’t let it die.’
‘So why don’t they stop?’
‘Because they have to get to the watering hole to save the whole herd. She knows what she’s doing. That big old one at the front. She knows.’
The baby elephant collapses. ‘I don’t think she does. Turn it over. I can’t watch. Whoever made this should be thoroughly ashamed of themselves.’
My mother shakes her head. ‘It’s like what I do. I can’t pick and choose what might be painful for someone to hear. I just channel. I am a conduit. That’s all they’re doing. They’re presenting life as it is.’
‘TURN IT OVER, A BABY IS DYING I DO NOT WANT TO SEE A DEAD BABY.’
‘The baby is not dying. See, the older elephants have spotted the watering hole and they’re going to bring some water back to it in their trunks.’
‘They won’t be quick enough. TURN IT OVER.’
I close my eyes and stick my fingers in my ears. La la la.
‘Jenny, they’re saving it!’
‘TURN IT OVER!’
She turns it over. ‘Nature, red in tooth and claw.’
‘Fine! Sure! Over there somewhere! I don’t have to see the horrors of the world to know the world is fucking horrible.’
She flicks back over quickly. I scream.
The baby elephant is prancing around, spraying water out of its tiny trunk, in the watering hole.
‘THERE!’ my mother says, standing up. ‘TOLD YOU.’