Back The Woman in the Photograph Save as PDF
Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

Vee will have to use flash tonight, and it’s not her preferred approach. It never feels quite right to her. It’s not so bad using it indoors, when she has time to set up, to place reflectors and bounce the sharp explosion of light from the flashbulb away from the subject, and back again: she can control for harshness. Tonight won’t be like that. But the important thing is that she will be there and she will be making a record of what women can do. (Once you realise you’re living in a world designed for white men, you see discrimination, assumption, everywhere. Leonie says she and the others don’t see the half of it, either, because they’re white women, and that protects them from a lot of what’s going down for other sisters.)

The last time Leonie and Vee saw each other was three months ago, at the first Women’s Liberation Movement meeting. Vee had felt for the first time as if she belonged among the women she saw around her. They were all so different – races, ages, colours, roles in the world. But what they had in common was that they all knew they deserved their places. None of them was better than the other. Each deserved a chance, equal with each other, equal with the men. It had been a buzz. A high.

She’d stayed over at Leonie’s flat that night, gone home the next day with a sick hangover and a determination to do more photojournalism. (She’d said yes to the beer, passed on the joint.) But Leonie has been quiet since – no notes scribbled on the back of fliers, shoved in envelopes and posted to her – and Vee has not yet worked out how to do the job she wants to do without her friend. So it’s been back to weddings and christenings, and wishing she had the courage to take smiling brides aside and say: remember you have power of your own.

The cafe door opens. Vee’s heart gives a glad leap. It always does, when she sees Leonie.

‘Hey, sister,’ Leonie says, and hugs Vee, tight. She smells of lavender, as usual, and there is cold air coming off her. She sits, then puts her head in her hands for a moment before looking up with a smile. Only a small one. ‘Meeting went on.’

Leonie never apologises. Vee isn’t sure if it’s personality, rudeness, posh-girl confidence, or being liberated. ‘That’s OK,’ she says.

‘How are you?’