Chapters (65)
- Cover
- Praise for the previous work of
- Dedication
- Epigraph
- 24 April 2018
- Part 1: Subject
- 15 June 1968
- 20 June 1968
- July 1968
- 2 February 2018
- Part 2: Light
- 20 November 1970
- 20 November 1970
- 21 November 1970
- November 1970
- 19 February 2018
- Part 3: Focus
- 15 April 1977
- 18 April 1977
- 15 May 1977
- July 1977
- 26 February 2018
- 8 March 2018
- 8 March 2018
- Part 4: Distance
- 15 May 1979
- 15 May 1979
- 16 May 1979
- June 1979
- 29 March 2018
- 29 March 2018
- 27 March 2018
- Part 5: Movement
- 18 October 1981
- 10 April 2018
- 18 October 1981
- 10 April 2018
- 18 October 1981
- 10 April 2018
- 18 October 1981
- 10 April 2018
- 10 April 2018
- 18 October 1981
- 10 April 2018
- October 1981
- Part 6: Exposure
- July 1984
- 5 September 1984
- 24 April 2018
- 25 April 2018
- Part 7: Developing
- 26 April 2018
- Vee, in the lost place, 1984
- 26 April 2018
- Epilogue
- 5 February 2019
- Author’s Note
- Acknowledgements
- Letter from Author
- Stephanie Butland’s Readers’ Club
- For your Reading Group
- For discussion
- Select bibliography
- About the author
- Also by Stephanie Butland
Writing The Woman in the Photograph has changed me. It’s given me new respect for the women who bellowed and marched and organised, and changed the law. And changed the world. I thought I had educated myself about feminism, but there was so much I didn’t know. Spending time in archives and reading the work of women who were uncovering and exploring the things I take for granted was humbling. It’s made me determined to be a better feminist myself. It’s made me frustrated at how far there is still to go. I’m furious about the ways women are mistreated, and exhausted at the insidious sexism of our day-to-day lives – and I know how sheltered I am from most of it, by dint of being white in the West. I know that makes it easy for me to write this letter: to own my achievement.
The world has changed, but it has not yet changed enough.
We need more unapologetic women. We need them in fiction, and we need them in the world.
I’m proud of The Woman in the Photograph and I worked hard on it. I hope it means something to you too.
Stephanie Butland
Acknowledgements
Acknowledgements
Thank you:
When I was small, I used to ‘help’ my dad when he took photographs, then I used to ‘help’ in the darkroom. In the writing of this book my dad was a great help to me (without the inverted commas). Veronica’s ability and understanding of her craft come from him, as do the words of her unpublished book.
For expertise, advice, and/or outings: Luke Dodd, Clare Grafik, Shelley Harris, Rebecca Leete, Clare Macintosh, Louise Williams.
You know what for: Carys Bray, Sarah Franklin, Shelley Harris.
For patience, wisdom, and general knocking it out of the park: Oli Munson.
Bonnier: especially Sarah, Katie, Margaret, Clare, Sahina Felice, Imogen, Alex, Kate, James, Nico, Vincent, Angie, Victoria, Jeff, Graham, Sarah and Jennie.
A M Heath: especially Florence, Alexandra, Prema, Mairi and Vickie.
For sharp and intelligent copyediting and proofreading: Genevieve Pegg and Jane Howard.
The unsung heroes of publishing are the bloggers and booksellers who champion the books they love. Thank you.
Kate Beales, Alan Butland, Clare Grafik, Tom Nelson, and Susan Young, my trusted beta-readers.
I’ve said it before, and I’ll say it again, because it’s still true: being the family or friend of a writer is not easy. Honourable mentions go to: Alan, Ned, Joy, Auntie Susan, Lou, Jude, Rebecca, Scarlet, Tom, Kym, Donna, Victoria.
This novel has its roots in the faith and creative egging-on of my extraordinary editor, Eli Dryden. She takes everything I do and shows me how to shape it into something better and brighter. I am more glad of her than I know how to say.
Letter from Author
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