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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

Vee has photographed her father several times, usually when she’s trying out a new piece of kit, and images of him are always compelling: there’s something about the proportion of his face, the straightness of his brow, the angle that his nose makes to it. His earlobes are long and his left eyelid droops a little more than the right. And now he looks sad, weighed down by her decision, and she wants to do three things: photograph him like this, tell him that it doesn’t matter, just to see him smile – and explain. She takes the hardest option. ‘It’s nothing to do with you, Dad. I just want to be independent. And I want to have a career. London’s the best place.’

He shakes his head. ‘You’ve changed, treasure. I don’t know what to make of you.’

She puts her hand over his. She is so small, in comparison; she knows this is what he is seeing too. ‘I’m still me, Dad. I’m just finding my way. Changing with the world. Isn’t that what happens? Did Gran and Gramps never say they couldn’t understand you?’

A smile; a chink.

‘It’s all different now. Women have more options. They don’t have to get married and have babies anymore. There’s the Pill. They can make choices.’

Fen says they should talk about sex and contraception in front of men, to ‘normalise it’, and Vee agrees. Plus, she and her dad have had to about to talk about things she would have normally discussed with her mum, periods and bras, so she thinks it should be all right.

‘Is that so?’

‘Yes,’ she says, and then she looks into his face and realises what she’s said. Her parents got married when they found out her mother was pregnant; her father sometimes says she was the best accident that ever happened, usually when he has drunk too much at Christmas, or on the anniversary of her mother’s death. ‘Oh, Dad. I didn’t mean—’

He gets up, pushing his weight against the table, and she has no choice but to move her hand away. ‘I know,’ he says, but his face has become a blank and he won’t look at her. ‘I’ll talk to Johnny at the allotments and see if I can borrow the van. It’ll save you making a few trips. Just let me know what day.’

November 1970

November 1970

This Month magazine

Leonie Barratt: Letters from a Feminist

Our monthly column from the front line of the Battle of the Sexes

Dear John,

Well, Miss World was quite a ride this year. Did you spot me, John? I was there. I didn’t quite get to the stage, but one of my flour bombs did. In the excitement I forgot about the rotten lettuce in my handbag, but battles rarely go completely as planned.