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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

She was invited to sponsor this or photograph that or come and join in here. She sponsored, but she didn’t show up to anything. Illness (non-specific) was her excuse, for a while, but she got better. She travelled again but she didn’t take her camera with her. Everywhere were people with digital cameras; it was The Future, newly arrived, and Vee ached for the days of light meter and darkroom, judgement and skill. She didn’t ache for friends, apart from the one she would never get back. It could have been that the part of her brain that cared about others, wanted to connect, was part of what she lost in the operating theatre with that first tumour. It could have been that it was never that big to begin with. All she was left with was tenderness where she knew the memories of her father’s death and Leonie’s were.

26 April 2018

26 April 2018

Erica

Oh, Erica is proud. She was proud already, and then Vee came, and praised her, and she didn’t know how to add it to her bursting heart. As she looks along the space of the gallery, so well prepared and so true to her vision, and sees how many people are crowding round the images, she takes a breath and tells herself she has done a great job. This busy, buzzy space will, over the coming months, show thousands of people what a force Veronica Moon was, how far feminism has come and how much is still to do.

The tapping of the champagne flute, the expectant semi-silence that follows, brings Erica back to tonight. How can it be time for her speech, already? She’s nauseous with a sickness that is different to the one she fought this morning, not wanting Marcus to see it, throwing up quietly in the en-suite when he was downstairs unloading the dishwasher. They’ve had the first conversation about the pregnancy. Both of them were cautious. Neither of them is sure.

It wasn’t until Tuesday, after Vee left, that Erica admitted to herself that this is more than a retrospective: it’s a memorial. Veronica Moon leaves only photographs. But who will commemorate the person? Who will mourn? Erica can’t let herself think this now (if it is her, and not just her hormones, which is more than possible). She has to focus.

Fortunately – something Erica has learned in academia, watching presentations and later giving one or two, at conferences, then lecturing – silence reads as confidence. She takes a sip of water and glances at her notes. They are words, not sentences, because she will look worse if she loses her place and stumbles.